RIAA Still Feels Entitled To Scour Everyone's Hard Drives
from the a-neutral-expert-might-not-find-what-we-want dept
Ever since the RIAA started taking on file sharing, it's always acted as if it were entitled to all sorts of things it isn't: access to the names associated with IP addresses without filing lawsuits, private info on the people they're suing and even the aid of the FBI in what's clearly a civil, not criminal, dispute. What's amusing about this is that the entertainment industry likes to accuse those who push for a fairer balance in intellectual property laws as having a "sense of entitlement" to free stuff. The latest case involves someone accused of file sharing. The RIAA wants to examine her computer, and for very good reasons, she feels uncomfortable with just letting them scour her hard drive. As a compromise her lawyers suggested a neutral expert -- which seems much more reasonable. Instead, as Nick Burns submits to us, the RIAA has filed a response explaining why they will not accept a neutral independent forensics expert. It's difficult to see how they can legitimately complain about a neutral person examining the drive. However, this isn't the first time this has happened. The last time, the judge actually went in the other direction entirely, telling the accused that she could just hire her own expert to examine her drive, and the RIAA should pay for it.Thank you for reading this Techdirt post. With so many things competing for everyone’s attention these days, we really appreciate you giving us your time. We work hard every day to put quality content out there for our community.
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RIAA
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....
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Digging their own grave
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irony
The irony?
It was a law firm I was working for.
And the lawyer's field of specialty was intillectual property and copyright issues.
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no public support
sure stealing copyrighted is wrong but this Nazi Gestapo tactic against people is swaying away from industry support...
sure people will buy music but because they have no choice in alternative music purchases....
if enough people just STOP buying CDs and digital music and support independent artists, i'm sure RIAA will wake up...but only if enough people get together....say 35% of all people in US should make a nice dent in music sales...
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the fight against the RIAA
http://www.riaaradar.com
http://www.boycott-riaa.com
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Re: RIAA
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Support no one.
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wtf?! o.O
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Good Job Judge!!!
RIAA, MPAA, please s*ck my b*llz ........
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It's not about which one party is going to view the computer. In a court of law, each side has equal rights to call on an expert to inspect evidence.
What's good for the goose...
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RIAA lawsuits and arbitrary actions
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The answer to all of this
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RIAA is a RICO organization
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Re: no public support
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RIAA
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Whats next?
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Land of the free? Let's start acting like it.
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Too Optimistic
I hate to put a damper on things, but the RIAA would just blame the sales losses on piracy, and would do worse things.
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Instructions
Step 2) Install TOR and run it as a node so you have plausable deniability when they monitor your traffic.
Step 3) Answer the door with a loaded .45 if the RIAA knocks on it.
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Re: RIAA lawsuits and arbitrary actions
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too much time on my hand
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too much time on my hand
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Lets be real for a minute...
Blog protesting is never going to have an effect on the final decision whichever way it goes. You actualy have to put your body outside that courthouse and cause a big enough scene to get people to notice what's really going on. The only problem with this is the RIAA or MPAA are going to get media attention as well, and since we all know the meida just loves to spin stories to whatever gets them ratings, they'll only interview 14yr old morons saying "Hack teh plaent yo!" and make our righteous fair use protest to come off as un-educated banter.
Write letters to your congressmen, or assemble protests (peaceful mind you, otherwise you're just making yourself out to be an idiot) to get enough attention to help push this thing in the right direction. If every campus across america had 1 protest that got any media attention it would hopefully blow the fair use side of this argument out of the water and put the RIAA to shame. But like I said the meida is a two-way sword and whatever's in their best intrest will get the spotlight.
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what did she do?
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Copyright
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Re: irony
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RIAA
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Here's the catch: I think the industry knows this as well. And I think they're threatened by the concept that people would be able to cut out the middle man.
What we need is both sides to want to cut out the middle man. Consumers need to stop buying CDs unless the money is going directly to the artist. Artists need to stop signing with record labels that take huge cuts of their money and start allowing people to buy music directly, which isn't hard in an online medium.
If one side or the other is not on the same page, however, the problem still exists on some level.
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Why RIAA Won't Trust Independent Expert
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F the RIAA
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RIAA Sue Happy
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Boycot and Protect Yourselves
Store all your mucis on external hard drives, and turn them off when not in use. Encript them so no one can view the contents.
Turn off your router when you are not using your computer
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we need to send the NRA...
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To hell with the RIAA...
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I had a Jar of Riaa...
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RE: RIAA sueing somebody important
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RIAA
These guys love to litigate! Just give 'em a reason and they will sue the hell out of ya!
My point is this: Why should the artists pay to have the low-life, hated, assholes RIAA "stand up for their cause" when they could do much better just hiring a business manager take care of their affairs?
As far as royalties are concerned, most artists realize that the majority of the $$$ is going to the RIAA and their teams of asshole lawyers.
Computers can manage the royalty issue better than lawyers! Royalties could even be paid on those "file sharers" instead of trying to peep into their private lives.
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Wow..
If you look at it from a *logical* perspective...
If you're a big famous rich artists, you really have enough money to risk a couple hundred downloads, and people are still buying your albums, and you're better off than a lot of people...
If you're a struggling artist, the more people download the wider-spread your name is and the further you get in life...
Sounds like a win-win to me? The RIAA just gets money themselves and think they should but into other people's buisiness to "help them."
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It's economics
Honest people do not steal when the price they pay is equitable to the quality of the service or product they are purchasing. What RIAA and the music industry fail to understand it that the 'worth' of music is now changing. With the internet, we know longer have to listen to what we were told was great music... we can now select the music we wish to hear.
That means greater competition and with greater competition often comes improved efficiency and prices. RIAA can continue to sue everyone in sight, but the fact remains that the pricy carpet under their feet is beginning to be pulled out.
No longer can they command the money they want. This is great news for talented artists constantly rejected by the industry - they can distribute themselves and make an honest living off of the money they make. Meanwhile, the RIAA is trying to suck every last penny it can from consumers and the technologists that are bringing great entertainment to the masses for less money. I suppose they don't have a choice, the only other option is to start minimizing their profit margins.
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RIAA
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Don't steal. Advocate change but dont steal.
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Re: irony
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Counting losses
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Re: Re: RIAA lawsuits and arbitrary actions
I have no problem with artists being compensated, but they should not be able to be compensated for the rest of their lives. The framers of copyright in America were intelligent enough to grant a "limited" monopoly to the creator of a work, and that eventually the work would become public domain and therefore guarentee it would eventually benefit the public.
Of course, then you get into the fun of the fact that corporations are viewed by the law the same as people - without that pesky lifespan thing to worry about, and corps. own most of the copyrighted music in America, so when should something eventually enter the public domain? In 50 years? 75? Where is the incentive to continue to create and develop (something that the "limited" part was trying to encourage.) Think about someone like the Rolling Stones - they still are getting money everytime someone wants to read the sheet music to something they created when they were in their late teens, and most of the band is in their 60s. They will continue to get those royalties until long after they are dead, where is the "limited" part of the monopoly granted by copyright?
For example, "Happy Birthday" the most well known song in the english language is still protected by copyright and it was copyrighted in 1934 - by a relative of the creator (who had died in 1916.)
I think it would be better for everyone if the limit was closer to the limits created by patents - 17-25 years should be more than sufficient for any artist to live comfortably. Look at the sales charts you'll see that music that is over a quarter century old isn't racking in the sales the way the new music is (they are still significant, but not in comparison with new music) so the artist has been given their opportunity to become successful with their created work, and the public is able to get what was originally intended from the copyright's "limited" monopoly during their lifetime.
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The good music has already been bought and paid for 100x over.
Come on Neil Peart of Rush has his drums in 24k gold plated, I am sure he is not hurting for money.
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Re:
This is talking about evidence already discovered, NOT the process of scanning through a persons private files and details in the hope of finding something that makes them guilty.
These are two totally separate things as far as I know.
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Golden instruments
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Just a thought
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reply
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Really Irritating and A$$holish
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just a heads up
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Idiots
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You Come to Me on the Day of My Daughter's Wedding
Sounds a lot like Don Corleone to me. The only difference is that...wait, there isn't any difference.
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Musicians Don't Need Labels Anymore
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RIAA - Have Gov't declare they are Terrorist
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Hmmm....
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Complete BS
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industrial espionage
The RIAA can not be allowed to get away with this
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Boring Weekend...
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Re: just a heads up : To... karmon
more importantly though, is photon encryption... this CANNOT be decrypted except by the device it is being sent to... if anyone "listens in" anywhere in between the device that sends and the device that recieves, i.e. taps the fiber optic line and examines the photons , they'll have disrupted the quantum state and will have effectivly destroyed the data that was encrypted into it. granted, the original data is destroyed... but it will never "fall into the wrong hands". this is completely bullet proof. its entire basis (that is, not being able to examine the photons without disrupting it) lies in the uncertainty principle... of course there's the issue with the distance information can be sent over fiber optic lines without node points in place, and it could theoretically be tapped at a node point but that's just a little detail that will certainly be worked out. i'm sorry to burst your bubble karmon... but photon encryption is one means that can never be "disassembled"...
from the sounds of it... you're some kid who'd like to sound big yet you have no background with cryptography and, frankly, no clue what you're talking about.
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Re: Re: irony
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Re: Grandfather Time
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An Unsigned Artists view
On a professional level I am still extatic when someone downloads one of our tunes! Having seen the big contracts offered by the the labels, I can personaly tell you that artists who are new to the buisness get screwed hard. That 12-15 dollars your paying for the cd translates to roughly about 2-3 dollars for the band. Divide that by the number of memebrs in the band and you can count on about 35-50 cents each before taxes.
The real money artists make is on merchandising and ticket sales for shows. If you really want to support your favorite artists go to their shows, buy a t-shirt and enjoy the fact that they are close enough to see and hear you. Hell, wait after the show near the back gate of the venue and you can usualy meet them in person.... I personaly love meeting all the fans face to face.
In closing , feel free to download a song or even an entire album..... spread the word.... tell your friends ..... burn them copies, but I expect to see you at the shows!!!!
ARRRRGGGGHHH !
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get real
RIAA claims she wants to scan the harddrive for existence of p2p programs and for the existence of copyrighted music.
Alas for them, that doesnt prove much.
a) Having a p2p program installed doesnt prove that you downloaded copyrighted material, though the logs might prove this.
b) existence of copyrighted songs on the hard drive doesnt prove it either, she may have legally bought the cd in the shop and copied them to het harddrive, something acceptible in many countries.
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Re:
> I have close to 60000 songs. I'm sure 98% of
> those would be grounds for a RIAA lawsuit.
Am I the only person who finds this disturbing?
Let's play with some numbers.
Assume Mr. (Ms.?) Coward exaggerates and only 90% of the tunes are "grounds for a RIAA lawsuit." I assume that means they were "appropriated" via the usual file-sharing channels. 60,000 x 90% = 54,000 RIAA sue-able songs.
Now, let's assume that we get roughly 15 tunes on every CD we purchase. 54,000 / 15 = 3,600 CDs.
Further, let's pretend that Mr/s. Coward has a really good place to buy all these CDs and would only pay $10 per CD. 3,600 x $10 = $36,000.
You could buy a new BMW 325 for $36,000. On the other hand, if you stole a new BMW 325, no one would bat an eye when the cops showed up at your door to take you to jail.
Why is it that stealing $36,000 worth of music is brushed aside as inconsequential, or even worn as a badge of honor? (Also, bear in mind that my estimates err on the conservative side. Buying all this music from iTunes would cost 60,000 x $0.99 = $59,400. This is equivalent to a BMW 550i)
I'm all for supporting artists and giving them their due. I've got about 400 CDs in my collection (all paid for). Over the years, I've downloaded 300 or 400 songs, maybe. Those I got mostly back when the file sharing phenomenon was just taking off and the legal issues were less gray than they are now. Others I ripped from friends' CDs (also purchased) -- a *very* gray legal area.
However, 60,000 songs is abusive and excessive -- yet the online community tacitly condones this. Mr/s. Coward has the audacity to chime in on this conversation, obviously flame-baiting the thread (and, yes, I took the bait) and after 70-something comments, no one scratches their heads about this post? The only other comment was "how much space does this take?" Not "Dude, you're a thief!"
These are the people the RIAA should be going after. Not the grandmothers who's wireless portals are unsecured, or the fathers who's children swap and rip CDs -- or the parents of thieves like this, who brazenly abuse the system and, as s/he says, "support no one."
If this person had come here and said "Hey, I stole a BMW 550 this weekend" there would be no moral ambiguity. The community would condemn rather than condone such action.
The RIAA are idiots and are going about this in all the wrong ways, granted. However, they are fighting against millions of people like Mr/s. Coward -- though most aren't this bad.
One last computation. Let's assume that there are a million people around the world who have $36,000 worth of songs that "would be grounds for a RIAA lawsuit." 36,000 x 1,000,000 = $36,000,000,000. That's 36 billion dollars. That's about what Bill Gates is worth. If it were your money, wouldn't you try to get back 36 billion dollars? Or at least try to get people to quit stealing it from you?
I can't condone what the RIAA does. However, neither can I condone the theft of 60,000 songs. Until we, the consumers of music, check our own greed and shun the free music available via file sharing networks, we're as bad as the RIAA. We're just the other side of the same coin.
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record companies are just pissed cos kids arnt getting ripped off anymore. its karma comming back at ya, you thieving bastiches.
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Re: RIAA lawsuits and arbitrary actions
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dont agree
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Re: Whats next?
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Re:
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It's time for a change...
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Re: It's time for a change...
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Re: Re: Tom Funk
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They don't and won't get my money
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Re: Re: Grandfather Time
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Isn't this a violation of our civil rights
Doesn't this amount to one citizen demanding to search the private property of another person because the searchee might have stolen some property?
Come on, the police can't do that with-out a warrant. Why would we let these wing-dingy people do it. We need to put our foot down now, or we will all be subject to the whim of very wealthy people!
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Re: Re: Re: Grandfather Time
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Re:
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Re: Re:
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Re: Musicians Don't Need Labels Anymore
http://www.wired.com/wired/archive/14.09/nettwerk.html
just wow the man is a genius.
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first, most mp3's are between 3 and 4 mb @ 128 coding. most of the stuff off the net is between 112 and 168. with that in mind, say a song is 3.5 megs, and take that by 60k, that's about 210 gigs. so maybe 300 at the most. it is quite possible to spread that over 2 drives.
next, i doubt all 60k songs came from one record company. sure, the "value" of those songs can be from 32 to 60k. but they are all "individual" so they aren't a new BMW. it would be more like "stealing" the different parts of the bmw. but they aren't put together to form a complete car, because well...songs just aren't like that. would bmw be out? no, their manufacturers would be.
plus IT IS NOT...I REPEAT NOT stealing. it is a violation of copyright issues. when you steal a bike, the original owner no longer has the bike. you are stealing the content of an intellectual property. that's why it's COPYRIGHT INFRINGMENT (i may have misspelled that). i.e. the unauthorized posession/use of a work not created by you.
now, where can you beging to claim the "burned off the air" defense? that's quite logical. mr. riaa, you put the stuff ont he air, and i copied it from there, which is legal...
i do agree with the limits on copyrights, before they enter the public domain. you shouldln't be entiltled to royalties on evereything you create. I made a big mac at mcdonalds years ago. does that mean that i should get royalties for everyother bigmac that is made? or just the ones that people i've trianed have made...and what if they train people, am i still able to collect royalties? if the RIAA can, i should damn well be able to.
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Re: Re: Re:
The logic works both ways, moron.
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Re: Re: Re: Re:
oh, wait...
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AAC....
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Re: An Unsigned Artists view
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