Will The RIAA Sue USB Drive Makers Next?
from the just-wondering dept
While the RIAA continues its strategy of suing the very people it should be courting as customers, a recent study points out that so-called "social ripping" now makes up 37% of all music consumption. This is things like friends ripping CDs and sending the files to other friends, or sharing files through a USB drive. Unlike P2P file sharing, this type of file sharing is simply untraceable by the RIAA. Of course, it's not like this wasn't predicted when the RIAA went after Napster. Plenty of people pointed out that for every avenue the RIAA shut down, new ones would spring up -- and each new one would be further underground than the previous ones. Taking the internet out of the equation altogether certainly seems like one way to do exactly that. So, what's next? Will the RIAA start suing USB drive manufacturers for "inducing" infringement? At what point does the industry realize that there's a better way that doesn't involve suing the people who are most interested in your products?Thank you for reading this Techdirt post. With so many things competing for everyone’s attention these days, we really appreciate you giving us your time. We work hard every day to put quality content out there for our community.
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Let's do it
I wonder if EMI has the same thoughts.
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When do they go after public libraries?
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When do they go after public libraries?
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When will they learn
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Mike Makes up Another Story
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I'm reminded of BBSes
DontpileonMe - I don't think it's a scare, it's a fact. Trading software/porn/movies has been around for quite some time. Be it on floppies (Oh to be working at a computer store at that time...), CDs, tape, DVDs or flash drives.
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Hot off the Press?
- B
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BBs's
Man I miss those days! :(
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Don't copy that floppy...
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RIAA
The ongoing and future success of the recording industry, what should be the primary concern for the RIAA, is in adapting and inovating in the face of a changing world. Constant litigation is something like putting another finger in an ever increasing leak hoping it will stop the problem. Eventually one runs out of fingers before discovering that there surely must be a real solution.
And what about the Electronics Industry Association (EIA)? Don't they support all those nefarious electronics manufacturers? Surely if they can be stopped...well, sadly sarcasm does not provide a solution either. Litigation has become the de facto standard response in the U.S. for lost market share in many industries. The record industry is no different. They all went to the same think school.
Now one begins to see one more reason many suppliers and manufacturers outside the U.S. are gaining and overtaking us. How much music and video do you suppose is ripped in a country like China? With a population over three times that of the U.S., the volume has become staggering. And guess what, they don't care what the RIAA does or does not do. They do love it when we eat our own however.
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A more appropriate question: Why should the RIAA accomodate people who show their "interest" in a product by stealing it?
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A more appropriate question: Why should the RIAA accomodate people who show their "interest" in a product by stealing it?
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Re:
Well, first, because they're not stealing it. But, second, and more importantly, because these are the very people they need as customers.
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A more appropriate question:
2] why do copyrights continue for 75 years after the death of the author [if individual]
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Re:
Infringement.
Is.
Not.
Stealing.
I wonder when people will realise that.
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Piracy stops when the extortion stops.
When the gouging stops, the retards at RIAA would see CD sales go up. However their modus operandi is to keep jacking up prices and sue everyone they can. Great business model, jackasses, keep it up.
Oh, and it would help if we had some halfway decent music these days.
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Only 4 Jobs in UK Music Industry Lost to Counterfe
(Copied from a Register.co.uk comment):
'the numbers suggested counterfeit goods cost 200,000 jobs in Europe, but the GAO recent numbers when examined in Canada suggested otherwise.'
http://www.michaelgeist.ca/content/view/1922/125/
"Of 287,000 inspected shipments from 2000 - 2005, IP violations were only found in 0.06 percent of shipments - less than one tenth of one percent."
"Moreover, the GAO notes that despite increases in IP seizures, the value of those seizures in 2005 represented only 0.02 percent of the total value of imports of goods in product categories that are likely to involve IP protection."
Assuming the UK is similar, they're making laws to tackle 0.02% of trade in imported IP goods into the UK.
http://www.bpi.co.uk/index.asp?Page=news/stats/news_content_file_768.shtml
"The UK music industry has an enviable export record with annual net earnings in excess of £435m"
So at most (assuming we import less [music] than we export), we're talking about a loss of 435,000,000 * 0.02% = 87,000 pounds. Since the UK average wage is 23244, thats not even 4 jobs lost in the UK max.
So 4 jobs in the UK music industry maximum lost to counterfeiting. We're making ridiculous extreme laws to save 4 jobs, and probably costing more lost jobs in other industries as a result.
SPREAD THE WORD!
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and
Is it illegal to lent an orignal music cd I have purchased at a record store to a friend?
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as a writer, i decided it wasn't worth it
the recording companies, well, we all know what they pay
and the public, well, they view your stuff as art and generally feel it should be free.
i have other areas, than my ego, i like stroked
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Second, the more the content industry tries to extend copyright from it's original purpose and turn it into a welfare system the less and less people are going to care about it. 14 years is plenty of protection to allow time to create new works. If you think I'm going to care that you can't sit at home and earn money off something you did 30 years ago while my 60 year old parents still have to work 40 hour a week jobs to make ends meet, you can forget about it. Go work at Walmart like everyone else if you can't stay competitive in the music business.
Thirdly, if you think the RIAA/labels give less that a rat's arse about the artists you're out of your mind. But don't listen to me, listen to some actual artists (or their stories):
Janis Ian
http://www.janisian.com/article-internet_debacle.html
http://blogs.salon.com/0001455/stories/2 003/03/26/janisIansFalloutfollowUpToTheInternetDebacleArticle.html
Courtney Love (a surprisingly lucid opinion piece)
http://archive.salon.com/tech/feature/2000/06/14/love/index.html
Dick Dale
http://youtube.com/watch?v=8AJxc3Lxn4o
Candian Music Creators Coalition
http://www.musiccreators.ca/wp/
OK Go
http://www.nytimes.com/2005/12/06/opinion/06kulash.html?ex=1291525200&en=8f95ed31d4548c37&am p;ei=5090&partner=rssuserland&emc=rss
Fiona Apple
http://www.sfgate.com/cgi-bin/article.cgi?file=/gate/archive/2005/03/16/notes031605.DTL
Bo b Ezrin/Ternt Reznor
http://www.torontoist.com/archives/2007/04/thank_god_for_t.php
Roger McGuinn
http://www.usatoday.com/tech/columnist/kevinmaney/2005-05-03-music-piracy-china_x.htm
Rela vent part: "Roger McGuinn, who led the Byrds in the 1960s, said he earned just 0.0007 cents on each early Byrds album sold. He adds that although Arista Records sold 500,000 of his solo album, Back From Rio, McGuinn never got a penny. In other words, thanks to the machinations of the recording industry, McGuinn has never made any real money on even his most popular recorded music."
A good financial breakdown of how the labels screw the artists
http://www.arancidamoeba.com/mrr/problemwithmusic.html
RIAA Claims Ownership of All Artist Royalties For Internet Radio
http://slashdot.org/articles/07/04/29/0335224.shtml
Dead musicians sign petition
http://www.lessig.org/blog/archives/003628.shtml
RIAA Petitions Judges to Lower Artist Royalties
http://gear.ign.com/articles/749/749883p1.html
Artists sue Sony
http://www.mp3.com/news/stories/4310.html
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To question.
A similar scenario with VHS tapes, sure you could record your favorite episode of Knight Rider, but you'd still have the commercials-- even fast forwarding through them you got the gist of the commercial through squiggly lines and such. Also, the quality was inevitably sub par from buying the tapes if/when they were released at the store. (Did they even do that?)
Now days, the recording is just as good as the original-- if not better (e.g. you edit out all those pesky commercials) and because of this, you don't have to buy the box set of anything, unless you're so hard core that bloopers and deleted scenes are what gets you off. (To each his own, I guess.)
But, the proverbial straw that keeps the war going is how now you're not just trading tape/VHS/Dvd/CD with your buddy-- you, like a media Jesus, can take your one CD and share it with millions, and you never lose your copy, and their copy is just as good. What's that sound? That's right.. a death knell for those that still expect us to pay $20 for something that cost them about a buck to make.
Just like any person who is drowning and sees no way out, they are lashing out at anything that might keep them afloat for one second longer-- even if it means pushing us under to do it. Day by day they alienate the very people they need to survive-- it's clear we all think $20 for 15 songs is too much, yet they still insist we're getting the good deal. Soon they'll have etched away their support and will come down-- and I, personally, can't wait.
The sad thing is, they may have waited too long, p2p is too mainstream and I don't see how even charging $0.20 a song will work.. why pay anything when it's free and easily attainable? If they had kept pace with technology, p2p would not have been required in the form it is, and we'd all be pleased as punch that we only have to pay 20 cents for a song, but I don't see how you could convince people to pay for something they get for free now, unless they can add something to it worth paying for.
Anyway, that's my rant.
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Re: Mike Makes up Another Story
What else can they do? It would seem they know how to litigate and lobby better than anything else.
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Re: Hot off the Press?
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Re: Dontpileonme
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Re: Dontpileonme
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The empty space at the end of side 1 ...
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They will sue
Yes, yes they will. No need to finish that sentance, yes they will.
They will sue anything and everything.
They will sue USB drive makers.
They will sue Microsoft.
They will sue every country.
They will sue me.
They will sue you.
They will sue oxygen.
They will sue the Sun.
They will sue God.
They will sue, no matter who or what is, no matter how silly or wrong the reason.
Don't ask if they will sue, they WILL sue.
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wierd
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!!!!!!!
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RIAA lawsuits
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If they do...
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Dont we already pay
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Local network sharing flies under the radar.
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RIAA douchebags
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500GB = 512000MB (500 * 1024)
if each song was taking up aprox 4MB, that would be
512000 / 4 = 128,000 songs.
stupid ass hats...
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Re: Let's do it
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USB sharing is big in Asia
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I have a message for the RIAA: GIVE UP!
Here's some advice:
THE CUSTOMERS ARE ALWAYS RIGHT, NO MATTER WHAT!
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