Nine Inch Nails Sells Out Of $300 Deluxe Edition In Under Two Days
from the that-was-fast dept
Yesterday we wrote about Trent Reznor launching his new Nine Inch Nails album online with a variety of interesting options that people could choose to buy. The top of the list, for $300, was a "Ultra-Deluxe Limited Edition Package" that included all the high quality downloads, two CDs, a data DVD, a Blu-ray high def DVD and assorted extras, all in a nice package signed by Reznor. This was only limited to the first 2,500 people. While some scoffed at the price of this package, it was clearly designed for NIN's biggest fans -- and they ate it up. Mike Linksvayer points out that this option is now sold out, meaning that Reznor grossed $750,000 in just a couple of days on that package alone, not taking into account any of the other packages that many more people likely bought into.Now, before some people start complaining that this will only work for big name bands, there's an easy response to that: these days, the way to become a big band is to get your music out there. Newer bands can easily give away music as a promotion to get attention, build up a following, and throw in these types of options as they get bigger. Besides, smaller, less-well-known acts still have plenty of other offerings they can use to make money, even as a smaller band.
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Filed Under: business model, music, nine inch nails, sold out, trent reznor
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Now I'm sad
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Good Instrumentals
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Not a new idea....
In 1996, i bought from Griffin Music a numbered pack (15000 units) of David Bowie concert in Santa Monica (1972) that included a CD and a 7" two sided vinil single.
I think that at some point, music labels decided to disregard this kind of packaging to focus on their main products, that would be CDs :-0
Ooops!
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1,000 True Fans
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Investments?
$300 may seem a nice starting price, but it seems we'll find the true value of these soon enough ...
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good
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Might combine well
http://ninremixes.com/
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NIN deluxe
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NIN deluxe
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The Future is Now
Like Mike said, for many bands the way to become big has been to put themselves out there on the internet. However I don't see that working (as is) for very long once it becomes a popular thing to do. Right now the idea is novel and the market is virgin. However, once every garage band and their brothers have their own website fans will find themselves confused and irritated at how hard it is to tell the good ones from the bad ones.
This will necessitate the next step, websites and services that do for the artists exactly what the record labels promised to do for the artists in years gone by... marketing them, helping manage their needs, essentially running the business end of things while the artists do what they do best. I do not see these services totally taking over the management for the bands. That would just be the same as before. Instead, I see the bands hiring some one (or perhaps a small firm) to manage their presence on these sites, much like they do already with MySpace.
But this to me raises a more interesting question... why wait till fans are confused to start such a service. Why not begin building it and do the ground work of getting the up and coming bands on board now. Heh... if only I had the money and time for something like that laying around...
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Anyway, I'm really glad Reznor is doing this. Expirementing with alternate distribution methods. True, he's a huge star with a lot of success, but I still think that what he and other big names are doing benefits the smaller guys by solidifying these options and methods. Good for him. And good for music!
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Re: Now I'm sad
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Re: Re: Now I'm sad
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Once you manage to get the ball rolling, there's a snowball effect: if you are on the "Top Videos" in YouTube, chances are you will stay there and even distance yourself from the rest, by the very fact that you are in the top list. Free is the most obvious way of increasing your exposure and thus your social influence.
Applying this concept onto musicians and authors, I believe that once the numbers of such people giving out their stuff for free hit a certain critical mass, the "social influence" - or peer pressure, so to speak - will be too great for others not to do the same, and the snowball effect can begin. Bestselling authors like Paulo Coelho and Neil Gaiman are already taking the lead, which is encouraging.
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Genius
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Dumb folks
I mean seriously, how dumb are people?
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Re: Dumb folks
As for JUST the music, the first 9 songs are available for free and NIN even uploaded them to TPB. Not only that, but the notes have a comment that you'll be able to find the rest of the songs for free as well. Obviously, the songs would end up on TPB, et al and Trent acknowledges this... but taking it one step further, Trent released the music under a Creative Commons license that allows you to share the music. So these songs being on TPB is actually legal.
The point was to provide value and options to people, and that's what he did... from free to fancy. $5 for 36 songs in up to lossless quality (the download is available in several formats, all DRM free, including MP3, FLAC, and M4A - options!) from a major artist, sans DRM, is pretty good value to me. For some, that sweet spot is free. And for some, the items provided in the $300 set is perceived as a good value because of their interest in the artist and those limited edition items.
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Re: Dumb folks
The old adage of buy the album because it's the right thing to do and supports the artist still applies; plain and simple. Trent is raising capital for his tour anyways. Buy the album and give him enough money to tour.
In addition, you can't pirate the deluxe and ultra-deluxe editions because the physical media is the valuable part, not the music.
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Re: Dumb folks
when you like somebody art, you want to own it, the case etc, and you have respect for the creators.
i'm a big fan of people like zappa, miles davis, crimson, and others not known at all by the public, and I own the records, i don't pirate them.
luckily for the artists, all people are not just thiefs like you seems to think
go go artists, control your distribution, and screw the producers !
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Re: Dumb folks
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Re: Dumb folks
At that, I paid $10 for my copies, and you know what I think of it being available for free elsewhere? I don't care. Most of why I paid anything in the first place was because I wanted to support the band. If other people are out there enjoying the music without paying, no skin off my nose.
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Re: Not a new idea....
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Re: Dumb folks
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Mors Ontologica
http://vssrecords.com/
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I tried to buy one
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Re: Dumb folks
People still forked out the 5 bucks to download it from nin.com. I myself paid $75 for the deluxe edition. But downloaded the MP3's via torrent just because it was so much faster than nin.com - which was being pummeled by massive amounts of people throwing money at Trent.
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Probably the artists.
And if the artists are trying to persuade you support them, they won't have the veneer of innocence, victimization, and magic they currently have, which urges the 25ers of today to "support the artist" while sticking it to the evil record labels, the ones who embody all that is annoying and souless.
Artists, potentially the evil big business figure for today's fifth graders?
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Guess I should have bought more than one
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As it should be
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piratebay
piratebay because my download link stopped everytime after 20 seconds. For distribution, pb is gold!
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Freebie
If it weren't for him giving me a copy (that he made of his original) it would have been many more years before I would've sent my money to Trent, err RIAA. Now I know my money is going to the person that really deserves it.
I thank my friend and I thank Trent.
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Re: Dumb folks
This is more about supporting the band you love or owning a part of history depending on the package you buy or how you feel about it. Not to mention I don't think you can get Records with Reznors signature off of Pirate Bay yet. Doubt I will see that in the future either.
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Re:
You should be aware of it, after reading this article. It's obviously there.
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Re: Not a new idea....
before the internet, there was no inexpensive channel to market and distribute music, which is why musicians had to use a label to do this.
Now the internet is making the value of the label diminish, which will eliminate a middleman, and when that happens consumers and content creators win.
I think that's the point, and is new to the music industry/market
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Overrated.
Trent Reznor is fast food.
Get Aphex Twin - Drukqs for some real cool shit.
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$300 bucks is a drop in the bucket for what you ge
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nine inch nails and music evolution
over. The Free Artist Network.com allows the artists to maximize the
revenue from their work. It is the evolution of the music and art industries. Artists can up-load and sell their work to fans.
The Free Artist Network is Free. No commission. We have created facilities for digital recordings with unlimited bandwith.
From Mp3s,albums to music videos. They are Free. We keep nothing. Fans benefit, artists benefit and control their profits. Vinyl and CD's are old school.
The evolution of music is here.
James McPeak,
Co-Founder & CEO
www.thefreeartistnetwork.com
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Thats right!
I'm sure it will lose some fans who want to hear lyrics and "proper song structure", but this is the album that gear lusters and knob twisters dream of, just music no programmed emotions to sing to.
I pat NIN on the back for releasing the music the way they did and making it available instantly with the unique physical package options to choose from as well.
People need more packaging options in their CD's, a lot of labels wont fork out for the extra packaging options unless the band has made them X amount....
This whole thing reminds me of The Melvins track " Laughing With Lucifer At Satan's Sideshow" with all the label staff samples.
NIN has made more in a week(probly) than they did on a labels yearly salary.(probly)
Cut the middle man out and keep giving us package options,
that is the future.
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vinyl
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This guy is doing what the RIAA seem to think is impossible. Making money utilising P2P as advertising as opposed to paying them or an agent for promotion.
Sure, the promotion is a lot bigger now because this is still an emerging way of distributing products, but I don't think you can ever come to a point where there are too many bands going online and promoting their stuff.
Why?
Cos it's the INTERNET. The place where an entire generation of sad b@stards (myself included ; ) want to go to have their opinion heard.
Hell, this comment post is a great example. Who knows if anyone is ever going to read this, but I'll still type it =)
All it takes is one person to say "if you liked *your favourite band*, you'll love *new band you haven't heard of*" to get you interested enough. Go, download the released EP over torrents (rather than buying a single for 5 bucks or w/e), decide you love/hate whatever and go from there.
Sure, there will still be piracy, but the cost of piracy will be the cost of the free advertising you get from word of mouth and viral sources.
They needed a big band to do this first to give it legitimacy. All the small artists already doing this are fighting a RIAA propaganda machine saying they are cutting their own throats. I think NIN/Trent might just be a turning point, to say "you can make money if you make some of your wares available for free sampling".
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Not too much
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Re: Re: Now I'm sad
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Re: Not a new idea....
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gawd i love that band
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Re: Not a new idea.... Yeah but he did it.
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new file engine search!
It is one of the best searches of the internet! very useful!
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