Successful Content Creators Who Use YouTube To Get Around Gatekeepers Worried About Viacom Lawsuit
from the it's-all-about-the-gatekeepers dept
For the most part, reading the amici briefs in the Viacom/YouTube lawsuit has been fairly unenlightening. You have a few, of course, that present an extreme misreading of the law, but for the most part the briefs were pretty much what you'd expect. Entertainment industry giants like Disney, NBC Universal and Warner Bros., sided with Viacom that YouTube broke the law, while tech industry giants like Yahoo, Facebook and eBay warned that accepting Viacom's interpretation of the DMCA would massively stifle innovation.Perhaps they all cancel each other out.
But reader Hephaestus alerts us to the EFF's highlighting of a brief by a group of content creators who have used YouTube to get their works seen and heard without having to go through the usual gatekeepers. The group refers to itself as the "Sideshow Coalition" in response to Viacom's rather demeaning claim that the interests of such legitimate creators was nothing more than a sideshow. But the brief (pdf) shows that they're not a sideshow at all, but people who were enabled to do great things because of YouTube, and that would be put at risk with a ruling in favor of Viacom:
- Barnett Zitron, who created "Why Tuesday," a political video blog focused increasing voter turnout that has helped register over half a million college students to vote.
- Mehdi Saharkhiz, who created a YouTube channel to spread awareness about government human rights abuses in Iran and frequently posts videos from contacts in Iran who record the videos on their cell phones.
- Phillip de Vellis, who created and uploaded to YouTube a video supporting President Obama's candidacy, hoping it would be viewed by a few thousand people. "Instead, millions viewed it and the San Francisco Chronicle described it as 'a watershed moment in 21st century media and political advertising.'"
- Arin Crumley, who could not get conventional financing for a film he wanted to make, and decided instead to self-produce it and post it to YouTube. The first full length movie ever uploaded to the site, it was viewed more than a million times, and then the Independent Film Channel picked it up.
- Dane Boedigheimer, who wanted to be a filmmaker since he was 12 years old and would spend hours each day with his parents' 8mm camera. "In the conventional media, it would have taken years before he might even have a chance to direct films. However, with YouTube, Boedigheimer was able to create a series called 'Really Annoying Orange' whose episodes have been viewed 130 million times."
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Filed Under: content creators, dmca, video, youtube
Companies: google, viacom, youtube
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No, they're not stupid, they do realize it consciously, and their main goal is to restrict all competition and they're doing so consciously.
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Re: *sigh*
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Re: Re: *sigh*
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YouTube must be destroyed.
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copyright criminalizes competition
Yes. But it is about copyright, because that's what copyright is for: eliminating competition.
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Re: copyright criminalizes competition
No, copyright is designed to eliminate UNFAIR competition.
By the way, when is your next movie coming out?
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Re: Re: copyright criminalizes competition
No, copyright is designed to promote the progress of arts and useful sciences. It has devolved into a control mechanism to eliminate legitimate competition.
FTFY
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Re: Re: Re: copyright criminalizes competition
Also, no one in Hollywood is scared of "Annoying Tomato" or whatever-the-fuck. The day may come when serious talent flourishes on youtube but we aren't there yet.
I'll admit I was surprised to learn there are a handful of youtubers making okay money with profit sharing. Anyone know what percentage of ad revenue google is throwing them?
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EXACTLY!
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Ladies and Gentlemen, how about a nice round of applause for The Amazing Masnick and His Mind-Reading Extravaganza!!
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I think thats the key point here. With the state of the world economically getting worse, and the distance widening between the rich versus the poor, "piracy" as they call it is only going spread.
I'm surprised that no one has looked at the wallets of the consumer much. (At least I haven't seen anything in the posts when I've looked, it usualy revolves around morality on the one end, and changing business models on the other) With over 5 billion people on the planet that make 10 dollars a day and less(http://www.globalissues.org/article/26/poverty-facts-and-stats), is it any wonder why people are gravitating towards lower cost/free alternatives in the media they consume?
The black market, counterfeiting, and filesharing, is nothing more then a demographic that is not being served, and nothing more. If your making 10 dollars a day, would you buy a dvd for 3 days wages, to watch one movie over and over again, or would you spend that on a internet connection and be able to watch/download a variety of content?
Lets face it, a lot of us dont make a million dollars a year and live in penthouses, as Hollywood serves up in its movies, or the Pop stars continually spew in their lyrics!
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A small YouTube
The names of the channels their citing pretty much includes about half of the top 100 subscribed channels (those not blatantly corporate) on youtube.
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Re: A small YouTube
Why do you think every "Professional" media company on earth (overkill with the word "every") is filing a friend of the court brief? The numbers of views on individual videos is going up. The YouTube channels are gaining strength and people are beginning to cut the cord on cable TV. The trend for a disruption is there, based on just YouTube.com this wont be a Catastrophic failure of the media production houses it will be a slow erosion. Combine it with infringement, competition from other forms of entertainment, and people communicating and collaborating more its an industry killer.
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Problem: Distributing your film.
Solution: Big Hollywood studios.
They're fighting to stay at the center of the universe.
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youtube
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Hollywood Studios vs. You Tube
as the author of REPO MAN.
Hollywood can shut down tomorrow as far as I am concerned. They are a cartel of illegal enterprises engaged in racketeering. You Tube, and the more aesthetically appealing Vimeo, are - whether we like it or not - the future of independent film.
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