Forging Science: The Story Of How Famed Painting Authenticator Likely Duped The Art World
from the fingerprint-this dept
A couple years ago, on a whim, knowing nothing at all about the movie, I rented the documentary Who the #$&% Is Jackson Pollock?. It's a really amazing documentary. Compelling, well-done and really entertaining. The reviewers loved it too. It tells the story of a truck driver woman, who bought a painting for $5 at a garage sale, and is convinced that it's actually done by Jackson Pollock. The movie has numerous amusing scenes with famed art experts staring at the painting and dismissing it in the most... condescending of tones. Eventually, the "hero" of the film is a guy named Peter Paul Biro, who matches a fingerprint on the back of the painting to one he found in Pollock's (still preserved) studio. The movie ends and you're absolutely convinced that the painting is really by Pollock -- even if the art world won't recognize it. At the end of the film, the truck driver who bought the painting has turned down a $2 million and a $9 million offer for the painting, holding out for the $50 million she's sure it's worth. I highly recommend watching it (though, oddly, I can't seem to find any video clips of it online -- not even a trailer for the flick).Remembering that, I was fascinated to see that The New Yorker recently did a long feature piece on Peter Paul Biro and dove in to read it. The first half of the article covers Biro's rise to fame. How a few of these "fingerprinting" authentications had made him quite famous, with that documentary ratcheting up his fame level even higher. The key point that everyone keeps noting is that, rather than the traditional form of authentication -- the condescending art experts in the documentary who are ripe for mocking and use what often feel like extremely subjective techniques -- this involved science. After all, if the fingerprints matched, how can you question that?
But, then, the article takes a turn. There are a few cracks in the story, and someone who knows Biro well suggests that the reporter, David Grann, look a bit more deeply into Biro's (and his family's) history. It turns out that they were involved in several lawsuits years earlier involving selling what were later found to be forged artwork. Of course, painting forgeries are nothing new, but as Grann dug deeper and deeper he kept coming across evidence that Biro's "authentications," may have involved questionable practices -- including planting faked fingerprints on some of the paintings he was supposed to be authenticating. It's an amazing and gripping article -- and totally calls into question pretty much all of Biro's work. At the end of it, I was just as convinced that the truck driver's "Pollock" painting is not by Pollock, as I was that it was by Pollock at the end of the documentary!
But I found most interesting of all was the reasons why so many people were convinced that Biro's authentications were real. It wasn't just the use of "science." And it wasn't just that people had this natural inclination to believe that so-called "art experts" don't know what they're talking about, but that Biro appears (and, for what it's worth, Biro denies the allegations in the article) to have used what are effectively social engineering tricks to make this work. There's a certain brilliance in realizing that rather than forging paintings, there may be money to be made in authenticating works by effectively forging fingerprints on top of other works -- which then gives it the air of legitimacy-via-science. Honestly, the whole idea that someone would go in and forge fingerprints on top of a piece of art work just doesn't seem in the realm of possibility, and so most people didn't even consider it.
I had started reading the article last week (as mentioned, it's pretty long), but ended up finishing it up now, because I was thinking some more about the recent story of those glass negatives that have been "authenticated" as being from Ansel Adams -- which Ansel Adams' estate is vehemently denying are Adams' work. After reading The New Yorker piece, it's difficult not to be increasingly skeptical of the claims of these new negatives, even with all of the "scientific" evidence that has been mentioned by the team involved in the authentication.
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Filed Under: authentication, forgery, jackson pollock, painting, peter paul biro, social engineering
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authetication
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Re: authetication
Yeah, I've seen that one too... and, yes, I did like it. Not as much as " Who the #$&% Is Jackson Pollock?" though.
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Wow
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http://mikesenese.com/DOIT/2010/07/how-vinyl-records-are-made-and-how-to-pirate-a-vinyl-rec ord/
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Re:
That's the nature of con-artists and scammers. They say something in the right way, with the right words, that you don't bother questioning them. The really good ones will get you to question the WRONG things, and come away convincing yourself that its authentic.
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I think one important diference in these two cases is that it's the "art experts" who are saying the negatives are Adams instead of the one lone con man. It's the opposite of the Pollock "work."
Also you say that Biro found "a" fingerprint on the supposed Pollock painting, meaning one. Now I haven't seen the documentary and don't know much about it, but isn't finding only one intact fingerprint a bit odd in and of itself?
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I was one of those people until i saw a number of pollocks works. Whilst in art books and on tv they just look like scribbled messes but in real life, at full size, you instantly get an idea of the movements made to draw them, and it isnt surprising that they can be identified (in a similiar way to handwriting). Of course once you change the size of the works to fit them in a book they become meaningless scribbles again(to my eyes at least).
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Who Says Fingerprints Are “Science”?
As a result, fingerprint evidence is still presented in the traditional black-and-white form of either “match” or “no match”, rather than saying (as with DNA) something like “the probability of a match is 1 in x million”. Which is, scientifically, how it should be presented.
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Re:
What makes a fingerprint unique is the pattern and placement of the tiny ridges on the surface. The "print" on the Pollock is just a swipe through paint with not visible detail at all.
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Another thought
http://www.cjr.org/regret_the_error/new_yorker_under_siege.php?page=all
Anyone who would be looking at such a painting wouldn't take the word of just one Authenticator -they would hire their own as well to ensure that that work done was accurate. This is called doing your "due diligence". Its done when buying companies to so that everyone is sure that they are getting a company that is all that its says it is.
I have to ask - who authenticated the article in the New Yorker Magazine slandering Paul Biro to find out if the facts were real? Articles are written in magazines all the time to slander or ruin people's reputation. Why don't we question the magazine stories I have to wonder?
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Fingerprint forensics is NOT science
For something to be considered science, it must be objective. In particular it must be testable and repeatable. Fingerprinting is none of these things.
Crime scene technicians are NOT scientists.
Even if these fingerprints were real, they prove (with proof being a special word for scientists) absolutely nothing.
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Re: Fingerprint forensics is NOT science
Fingerprints have been determined to assist in the identification of many truths and that is a fact.
And it is also true that major magazines have for years used their reputations to slander all kinds of people from politicians to art authenticators.
If more people took the time or had the courage to stand up for the truth - these magazines and dishonest reporters wouldn't get away with their slanderous lies.
Here is just another perfect example that ruined the career of a famous reporter (Dan Rather) once his lies were exposed.
http://www.mediaresearch.org/campaign/04/rather.asp
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Re: Fingerprint forensics is NOT science
When we identifiy a print, we have absolutely no idea why it is there, or when it was left. All we know is that this print belongs to that person. It doesn't prove that a crime was commited, just that an item was touched at some point by a certain person.
It is testable and repeatable. Trained examiners will reach the same results in blind tests.
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David Grann A Fraud
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False Story
Theresa Franks hired a fingerprint examiner named Pat Wertheim who has made a career out of challenging law enforcement's latent fingerprint examinations. In 2006, Pat Wertheim accused Danny Greathouse, the former Section Chief in the Latent Fingerprint Section of the FBI of falsifying evidence. These accusations were later found false and Mr. Greathouse is now with the Division of Homeland Security.
In 2007, Pat Wertheim was PAID by Ms. Franks to fabricate a fingerprint by use of a rubber stamp. Then, he claimed Biro may have put it there. However, Pat Wertheim later admitted that he in fact forged the fingerprint but said it was for research purposes. Biro was never charged with anything.
According to at least one law enforcement official and several art experts, Theresa Franks, CEO of Fine Art Registry currently has fake Pollocks for sale on her site. http://www.fineartregistry.com/search_results.php?keywords=&submit=submit&artist2=Jackson Pollock
Of course, David Grann chose to ignore this in his article. But then again, as mentioned in previous posts, the New Yorker is known for churning out such false, libelous "news". They are the Mad Magazine of journalism.
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Credulity about scientific evidence
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National Public Radio Questions David Grann's Ethics
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Re: Credulity about scientific evidence
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Re: Another thought
Your last point is rather silly. No one "authenticates" articles, it's not a scientific work! Write your own article and base it on facts you research!
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Re: National Public Radio Questions David Grann's Ethics
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Re: Re: National Public Radio Questions David Grann's Ethics
"David Grann One of Many Reporters of Fiction"
http://www.youtube.com/watch?v=0QBgodM9mmA&feature=player_embedded
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Re: Re: Re: National Public Radio Questions David Grann's Ethics
Can you explain what your connection to Biro might be?
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David Grann False Reporting / Plagiarism / Fiction as News
http://www.forbes.com/2009/04/21/new-yorker-jared-diamond-business-media-new-yorker.html
"A two-page complaint filed in New York State Supreme Court on April 20 seeks $10 million from the New Yorker's publisher, Advance Publications, claiming Diamond's story falsely accused Wemp and fellow tribesman Isum Mandigo of "serious criminal activity" and "murder." "
Speaking of evidence, what proof does David Grann and Jared Diamond have against their subjects? What is the reason why Grann would target someone of Biro's legendary stature?
Why would Grann dig up an old story from three years ago, rehash it from previous news articles and presumably spend weeks back and forth to Canada? There must be a larger motive here. It surely cannot be to try and solve some crime. Because, let's face it, he has no proof against Biro. All he has is past articles and a wild, creative imagination.
You see, David Grann's modus operandi is to get hold of very interesting people: as he says, "people with obsessive passion and curiosity." These very interesting people become Grann's targets. He uses them, cojoles them, drinks their wine (yes, lots of alcohol apparently), eats their food, (and in one case allegedly steals an object from a subject's home) and uses these things against the subject to create a carefully concocted story of mystery and intrigue.
Grann is brilliant. He never once calls Biro a fraud. He merely suggests shady aspects of his personal life and the elder, deceased Biro who cannot defend himself and creates an heir of mystery around he and his family. In the article, he never actually says Biro is a fraud because he HAS NO PROOF. That would be libelous and he knows this....and the editors at the New Yorker sure as hell know it. In Fiction 101 in college, they teach you to "show, don't tell" in your writing. Problem is, Grann uses his Fiction 101 expertise as devices in his news articles.
It can be argued among Logic and Critical Thinking experts that David Grann has defrauded the public: a "forger" of truth, a "con-artist", the brilliant writer that dupes the world. What he has done is particularly egregious because his article has the potential to damage the legacy of da Vinci, Pollock and all great artists. It also has the potential to damage human lives.
When he filed this article to his editors, he knew the damage it can possibly cause. But, he also thought about his career as a writer. Afterall, according to his site, his story on Percival Fawcett was optioned for a movie. (It should be noted that Fawcett is long dead and the tribes people Grann interviewed are absent of email, telephones and other modern communication devices therefore almost devoid of any method of effectively challenging Grann's claims).
So, with his confidence at an all time high, he submitted the final draft of the Biro article to his editors, knowing quite well the damage it may cause to careers, lives and the legacy of great artists. Thefore, David Grann's carefully concocted, pre-meditated plan may be considered a form of sociopathic behavior. That said, his WILLFULL INTENT TO HARM should be considered carefully by those in the arena of journalism watchdogs and the legal community.
This is not about David Grann. This is about careless, selfish journalists who prey on the famous (and perhaps the infamous) and concoct articles that are designed to mislead, mis-inform and propagate biased opinions, therefore, violating the ethics and code of conduct of the Society of Professionaly Journalists.
For more information on: please visit http://ajr.org/
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Re: David Grann False Reporting / Plagiarism / Fiction as News
Sorry "Elizabeth," but you have no credibility on this, considering your attempt to pretend to be multiple people. Oddly, most people, when caught on this point at least 'fess up. Why aren't you?
ccording to the AJR, has less than a 70% accuracy rating. Meaning, 30% of their content, including 30% of David Grann's article and the Jared Diamond article is false.
Um, take a stats class. That's not what that means at all. No offense, but you're not convincing anyone when you make an argument as ridiculous as that one. You're only making yourself look worse.
If it did have a 70% accuracy rating, that does not mean each article has 30% false.
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Pollock and authentication
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Mike, the title of your article which partly states, "Likely Duped The Art World", is dangerously libelous on the part of Tech Dirt.
FYI, The Daily Beast was recently warned of this type of sensationalistic writing and eventually altered their article to remain truthful and fair. Props to them.
Again, Grann never states in his article that he "likely duped the artworld" as you suggest. This is Grann's ingenious method of hypnotizing his readers, even you, into thinking a crime was committed. All the while, he never even states these allegations, but merely suggest them with devices drawn from basic fiction. Grann copies a specific type of fictional writing technique and uses previously published journalistic content, bordering on the point of plagiarism, and formulates them into "news" stories. Are you familiar enough with fictional techniques to see how Grann is using them to persuade and mislead his audience, manipulating the "essential truth" that is the contract between the non-fiction writer and his or her audience?
As the CEO and a writer of this site, for you to accuse me of "pretending" to be other people is beyond your scope of objectivity and frankly, plain rude. Who ever heard of a "moderator" making personal attacks on well-intentioned contributors to his own site? If you'd like to attract well-informed, highly knowledgable (and perhaps quite famous) contributors to your forum, you should treat them more respectfully. If you'd like us to refrain from posting here, fine.
Our interest is not necessarily in Grann, Biro or Diamond. We're interested in upholding the integrity of the Code of Ethics in journalistic reporting, especially when human lives and world history are at stake. Thanks for your time.
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Re: Pollock and authentication
In fact, there is no recognized source that will authenticate a possible Pollock. That is why people with possibly legitimate but uncatalogued Pollock works are forced to find other methods of authentication, including but not limited to connoisseurship and forensic research. That is why Biro and others like him are in business.
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Re: Pollock and authentication
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Re: Re: Pollock and authentication
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Re: Re: Pollock and authentication
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http://www.theartnewspaper.com/articles/New-evidence-uncovered-in-Warhol-Foundation-lawsuit/1933 6
I believe these egregious act warrant further investigation. Your thoughts on this?
PS: Perhaps a journalist could do a major investigative article on this story? And he or she wouldn't need to instill any fiction either. Now THAT would be an explosive article!
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Re: Response
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It has long been suspected and proven, in part, that certain foundations including the de Kooning Foundation, Warhol and the Pollock Authentication Board (disbanded in 1995) have deliberately deemed authentic works as "inauthentic" or "not correct" so to limit competition in the art market.
For example, it is widely believed by Pollock scholars that Ruth Kligman, former lover of the artist and sole survivor in the Pollock car accident, was given a small painting by Jackson Pollock as a gift during their affair. Yet after his death in 1956, his widow Lee Krasner excluded that gifted painting from the Catalogue Raisonne` which was published in 1978 by art dealer Eugene Thaw and art historian and scholar Francis V. O'Connor.
Convenience would have it that Eugene Thaw, a dealer, would have a major say in which works were being included. While numerous supposed Pollock paintings from the Thaw collection was included in the catalog, Ruth Kligman's was not.
As for Biro and his comparable fingerprint studies on the newly discovered da Vinci painting, "La Bella Principessa", it is important to note the most respected da Vinci scholar, Martin Kemp, approved the piece without any doubt. According to Kemp, it was LATER that images of fingerprints which had already been discovered were sent to Biro for comparison. He never had the painting in his physical possession. David Grann failed to clarify that in his article. Therefore, as a journalist, he failed to remain impartial, objective and transparent.
The timing of Grann's article is also VERY suspect. In October, 2009, the Bella Principessa's discovery made news.
http://www.cnn.com/2009/WORLD/europe/10/13/da.vinci.portrait.found/index.html
A lawsuit was later filed by the woman who owned the painting which Christie's Auction House failed to properly attribute to da Vinci. News of this lawsuit stormed the presses in May 5, 2010.
Art experts, auction houses and dealers began to panic. Afterall, "court papers assert that there is ample evidence that it is a Da Vinci. They mention a faint fingerprint, which matches that on a painting by Da Vinci, and carbon tests indicating dates from 1440 to 1650, not the 19th century. Christie's is accused of failure to use scientific methods and technology."
http://www.guardian.co.uk/artanddesign/2010/may/05/christies-sold-leonardo-da-vinci- fraction-price
Obviously, this discovery brings problems including embarrassment, lawsuits and chaos to the international art market, especially in New York where Christie's is based.
Which of course begs the questions:
Who is Grann really working for? What is his motive in attacking a fingerprint expert? Why shape an article to discredit the fingerprint expert who helped prove the painting is by da Vinci? What was David Grann's motive? Is it no coincidence that David Grann has monetary and family ties to the auction house?
And what about Ruth Kligman?
Well she died this past March, just as David Grann was getting on with his crusade. Very convenient for Mr. Grann, who omitted his interview with Ruth Kligman from the article. Ruth allegedy got to sell her painting with the support of forensic analysis. So why would David Grann omit such information? And what implications does this have on the failure of Foundations to act fairly, properly and legally?
If we can trust neither the Foundations nor the media, than whom is there left?
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The big deal
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Re:
If you think that is "dangerously libelous" then you better tell your buddy Thomas W. Wilson, Jr. to keep his mouth shut, unless he has some evidence to back up these claims posted here a few days ago:
Not to mention that obvious threat at the end there. I think that's a lot more libelous than Mike pointing out that the three of you are using the same computer to attack Grann.
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Re: Re:
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Journalist are like catfish....bottom feeders
I don't recall who on this blog asked if Grann had a reason for his despicable article on Paul Biro. You bet he does. I spoke with Grann this past fall, right after the Da Vinci authentication was made public.At that time I think Grann intended to write a positive article.Grann told me it would be a short while before he would do the article, he had other commitments.Sometime in June Grann contacted me with the ploy to confirm the previous info I had given him. He kept bringing up an issue I found rather odd..."in an arrangement I have with Biro, how much will he be paid in the event my Pollock ever sells? I told Grann, Paul & I have no arrangement that I will pay him any $$$$. I had told Biro's wife Joanne I would take her to Rodeo Drive for a shopping spree & perhaps I may give Paul a small gift. A couple weeks before Grann's article was published, another journalist called me via Grann's instructions to verify my previous info. He also asked me a couple times....how much will Paul be paid....I gave him the same answer.I now know why the insistent question.
The reason behind Grann's article:
Everyone is aware of the lawsuit attorney Richard Altham has filed, a complaint for the plaintiff, his client Jeanne Marchig former owner of the now established Da Vinci....
Paul Biro is listed in the complaint [in part]
"according to a Montreal-based forensic art expert named Peter Paul Biro"
Cause of Action..."Misattribution"... damages...$150 million. Someone on this blog mentiond Grann tied at the hip with Christie's....The New Yorker likewise. Grann took it upon himself or was instructed to...."destroy Paul Biro's good standing and reputation to prevent him being a reputable witness, for the plaintiff. Christe's expert looked at the picture for approx. 15 minutes as all self appointed art experts use this mode of authentication. They wait for some mystical feeling to come over them,in my case..."It doesn't sing like a Pollock,it doesn't have heart like a Pollock,it has no feeling like a Pollock" This would be Christie's expert's mode in his decision of yes or no.
Grann, going back 30 years in Biro's past of trivial mistakes [ each one of us have a past we would prefer stay past]was not enough to destroy Biro's reputable status.
SOOoooo, Grann brings in Thresea Franks CEO Fine Art Registry for more ammunition to discredit Biro, right up Frank's dark sinister alley.Grann utilizes the gobbly goop
Frank's has paid her henchmen to produce to discredit Biro's reputation, my Pollock work, and myself....for no other reason than her evil and malicious personality.
Grann's desperation to prevent Biro from testifying for the plaintiff is based on the following:
Federal Evidence Code – Rule 702 amended 12/1/2000 ARTICLE VII. OPINIONS AND EXPERT TESTIMONY Testimony by Experts. If scientific, technical, or other specialized knowledge will assist the trier of fact to understand the evidence or to determine a fact in issue, a witness qualified as an expert by knowledge, skill, experience, training, or education, may testify thereto if (1) the testimony is based upon sufficient facts or data, (2) the testimony is the product of reliable principles and methods, and (3) the witness has applied the principles and methods reliably to the facts of the case. Abstract: Dramatic changes in rules governing admissibility of expert testimony impact all areas of law. Rule 702 of the Federal Rules of Evidence impose a requirement that judges admit expert testimony ONLY if it is based on a scientifically sound foundation.
So much for art experts and their visual feelings' of authentication. Exactly how Christies expert made their decision, which is useless in court.
This is the reason for Grann's attempt to get Biro disqualified as a witness for the plaintiff.
I thank each one who has the common sense to see through Grann's purpose of the article.
Cheers to all,
TERI
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This statement is not true by a blogger
It was me who would not allow peer review to examine Biro's work. I would allow anyone who was a potential buyer, bring in their own scientific expert & check the evidence to their satisfaction. The reason I would not allow others....such as Frank's Fine art registry....it was none of their damn business.
Teri
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Re:
And might you explain who you are? You mentioned that J. Golfis is actually "John" Golfis. Doing a Google search on that name turns up some interesting results, which don't exactly add to your credibility status.
Mike, the title of your article which partly states, "Likely Duped The Art World", is dangerously libelous on the part of Tech Dirt.
I see. And calling the author of the article a drunkard who lied and falsified 30% of his article is not? I'm pretty familiar with libel law. I would bet that my title stands up a lot more than your comments.
As the CEO and a writer of this site, for you to accuse me of "pretending" to be other people is beyond your scope of objectivity and frankly, plain rude.
This is an opinion site. This is not a "reporting" entity, so journalistic objectivity is meaningless (and a false construct anyway). I express my opinion, and if you think it's rude, well, so be it. I don't have a problem with that. But I have no obligation to live up to a made up standard.
Who ever heard of a "moderator" making personal attacks on well-intentioned contributors to his own site?
Is this your first day on the internet? It happens. Get used to it. And I see no indication that you are "well-intentioned." So far, it looks like you have a serious axe to grind, and you have not yet identified your interest in this story. I make no bones about calling people out if I think that they are being less than entirely forthcoming about their interest in a story. I don't need to be warm and hospitable to folks who have done nothing to deserve it. People show up here all the time and add useful info. You and your "friends" did not. You came with a bunch of totally unsubstantiated, wild claims that are not particularly believable, and did it in a way that suggested you were using multiple names.
We're interested in upholding the integrity of the Code of Ethics in journalistic reporting
And what code of ethics are you talking about?
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Re: The big deal
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Re: Re: The big deal
Sometimes I write a bit spontaneously when I'm trying to get a point across. And (I should never start a sentence with an "and") But ....we are talking POLLOCK here (the guy who flung paint unconventionally onto his canvas) so maybe you could also give me a little lead way on artistic liscense.
OH, I'm also sure a couple words here are probably misspelled: perhaps you could point them out. I'm not a real big fan of perfectionists only because I truly believe people who think they are really are the furthest things from it. And (oops...did it again) there is a reason ASTM invented standards...it's to keep people moving forward and to produce, it's called acceptable standards. And for a forum such as this, I think I have met that criteria.
But thanks for telling me about paragraphs. Now go drive somebody else crazy with something that doesn't really matter.
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Re:
Wasn't the reason you're afraid a peer review would discover the fingerprint on your "Pollock" is forged?
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Re: Re:
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Re: Re: Re:
And guess what, personally, I doubt that you ever had those million offers to buy the painting. So this argument "if I had any fear, would I allow..." is not too persuasive to me.
I know you don't have a damn about it. It's fine with me too.
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Re: Re: Re: The big deal
Simmer down. I only point that out because almost no one likes to read a whole wall of text. Do you? If so, you're odd. If not, then you should see my point.
The reasons I made no reference to spelling/punctuation errors is: A)I don't care about them as long as what you're trying to say comes across clearly, and B) I didn't bother to read your single, ridiculously long paragraph so I wouldn't know if there were any of those types of errors.
I appologize if you thought I was being harsh. Now that I know how sensitive you are, I'll be more tactful in the future.
P.S. I think you meant, "an English teacher?" :)
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Re: Re: Re: Re: The big deal
Nice apology. That was a (very) long paragraph.
We've said enough concerning the paragraph, I think. It's really all a little bit off Subject anyway.
Jacksonpollockstudy.com
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wilson, biro, pollocks
http://gregcookland.com/journal/2010/08/02/this-is-very-dangerous-for-you-to-tread-such-ground-in-mo re-ways-than-one/comment-page-1/
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Retraction of Article
"CORRECTION
In an article about Jackson Pollock in this newspaper two weeks ago, it was indicated that Art Expert Peter Paul Biro or members of his family had committed fraud or other crimes and had spent time in jail. This is not the case, and we regret the error." (Dan Rattiner, Editor)
Page Removed:
http://webcache.googleusercontent.com/search?q=cache:0OTyqIZOnSsJ:www.danshamptons.com/c ontent/danspapers/issue21_2010/03.html+dan's+papers,+biro&cd=1&hl=en&ct=clnk&gl=us
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ANOTHER RETRACTION
http://www.artsjournal.com/realcleararts/2010/08/fingerprint-scam.html
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Grann Quote / Libel
These retractions, apologies and corrections come on the heels of the $100Million lawsuit against Christie’s Auction House, which names Peter Paul Biro as a scientific expert witness for the plaintiff.
The New Yorker, which David Grann is employed, is owned by Si Newhouse, one of the top 200 collectors in the world and major client of Christie’s, according to Art News Magazine.
It is alleged that New Yorker Magazine made an attempt to eliminate Biro as a star witness against their associate, Christie’s Auction House, by assassinating his character in the July 12, 2010 article.
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DAVID GRANN / GEORGE POLK AWARD CONNECTION
John Darnton was named curator of the George Polk Awards in 2009. John Darnton is David Grann's father-in-law.
http://cityroom.blogs.nytimes.com/2009/04/16/former-times-editor-will-manage-polk- awards
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Re: DAVID GRANN / GEORGE POLK AWARD CONNECTION
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Elizabeth Wins....
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David Grann Faces $2-Million Federal Libel Lawsuit
Details are here:
http://www.courthousenews.com/2011/07/01/37847.htm
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sockpuppetry
Come on "Elizabeth", I haven't seen as many shills at a lot more important topics on this site.
Glen Score made comments exclusively on this post. So did terisfind. Do you really want this to go viral?
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painting
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Haha really?
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Paul Biro
Shame on you.......Teri
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Re: David Grann A Fraud
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Re:
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Re: Re: Fingerprint forensics is NOT science
IT IS SCIENCE !
OK. ..... IDIOT.
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