The Difference Between Ideas And Execution -- And What's Missing From 'The Social Network'
from the too-bad dept
By pretty much all accounts, The Social Network sounds like a fantastic movie (which is what you'd expect from Aaron Sorkin). At this point, it's been made clear a hundred times over that it's a work of fiction, rather loosely based on the truth, rather than an accurate depiction of what actually happened in Facebook's early days. However, Larry Lessig does an excellent job highlighting why, even as it's a great movie, it's dangerously misleading about how innovation works. The key point, as we've made in the past, Facebook -- the idea -- wasn't anything special. There were tons of social networks out there. What made it special was the execution, which Facebook did like no one else has done before or since.Except, as Lessig notes, in the movie, a totally different portrait is painted. One where execution is meaningless, and only ideas and lawyers seem to matter:
In Sorkin's world--which is to say Hollywood, where lawyers attempt to control every last scrap of culture--this framing makes sense. But as I watched this film, as a law professor, and someone who has tried as best I can to understand the new world now living in Silicon Valley, the only people that I felt embarrassed for were the lawyers. The total and absolute absurdity of the world where the engines of a federal lawsuit get cranked up to adjudicate the hurt feelings (because "our idea was stolen!") of entitled Harvard undergraduates is completely missed by Sorkin. We can't know enough from the film to know whether there was actually any substantial legal claim here. Sorkin has been upfront about the fact that there are fabrications aplenty lacing the story. But from the story as told, we certainly know enough to know that any legal system that would allow these kids to extort $65 million from the most successful business this century should be ashamed of itself. Did Zuckerberg breach his contract? Maybe, for which the damages are more like $650, not $65 million. Did he steal a trade secret? Absolutely not. Did he steal any other "property"? Absolutely not--the code for Facebook was his, and the "idea" of a social network is not a patent. It wasn't justice that gave the twins $65 million; it was the fear of a random and inefficient system of law. That system is a tax on innovation and creativity. That tax is the real villain here, not the innovator it burdened.It's too bad, if not surprising, that the film decides to celebrate this tax on innovation and creativity as if it makes sense.
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Filed Under: execution, ideas, larry lessig, mark zuckerberg
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Execution gets a nod
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The real question the movie fails to ask is: what did Zuckerberg et. al. do (that their competitors didn't) that was worth billions of dollars?
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I Agree
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you are an idiot.
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Old world looking at the new world
The comparison they made was of a skilled English playwright in writing about the Americas during its independence. It would all be framed in from the old world view, and while still being a good piece of art.. would often miss the point.
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Re:
Other than that, it was all buzz. He was catapulted past competitors through mind share. If you remember, everyone was getting greedy with the intrusiveness of ads. Mark knows what kind of experience he wants, and of course, we all do. The formula is simple really; do the dogs like the food?
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I see: the *real* world is where a twenty-something gets a billion
Anyway, since there is in fact *no* product except use of a networked computer, whatever is real about Facebook comes out of the larger economy, it's just a massive amount of inconsequence piled up, combined with a bizarre yet adequately effective collection mechanism. It's *not* business, doesn't increase overall wealth, just re-distributes it.
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Spoiler Alert
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"Celebrate this tax on innovation and creativity"?
I think the movie did a great job of not making anyone seem particularly great or right in what they did. It showed the negative aspects of everybody, and left it to the viewer to draw his/her own conclusions about what is "right".
That said, I walked away shouting at my girlfriend, "WHY DID THEY GET $65 MILLION FOR DOING NOTHING?!? AN IDEA IS NOTHING! IT'S ALL ABOUT EXECUTION!" She was more bothered by me at that point. :P
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Re:
Actually, he doesn't. Read it again.
He doesn't focus on the legitimacy of the specific legal claim, but focuses on the overall legal framework that would allow such a result *no matter what* the specifics of the legal claim were.
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Re: you are an idiot.
That's not what Lessig is saying. He's not discussing the legitimacy of their claim, but the overall legal framework that allows someone to get $65 million for an idea they didn't execute on.
See every other movie/book/article regarding this same theme. "Flash of Genius" details a decade+ long fight for intellectual property,
Hmm? I'm not sure what one has to do with the other, but we discussed Flash of Genius elsewhere. Another example of an incredibly misleading movie.
which you dumbly label "innovation and creativity".
Lessig did. I didn't (trouble reading?). But, I'm confused at what you're trying to say. You're suggesting the concept of intellectual property is *more important* than innovation or creativity? Really? You do realize that the entire point of copyrights and patents were to promote innovation and creativity. One is a function of the other, and it sounds like you might have it backwards.
you're a lawyer? wow.
Um. No. I'm not. What else would you like to get wrong today?
Also, in the interest of full disclosure, any interest in revealing your employer?
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The Social Network
If so your story is a straw man.
The movie doesn't make those point about lawyers and suing people. It paints the people who sued Zuckerberg as parasites.
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Upcoming releases:
- The Smell From AOL
- The Hole That Digg Dug
- Murdock Madness
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execution vs. parasites
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