Audio Streaming: Probably Not What Your Mobile Carrier Had In Mind

from the so-much-for-that-unlimited-plan dept

Regardless of what you think of his ideas about net neutrality, Tim Wu is unequivocally right about one thing: Ziphone is downright magical. Thanks to it I've been in possession of an unlocked iPhone for the past few weeks, and I've been quite pleased with it. The variety of things this little gadget can do is truly amazing.

But for the mobile carriers the sensation it prompts is probably closer to worry. These newfound apps are bandwidth-hungry, and not only for WiFi packets. iPhone Bittorrent is a rather extreme example; EDGE-capable podcatchers are a more plausible threat. But perhaps most striking -- and therefore menacing -- is iRadio, a native application that brings Shoutcast-based streaming audio to the platform. It's easy to imagine a lot of users wanting this functionality and using it heavily, particularly given how often I forget that I've left it playing.

Of course, the percentage of jailbroken handsets isn't likely to ever get particularly high. But that won't be enough to stop these applications. For one thing, most observers think that the SDK -- which is expected to be announced today -- will allow developers access to both the phone's EDGE and WiFi capabilities. For another, streaming audio has already come to the platform without the need for any new code at all. FlyTunes offers a number of radio channels through an iPhone web interface; it works great. Similarly, WFMU offers a specialized domain for listening to the station on your mobile. More of these apps are almost certainly on the way.

It's true that this is just one device, but it's already setting a standard for what consumers expect from a smartphone -- and proving that users and savvy developers will use every bit of bandwidth they can get to. This demand will only grow as Android arrives and the carriers' grip on the mobile platform inevitably loosens. I'm hardly longing for the days of per-kilobyte data charges, but it seems likely that many carriers will soon be faced with choosing between a return to metering or a flood of customers upset by unexpected transfer caps on their allegedly-unlimited data plans.

Filed Under: audio, data plans, streaming, wireless

Sometimes You Wonder If The Recording Industry Is Purposely Destroying Itself

from the no-more-pandora-in-the-UK dept

Back in May, we noted that the recording industry, in a shooting-itself-in-the-foot method, was demanding that music discovery site Pandora block all non-US listeners, over an argument concerning the exact licensing terms of the music that Pandora streams. The recording industry has been demanding that Pandora sign separate licensing agreements in every country, or it must block them. Now, for anyone who has actually used Pandora, it takes all of about three seconds to recognize that it's the type of service that should be the recording industry's best friend. You put in songs, musicians or even styles of music that you like, and Pandora finds you new music that it plays in a stream, like a personalized radio station. Pandora makes it incredibly easy to both discover and buy new music. If I worked for a record label, I'd be running around the world heavily promoting Pandora, and working with it to promote new artists. Yet, instead, in true RIAA fashion, it's demanding a tithe instead. While Pandora has been blocked in many countries since back in July, it kept going in the UK, believing that it would work out a reasonable solution there. Apparently not. As countless UK-based Pandora fans have been submitting over and over again, Pandora is now shutting off access to UK listeners. What does this accomplish? As far as I can tell, all it does is take away a wonderful music discovery service that helped push people to actually buy music. Only in the minds of recording industry execs would a company doing free advertising for you be seen as something that needs to be shut down.

Filed Under: music, recommendations, streaming
Companies: pandora, riaa

Sony Stops Licensing Of Digital Streams As It Allows DRM-Free Music

from the interesting-timing dept

The timing on this one may be something of a coincidence, but it's worth noting that at just about the same time that Sony is getting a ton of press for finally realizing that DRM doesn't make sense, the company has also told the Harry Fox Agency to stop licensing its music for digital streaming (via Mathew Ingram). As Ingram points out, this decision is really about the rather arcane details of copyright law and two (of the many) different license requirements that are out there. The RIAA labels have all been pushing (not surprisingly) for whatever combination of licenses that will bring them the most money. This isn't new, of course. We saw it in the battle over what licenses satellite radio had to pay. The same battle is now happening with digital streaming services. The Digital Media Association has asked the copyright board for a ruling saying that an audio stream should only be required to pay a performance license (as it's a performance) rather than a reproduction license (like for a product that's actually being distributed). Because of that, Sony has basically said it won't be distributing any more music for streaming until this is settled. It's likely the other labels will follow as well. It's hard to see how they can really argue that an audio stream isn't simply a performance, since the whole point of a stream is for it to be fleeting, like radio, rather than a fully stored download. Yet, when you're unwilling to look at new business models, it's no surprise that you look for any opportunity to use whatever laws and government subsidies you can to your advantage.

Filed Under: drm, royalties, streaming
Companies: sony