Re: "The explosion of litigation we are seeing is a reflection of how the patent system wires us for innovation"
Said the weapons manufacturer on sales: "The explosion in wars you are seeing throughout the world shows us that weapons wires us for war."
Or, more accurately: "The explosion of litigation we are seeing is a reflection of how lawyers are wired to find suits to make money from. It's natural and reasonable that innovative attorneys would seek to enrich their bank accounts using the patent system."
If I had made some Star Wars fan fiction I would say to Disney: Come at me, bro. If the ire of Star Wars geeks can't help drive awareness about the need for copyright reform and the evental reform itself I don't know what can.
I agree. Is it profit or propaganda? They can't have it both ways. I guess if you think of Fox News as farcical entertainment then you could think of the film the same way. Either way, all just an opportunity for the filmmakers to get more attention to the film.
I think in the context of this discussion copyright was developed to protect middlemen's investments. Creators were not in the business of printing and publishing (they just create), so they had to sell the rights to a third party who could do the printing and marketing. And to make it fair to that publisher, they restricted other publishers with copyright laws and the threat of punishment for violations.
It is the same mentality you have with things like the 2012 London Olympics brand police. Other parties are paying "good money" to to advertise their brands so they need to stop others from "free riding." Or with licencing of music, films, TV. Licencees are paying money to monetize content so they and/or the licencor want to stop others from doing the same for free: YouTube takedowns, ICE domain seizures, etc.
But today creators can do it all just by hiring services (TuneCore, CDBaby, Amazon, fabrication in China, etc) that need to compete in the market for customers (it does not make sense financially for them to get exclusive deals, for example, they are just a service provider), so there is no middleman and his army of trolls.
I read it this way: Publisher [are] Angry [that a] Robot (Amazon's "Frequently Bought Together" suggester, but free) Bundles Free Ebook With Physical Copies And Triples Sales.
And before reading the story I thought a book publisher didn't like how their sales tripled because Amazon included a free ebook version of a physical book without their permission.
Gibson his this coming. They have pissed off a lot of people. They hate innovation and try to squash it where they can. They kill jobs by acquiring companies and then firing everyone. Juszkiewicz, karma is a bitch, isn't it?
All I can hear is the horn stabs in the original track that start at 1:46 are at least the same chord as used throughout Vogue that first appear at 0:56. I don't see how they are hidden. All of the string parts in Vogue are either live recorded strings or a synth. If Pettibone had access to the original multi tracks maybe he could have used the string sound but it is just a long-sustaining chord.
Imagine if the rights holder of James Brown's recordings sued everyone who used the horn stabs in Get Up Offa that Thing. That would be insanity.
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Those darn abolitionists who smuggled slaves to freedom just before the American Civil War. They were not economists.
On the post: Entertainment Industry Mourns The End Of 'Hollywood' Howard Berman Being Their Personal Voice In Congress
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On the post: US Patent Boss Completely Clueless: Insists That Patent Fights Show The System 'Wires Us For Innovation'
Re: "The explosion of litigation we are seeing is a reflection of how the patent system wires us for innovation"
Or, more accurately: "The explosion of litigation we are seeing is a reflection of how lawyers are wired to find suits to make money from. It's natural and reasonable that innovative attorneys would seek to enrich their bank accounts using the patent system."
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Re: Re: Let's talk "entitlements"
It is the same mentality you have with things like the 2012 London Olympics brand police. Other parties are paying "good money" to to advertise their brands so they need to stop others from "free riding." Or with licencing of music, films, TV. Licencees are paying money to monetize content so they and/or the licencor want to stop others from doing the same for free: YouTube takedowns, ICE domain seizures, etc.
But today creators can do it all just by hiring services (TuneCore, CDBaby, Amazon, fabrication in China, etc) that need to compete in the market for customers (it does not make sense financially for them to get exclusive deals, for example, they are just a service provider), so there is no middleman and his army of trolls.
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The ex-FBI informant, Craig Monteilh, with a change of heart: 'There is no real hunt. It's fixed. It is all about entrapment.' http://www.guardian.co.uk/world/2012/mar/20/fbi-informant
Eric Holder is behind the Suit's Quash Against FBI:
http://blogs.ocweekly.com/navelgazing/2011/08/obama_monteilh_malik_rahim_faz.php
On the post: Publisher Angry Robot Bundles Free Ebook With Physical Copies And Triples Sales
Re: Misleading Title
And before reading the story I thought a book publisher didn't like how their sales tripled because Amazon included a free ebook version of a physical book without their permission.
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Imagine if the rights holder of James Brown's recordings sued everyone who used the horn stabs in Get Up Offa that Thing. That would be insanity.
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http://www.facebook.com/SenatorFeinstein/posts/254424444658557
http://www.facebook.com/Se natorFeinstein/posts/420875764602267
http://www.facebook.com/photo.php?fbid=420370754652768
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