TV Experiments Just Keep Coming
from the a-step-sideways? dept
There has been an awful lot of experimenting from TV executives lately. It mostly started about a year ago, but in just the last few months it's really heated up, from the
Cartoon Network's streaming of Adult Swim to
UPN and Google streaming Everybody Hates Chris to
Apple and ABC offering $2 downloads of shows to be viewed on the new iPod to
NBC and CBS selling extremely limited versions of shows for a dollar. Now we can add to the list that AOL is
streaming free versions of classic sitcoms (well, depending on your definition of "classic"), with commercials. On the good side, it's clear that TV execs realize they need to do something. They need to change and they're trying out a lot of different things. That's a step forward. However, all of these experiments have problems. None of them really take advantage of the medium, and all of them practically scream out how afraid the TV execs are of losing "control" on the internet. The streaming versions are bandwidth hogs for the companies, and do little to encourage people to watch the shows whenever, wherever and however they want. The paid downloads are all limited to provider and device and
cost extra when there are plenty of alternatives around. The TV producers need to let go, and recognize that they can get a bigger audience for advertisements the more they get people watching -- meaning whenever and however they want. Put the shows up (with commercials) and use BitTorrent to distribute it (thus avoiding the bandwidth costs). Let people "subscribe" to certain shows and watch it however they want and you build up a much more loyal audience and can sell more advertising. The TV execs are worried that if they don't "control" things that their shows will get "Napsterized," but they're wrong. By trying so hard to control it, they're encouraging the Napsterization of TV shows using BitTorrent already. Last week, there was all sorts of buzz about
Tioti (Tape It Off The Internet), a new system for tracking TV show torrents. If the TV execs were smart, they'd be embracing this as fast as possible and offering up authorized versions of these shows to build up audience and loyalty. Instead, they're dipping their toes in the water in ways that make people wonder why it's worth it before firing up BitTorrent to get their favorite show in a more appealing manner.
Reader Comments
Subscribe: RSS
View by: Time | Thread
You're overly negative
Sometimes it's ok to be nagging and be negative but not ALWAYS :)
[ link to this | view in chronology ]
Re: You're overly negative
[ link to this | view in chronology ]
Re: You're overly negative
[ link to this | view in chronology ]
Re: You're overly negative
However, if I think what they're doing is wrong, why shouldn't I say so? They have a real opportunity here, and why should we shut up just because they're doing "something" when it might be the "wrong thing"?
[ link to this | view in chronology ]
No Subject Given
[ link to this | view in chronology ]
Ugly Stamp Sized Video
'Innovating pretty fast' is about as useful as selling horse drawn wagons when your next door neighbor is a Honda dealership. The innovations that matter have already occurred. Innovating in ways that are inferior to already established technologies are exercises in futility.
Until the television management realizes they need to give users the kind of control over content they require to enjoy their entertainment products with whatever tradeoff (commercials, fees, etc.) that provides income for the television producer they will be fighting against against the established market defined by free access to high quality video. People would be willing to trade away from BitTorrent if the alternative were easier to use, faster and/or did not overly compromise their television viewing experience.
What comprises a compromise of their television viewing experience? Here are some examples from the technologies currently being deployed:
So, for all the free market allusions television industry representatives spin when discussing the industry they seem incredibly resistant to actually addressing the possibilities and realities of the current market and medium.
[ link to this | view in chronology ]