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Re: public domain
There is a very nice collection of JS Bach MP3s that was just released to the public domain at http://www.blockmrecords.org/bach/
I'm not as much a Bach fan as a Mozart fan, though.
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Re: Re: public domain
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Re: Re: Re: public domain
Also, a newly-published edition of a piece of sheet music gets a brand-new copyright. Even if the music is exactly the same as an older public-domain manuscript, the new edition has been typeset and printed differently, and the editor may have made changes to piano fingerings and other details.
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classical music
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Seriously though, here's my prediction: She puts the album up, a bunch of people download it, and a small percentage of them pay for it. Every idiot reporter will be talking about how it was a failure, purely by looking at the percentages, and ignoring whether or not she actually increased her exposure and grew her fan base. (That's assuming she's asking for payment, TFA isn't clear on that.)
As I've said before, if you looked at the percentage of people who hear a song on the radio that actually buy the song, you'd get some pretty dismal numbers. (Sadly, the recording industry has lately been acting like they took that advice seriously.)
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Something similar
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Free
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Great idea
Most people are not going to pay for that album but a good amount will buy some of her other releases.
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Like ChurchHatesTucker says, a lot of analysts will take anything they can to point to this as a failure. 5000 people download and only 1000 pay? It works now but when everybody does this it won't? Only big name artists are known enough to make this work? Only small, up and coming acts can take this kind of risk?
Fortunately, this is a much better model than the radio. I don't buy what I hear on the radio (not that I listen to the radio any more. You ever hear of Pig?) because I was burned so many times when I was younger. Hear a good song on the radio, go buy the CD for $16, and only two tracks are worthwhile. This model is much better--I can preview the album, decide if a significant portion is worthwhile, and if so, buy it. If I only like one track, maybe I'll pay a fraction of the requested price and keep that one track. Better for them than not receiving anything.
And here is the crux of the "record labels treating their customers like criminals" scenario. If I can't hear this album for free first, I'm not going to outlay cash for it. Since I can, I may. It requires trust.
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