Can You Name An Example Where Suing For Copyright Infringement Made Business Sense?
from the thinking...-thinking... dept
Responding, in part, to our analysis of how Hasbro's handling of the Scrabulous situation was about as poor a business decision as it could make, Information Week's Mitch Wagner asks a very good question: Can you name a company that has aggressively fought so-called "piracy" of its products and found that to be a successful business strategy? As he notes, there are plenty of examples of the opposite -- companies that have learned to embrace such "piracy" and build business models around dealing with it. In fact, Matt Mason has a whole book of examples of that.But is there a single company that aggressively sued for copyright infringement, and found that strategy to make good business sense?
It hasn't worked with the recording industry -- which is seeing more and more unauthorized file sharing every day, as its own sales decrease (and, it would seem, its legal bills increase). So, let's help Mitch out. Can anyone think of a company where this strategy was actually net positive for the business?
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may be an example?
Copyright helped quite a lot IBM during the 60s and 70s. After all everything in/out/around the computer was IBM, not a change for a competitor to come in.
Apple suing a company, that sold PCs with Mac OS preinstalled.
Basicly an example might come only from a competition between two companies. In the case of RIAA - it is suing it's customers, a bad example of a business model!
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Apple Corp vs Apple Computer/Inc
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Here is an example.
I recall a case where industrial machinery was being manufactured in China and imported back to Australia and sold to mining company's undercutting the local manufacturer. The Australian company was able to prove the design was theirs (various design features that required significant research to perfect) and conversely the importer was not able to demonstrate any design processes.
(so the design appeared to be just be a copy of the original with minor variations).
Anyway the importer was stopped on the basis of copyright infringement in that they had been built to the same specifications or plan. Architects designs are similarly copywright protected as well and they usually are keen to pursue people who copy them - albeit its a grey area to prove at times.
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The prisoner dilemma
Also, assuming companies operate in a closed economic system, lawsuits take money out of the system through legal fees.
The answer to the copyright problem is idyllic, but not as out of reach as most people believe it to be. Like prisoners in the prisoner dilemma or the townspeople in the tragedy of the commons, companies profit most when they exist on a level playing field - i.e. a free market. They profit most when they spur each other on to produce newer products and cheaper goods. Competition breeds better and newer products and also expands the economy.
People need to have more faith in humanity. Just believing that people are good and responsible would help eliminate a lot of the world's problems.
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Probabilities
If it didn't, if there was no chance of being sued for infringement, then companies would build web sites that hosted every song in existence, youTube would have no qualms about streaming every TV show, radio stations would play anything and everything with no royalties, rogue businesses would copy and press the latest CDs and DVDs and immediately reprint bestsellers, pirate theater chains would show movies copied from legitimate chains for a buck, and so on.
Without copyright and the deterence effect of lawsuits, and the legal penalities that ensue, the entire existing content creation chain would fall apart.
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Re: Probabilities
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But
I think the poster that said company A suing company B that is trying to compete unfairly is what it's for. MAFIAA suing consumers is just dumb.
60 Minutes had a story a while back where Callaway golf clubs started doing brisk business in Asia after eliminating all the copycats through lawsuits, even though it had been expensive and difficult.
Basically, until it's like Star Trek and we all have matter rearrangers that make us a steaming cup of Earl Grey, it will be like this.
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Re: But
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What are you 12? Seriously, mike.
Have you ever heard of anyone who was happy because they had to sue someone in small claims court?
This is just another attack on music industry, because you could fix everything, because obviously you are a genius. I thought you had "bigger fish to fry."
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Compliance
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Every Single Case of Copyright Makes Business Sense
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Re: Re: Probabilities
Perhaps, but it's highly probable that the population of music, arts and games creators would decline. Sure, you'd get some of those things, but not nearly as much as you do now.
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Re:
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Re: But
When content was scarce and audience attention abundant, there was little incentive to compete on quality since people would be forced to watch, read, or listen to whatever you gave them.
Now that content is abundant, and audience attention scarce, the incentive to compete by increasing quality is finally present since people can reject low-quality content and still have a plethora of content to choose from.
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Re: Re: Re: Probabilities
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Re:
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GOD Damn It !!!
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Mike
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Re:
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Re: GOD Damn It !!!
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Translations
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Re: Probabilities
The key phrase here? The entire existing content creation chain. If that falls apart, who's to say a bigger, better, more creator-friendly content creation chain wouldn't take its place? Nature does abhor a vacuum, after all.
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Re: may be an example?
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Who
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You're right, intellectual property law is silly (huh?)
Your argument makes reasonable sense in the context of CUSTOMERS 'stealing' copyrighted material, like music. It's tough to sue your customers, it's tough to change behavior, and there can be even more compelling business models based on the economics of viral distribution.
But when COMPETITORS misappropriate copyrighted (or patented, trademarked) material, the story is entirely different. It makes compelling economic sense to block those activities, maintain overall market share and a 'monopolistic' position with respect to your own content, and generally block competitors who decide not to bear the cost of developing content, technology, or brands. The legions of well-payed IP attorneys and the value that any venture capitalist places on original IP are testimony to the economic sense of IP protection.
Scrabulous is a competitor of Hasbro, not a customer. The value of the Scrabble brand lies in Hasbro's exclusive use of the Scrabble brand and its exclusive right to sell the Scrabble game. While they may have not managed the exercise of those rights as effectively as possible in the context of online social networking, it is absolutely in Hasbro's best interests to vigorously protect those rights that form the basis of the brand's value.
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Re: Re: GOD Damn It !!!
I enjoy reading the New Living Translation (NLT), and what's interesting is that NLT's work is owned by a trust.
Not sure why, but their copyright is far more flexible than NIV. This I didn't know until I started researching it!
Copyright
The text of the Holy Bible, New Living Translation, may be quoted in any form (written, visual, electronic, or audio) up to and inclusive of two hundred and fifty (250) verses without express written permission of the publisher, provided that the verses quoted do not account for more than 20 percent of the work in which they are quoted, and provided that a complete book of the Bible is not quoted.
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Apple's business model has kept it afloat, not maximized its profits.
Contrast this to the PC. The hardware had open specs and no one had a lock on royalties. IBM probably adopted this model for all the wrong reasons. (Basically, they wanted to have a PC for business to keep keep companies like NEC from creeping into pure blue IBM customer's shops, but they didn't want to be bothered with the details of the useless little buggers that were starting to litter some people's desktops.) The point is that open specs made the PC a success, not the superiority of the equipment.
IBM even left the OS open. You could run PC-DOS from IBM, but you could run some CPM-86 or some chopped down versions of Unix. (I remember recommending CPM-86, but I don't admit that in public anymore.) Microsoft had the cheapest OS out there at the time, and it was super easy to pirate. In the pre-Windows 95 era the main thing that kept more people from pirating MS-DOS and Windows was that they were so cheap to begin with. MS was able to leverage its wide popularity into its monopolistic market position
The bottom line is that keeping the market locked up is not a good business model. Give me a competitive product and a good business model any day over an premium product with a poor business model. The latter has been Apple's choice since the Mac, and it why they still have a tiny market share.
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How about Tivo?
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Re: Re: Re: Re: Probabilities
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Re: Re: But
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A clear example....
Back in the early 1980s, a company called Franklin Computer sold computers that were compatible with the Apple II personal computer. Franklin did this by copying the Apple II's firmware and operating system. The Franklin computer was aggressively marketed to the same market as the Apple II, including the education market.
Apple sued for copyright infringement, and in 1983, obtained a ruling that Franklin infringed Apple's copyrights through its copying of Apple's firmware and operating system. Franklin was forced to take its Apple II compatibles off the market until it could write its own code (without copying Apple's). By the time Franklin finished doing that, the Apple II was old news and there was no market for its s product. Franklin was then relegated to making ultra-lame handheld computers (which they continue to do today.)
This is a clear example of how copyright law made perfect business sense for Apple. It removed a fierce competitor from the market for a critical period and prevented Franklin from undercutting Apple's profit margins. The Apple v. Franklin case itself became one of the first decisions to recognize that computer programs were protectable under copyright laws.
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Re: Apple's business model has kept it afloat, not maximized its profits.
One of the reasons Apple has grown is that Microsoft has increased its OS pricing and started to make pirating it a PITA. Instead of Microsoft spending millions on its new advertising campaign, it could just remove Activation and set up friendly home user pricing (Vista Upgrades for up to 5 home PCs for $99, etc.).
Microsoft pushed pass their customer's cost/pain point for their OS and now folks are looking at alternatives. So in many ways, Microsoft is now an example of how locking down your product is having a negative affect on them.
I actually think Microsoft is starting to wake up to this. Their latest activation scheme in Vista won't shut it down if it isn't activated. It will nag you to death, but it won't shut it down.
As an aside (on top of the already aside - smile), what happens when Microsoft doesn't want to run it's activation servers for XP or older versions of Office? Seriously, think 20 years in the future, there will be someone out there that still needs it running for whatever reason, hardware crashes or they swap over to a virtual machine and no activation server will be available. If companies are going to implement DRM and/or Activation Servers, there needs to be a laws in place that require them to run them for 50, 100 or more years or have expiring DRM/Activation schemes in place so that after 5 years you don't need it or it turns into non-protected software.
I personally would push really hard to be part of any class action lawsuit where a company shuts down activation or DRM servers to help these companies understand the full cost of their decision. To make them understand that they've just signed up for an indefinite contract to provide DRM/Activation servers for their product that was made 25 years ago.
Freedom
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Re: Re: Probabilities
Suppose there were no copyright laws. Chances are, at least one other person would have released Harry Potter books copied verbatim or near-verbatim, possibly giving themselves authorship credit, before the first novel had even become a best-seller. And after the series became popular, of course, many more "publishers" would've rushed out to provide this "important service to the world's reading public."
So how many Harry Potter books would Rowling have written under that scenario? I'm guessing not much more than one or two.
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Re: Re: Re: Probabilities
Techdirt itself also work as an illusory example of originator' prevalence over copycats.
In the days when there were no copyright protection for foreign authors, American publishers "pirates" British authors' work on a massive scale. This has proven a huge boon to the American public as they get lot of cheap books and literacy spread.
However, it also proves a huge boon for British authors as well because American publishers jockey for the first to publish the manuscript and is willing to pay for that privileges. As a result, British authors were compensated, sometime even more than the royalty they received in their own country.
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Re: Re: Re: Re: Probabilities
Maybe, but one of the main premises of this blog seems to be that many consumers don't see a big difference in value between the work sanctioned by the original author and publisher, versus a copy (even with loss of fidelity) from an unsanctioned source.
However, it also proves a huge boon for British authors as well because American publishers jockey for the first to publish the manuscript and is willing to pay for that privileges.
That's interesting, but how is that relevant to modern times? Today's pirate distributor pays either nothing, or for one inexpensive copy at a retail store.
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Re: Re: Re: But
My assertion is of course that when competing commercially, the more choices the audience has, there more incentive there is to invest in quality. It is very important to add: quality as defined by your audience, since they are the ones consuming the content.
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photographers, artists and content creators
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Copyright is not always about business
But I also want to point to that is not always about the $$$. There are religious artists who have had their work infringed upon, where the work itself has often been donated but where the the artists want to remain the religious integrity (in this case depiction of Hindu deities).
A monk or nun that expresses their devotion to the divine, obviously don't want to see their work used to sell alcohol, cigarettes, or drugs, or to market what they consider incorrect interpretations of their faith (western variations of their religion). From their point of view the piece of art they meditated on, and worked on for a long time, put their heart and effort into, would of course be devastated if it was used irresponsibly, which makes their entire effort counter productive.
To use a western example, sort of like a newly created original piece of art showing Mother Mary, that is used by a third party without permissions to sell sex. I'm sure that the a devout catholic monk artist would do what they can using copyright to rectify the situation from their point of view.
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Another example?
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Re: The prisoner dilemma
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The Schammwow will clean up that shill delimma
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Re: Re: Re: Probabilities
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Re: Re: Re: Probabilities
http://www.geocities.com/versetrue/rowling.htm
Copyright didn't keep Rowling from "borrowing" - ideas, at least, and probably much more.
Paul
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only one business makes money
paid and get paid well..... win or lose.
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Re: Re: Re: Re: Probabilities
Really? Smoking crack, is it? Please, then, tell us how there would be so much more content out there if everyone could copy everything freely. Because it seems to me that a creator would not be as inclined to create new original works if he knew that anyone could misappropriate his works without regard for the author.
Mr. Eleete, I've seen your website, and it appears to me that you are a computer programmer, not an artist or an author. So I find it a bit disingenuous of you to make these bald assertions as if you would know what drives an author or an artist.
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Re: only one business makes money
paid and get paid well..... win or lose.
Except that law firms are not corporations.
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Re: Here is an example.
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Re: Re: Re: Re: Re: Probabilities
The renaissance is considered by many to be the period of mankind's greatest advances in the arts, as well as philosophy, politics, science, and religion.
When Mozart composed his music, when Da Vinci composed his many masterpieces in many media, there was no copyright, and the conditions of the time (lack of global communications, lack of documentary mechanism such as photography and time stamping) made it easier and more likely then today that "anyone could misappropriate his works without regard for the author".
Yet strangely, great works of art were not misappropriated, great artists were celebrated, and although many starved - on the whole, they starved a lot less than most of their compatriots - remember the times.
Most of all, artists were prolific and the volume of great art was arguably more than today.
How did this happen without copyright?
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Re: A clear example....
Except that the lack of compatible products was one of the main reasons for Apple's decline in the marketplace during the 90s.
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Re: Re: Re: GOD Damn It !!!
Read Revelations. I'll see you in Hell.
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Re: Re: Re: Re: Probabilities
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Re: Re: Re: Re: Re: Probabilities
Ok, I will make an emotional appeal too: why is it that a surgeon who creates a life saving surgical technique is expected to share it with the world, and continue doing operations for a living? Why can't this surgeon stop performing operations, sit back and live off of the royalties (look up the origin of that word) from other people performing the surgical technique he has invented.
Why is a fashion designer expected to continue producing new fashion designs when the are not "incented" by perpetual royalties from their designs? It would only be fair that they get a royalty every time one of their designs appears on television, after all the composer of the music that is playing in the background does.
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Re: Re: Re: Re: Re: Probabilities
And you're a fool if you think creativity would not flourish without the fear of lawsuits and a flourishing public domain. Then I gather you're the one not an artist, and guess that you are counsel.
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Re: Re: Re: Re: Re: Probabilities
A programmer can't also be an artist or author? How snobbish.
And just where is your website, Willton?
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Re: Re: Re: Re: Re: Re: Probabilities
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Re: Re: Here is an example.
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Re: Re: Re: Re: Re: Re: Probabilities
Are you trying to profit off of your videography or photography? My guess is you are not, considering I could not find said photography or videography, let alone a method of profiting from it. But feel free to show me otherwise.
And your programs are not covered by trademark because (1) you're not using them as a mark, and (2) they would be descriptive of whatever it is you're selling.
And you're a fool if you think creativity would not flourish without the fear of lawsuits and a flourishing public domain. Then I gather you're the one not an artist, and guess that you are counsel.
Maybe from the folks who are not trying to profit from their works, perhaps like yourself. However, I find it hard to believe that an artist would continue trying to make a living being an artist if he could not exert some control over his works. So, unless you think art only comes from altruists, you'll have to show me how the ability to control one's works is of no moment to artists.
Yes, I am a budding lawyer (law student, to be exact) who has had some intimate experiences in the music industry and currently has family members who write for a living. So believe me, I know what drives artists who wish to make their art their profession.
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Re: Who
Is anyone asserting that words can be copyrighted?
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Re: Re: Re: Re: Re: Probabilities
Creative accounting is another service a resourceful, modern legal entity can afford... That Joe Author doesn't have access to.
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Re: Re: Re: Re: Re: Re: Probabilities
As for comparing the volume of great art, then and now, that is highly debatable. One can argue that there were more landmark works of Western symphonic music composed during Mozart's time, but the attention of musicians and the public has since shifted to other kinds of music. The novel only became a serious art form starting with the 18th century (aside from isolated works like Don Quixote), and of course film began in the 20th century.
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You would be singing a different tune..
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Re: Re: Who
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Re: Re: Re: Re: Re: Re: Re: Probabilities
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Re: Re: Re: Re: Re: Re: Re: Probabilities
As well, I would suggest that there is in fact the seeds of the re-emergence of patronage: Mike has blogged about a few examples here.
As for novels being post renaissance, the oral equivalent was alive and well in the troubadour tradition, and all the eighteenth century brought was the printing press which is perhaps the most relevant issue to discuss when discussing copyright because it was likely the printing press and its cost which brought about copyright legislation.
Copyright was instituted to incite printing press owners to invest in distributing ideas, not to create a sinecure for musicians and other artists.
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Re: Re: Re: Re: Re: Re: Probabilities
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Re: Re: Re: Re: Re: Re: Re: Probabilities
So your government doesn't provide money (tax payers money, the same source as royalty got their money from) to the arts?
Here in Australia the government spends hundreds of millions (if not billions)on the arts . The ABC is governemnt funded, film studios receive some funding not to mention tax breaks. The various orchestra's (Sydney Philharmonic (sp?), Melbourne etc etc) all receive grants from the state and/or federal government.
The government owned art galleries/museums buy works of art from artists to hang in their galleries, that is government patronage.
Why does the argument about getting paid/royalties etc always come up?
Why does an artist have a RIGHT to make a living by their art?
No-one has the RIGHT to make a living doing a specific job they love doing. I have no right to make a living working in IT. If IT doesn't pay the bills, I need to change careers, or work a 2nd job.
Why is it not the same for artist's? If you aren't good enough to get a patron, find another job and work at art part-time or as a hobby, like anyone else has to do who is not good enough at what they love doing.
And if there aren't enough patron's to go around for all the 'good' artists, so what? The best will get patronage (or maybe the best at politics), and the good but not good enough will have to find a job that will pay their bills.
When I was at university, I knew several guys who loved astronomy and astrophysics. They were all brilliant, all top 0.5%.
However, they worked out how many jobs there were (at least in Australia) for astrophysicsts, and determined that there were only 5 jobs in the country for the studies they were undertaking. All occupied, mostly if not all tenured. And, based on the age of the people in those jobs, you'd get one job position opening up about every 5 years. So if all 3 pursued their love, only 1 of them within 5 years of graduation would be able to get the job (assuming there was no-one from any competing university!).
So they had some hard choices to make not just about if they were good enough, but practical consideratoins as well. They might be good enough, but that doesn't help if there are no job openings at all.
Same situation with being an artist, just because you are good, brilliant even, doesn't mean you will be able to support yourself, or that you deserve or have a right to support yourself as an artist.
There aren't many professional racing yachtsmen in the world, yet an aweful lot of people punt around harbours on the weekend in small sailing boats...I bet they'd love to be able to live off of sailing.
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Re: Re: Re: Re: Re: Re: Re: Re: Probabilities
Please correct me if I am mistaken, but I have always understood that the precursor of what we know as copyright was contained in the Statute of Anne in the early 1700's, with its purpose being to blunt what up until that time had been special prerogatives granted by the Crown to a select few.
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Re: Re: Re: Re: Re: Re: Re: Re: Probabilities
No one (other than perhaps a competitor) gives a darn about yet another useless memo prepared by an employee sitting in a cubicle. The same is not necessarily true for one who creates original works that may be favorably received by the public. A typical employee is compensated for his/her time spent on the job, and our laws and courts exist in part to ensure that the "work for pay contract" is paid heed. The equivalent "contract" for authors are the provisions of copyright law, with the difference being that an employee is entitiled to be paid, whereas the author hopes this proves to be the case.
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Business vs. Litigation
Companies that have successful business models, who find their copyrights infringed, are more interested in getting cease and desist agreements than they are in tying up time and resources in court cases that do not need to be brought.
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Re: Re: Re: Re: Re: Re: Re: Re: Probabilities
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Re: Re: Re: Probabilities
Actually, there's very little evidence to suggest this is true. If there's demand for such content, there are business models that can be used to create them that don't rely on copyright.
In fact, the vast majority of content being produced today is not done for copyright purposes (even though thanks to a quirk of the law it's still covered by copyright).
As the tools of production have made it easier for anyone to produce, an increasingly small percentage of content is being produced *because* of the copyright. So it's quite difficult to believe Willton's unsubstantiated claims that content would decrease.
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Re: You're right, intellectual property law is silly (huh?)
Your argument makes reasonable sense in the context of CUSTOMERS 'stealing' copyrighted material, like music. It's tough to sue your customers, it's tough to change behavior, and there can be even more compelling business models based on the economics of viral distribution.
Yes. But I'd argue that it doesn't make sense against competitors either.
But when COMPETITORS misappropriate copyrighted (or patented, trademarked) material, the story is entirely different. It makes compelling economic sense to block those activities, maintain overall market share and a 'monopolistic' position with respect to your own content, and generally block competitors who decide not to bear the cost of developing content, technology, or brands. The legions of well-payed IP attorneys and the value that any venture capitalist places on original IP are testimony to the economic sense of IP protection.
That's like saying the legions of well-paid glaziers and the value that construction crews put on windows are a testimony to the economic sense of broken windows.
I'd argue not.
Scrabulous is a competitor of Hasbro, not a customer. The value of the Scrabble brand lies in Hasbro's exclusive use of the Scrabble brand and its exclusive right to sell the Scrabble game. While they may have not managed the exercise of those rights as effectively as possible in the context of online social networking, it is absolutely in Hasbro's best interests to vigorously protect those rights that form the basis of the brand's value.
Other than, as I pointed out, Hasbro's actions have kicked off a rather loud and vehement boycott of Hasbro products, and only drawn more attention to their "competitors" in the space.
Also, I'd argue that you're wrong in claiming that Scrabulous "didn't bear the cost of developing...". I could just as easily point out that Hasbro did not bear the cost of developing the Facebook app and finding the community.
The two sides used some of what the other had done in the past, and that's what good competition is all about.
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Re: How about Tivo?
That's patents, not copyright, and I'd argue it was a mistake for TiVo again in that situation, because it's now pissed off a lot of EchoStar users who aren't necessarily interested in moving to TiVo, but are pissed off at TiVo for hurting their experience.
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Re: Another example?
Well, that was a trademark suit, and you left out some of the details. In that case, NO ONE was being hurt. The buyers of the "fake" Ferraris knew they were fake and weren't tricked at all. There were no "losses" to Ferrari, because the buyers of the fake ones couldn't afford the real ones in the first place.
So I don't see how that made good business sense really. It's not like it somehow increased business to Ferrari.
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Re: Business vs. Litigation
From a business perspective, I've seen that the litigation route is usually recommended by hired outside sources (Read: Consultants) who often cite "successful" cases. However, many of these recommendations fail to take into account ROI and costs involved of said litigation route.
Just because it's in the paper doesn't necessarily mean it creates a net positive profit to the company. The best solution, in most cases, is to license IP, rather than litigate.
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Re: Re: Re: Re: Re: Re: Re: Probabilities
Ah, Willton's fallacy. You keep repeating this, and we keep pointing out to you how untrue it is... and you keep repeating it again.
You seem to think that the ONLY incentive to create is copyright. It's not. There are other business models.
So, no, it's not just "altruists" and you don't have to "control" your work to make money from it.
We've pointed this out to you over and over again, and I don't see why you deny it.
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Re: Re: Re: Re: Re: Re: Re: Re: Re: Probabilities
No, MLS, let's be clear here: copyright affords AN opportunity. You imply with your sentence that copyright affords the ONLY opportunity, and that's simply untrue.
This is the big fallacy that many copyright supporters make over and over again -- that copyright is the only way by which a content creator makes money.
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Re: Re: How about Tivo?
It took three hours with a script monkey to cancel the service, and they wanted me to mail the box and dishes (Plural) back, but the box they sent me barely fit the box.
That was a year ago, but it left me feeling that the company has problems that ran deep.
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Copyright gives you _____?
Is it the right to profit from works and discoveries? What does that mean? What is successful profit? Number of people sued for infringement?
Seriously, how is this measured?
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Re: Re: Who
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WUZZUP TECHDIRT?!?!
Sorry if I messed up your conversaton.
peace
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Re: Re: Re: Who
Really? Show me how. Are you using your programs as a mark? Are you plastering the code on a sign to hawk your wares?
Do you even know what a trademark is?
I see you dropped the comment on copyrights though. You're all over the place.
Why should I bother? You were right: computer programs can be copyrighted. Why dispute that when it's correct?
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Re: Re: Re: Re: Probabilities
Really? Then why do the folks using said business models still get copyrights on their works?
Without copyright, these business models (whatever they are) do not appear to give the creator control over his creations, which is something desireable to the creator.
In fact, the vast majority of content being produced today is not done for copyright purposes (even though thanks to a quirk of the law it's still covered by copyright).
Of course not; it's done for profit purposes. But misappropriation would likely cut into their ability to do so. Copyright just gives these creators a legal avenue to protect their works from misappropriation.
As the tools of production have made it easier for anyone to produce, an increasingly small percentage of content is being produced *because* of the copyright. So it's quite difficult to believe Willton's unsubstantiated claims that content would decrease.
And yet, people still get copyrights on their works. Gee, I wonder why...
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Re: Re: Re: Here is an example.
Alternatively, the Chinese parts had to take the cost of export/import into consideration -- the original company should have been able to lower their price and still stay competitive. If not, either the Chinese had developed a better (cheaper) way of manufacturing the same parts, or the Chinese were making inferior (cheaper) parts. In the latter case, either the Chinese parts would prove to be unsuitable (needing to be replasced more often, etc) or the Australian parts were unnecessarily robust.
In short, once again copyright is used to muscle out copetition rather than having to actually perform better.
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Re: Re: Re: Re: Who
I'm not sure, you were the one who disputed it. Now you seem to support my argument. Your original post read "Mr. Eleete, I've seen your website, and it appears to me that you are a computer programmer, not an artist or an author"
YOU said I was not an author or an artist. Photography is clearly art, and I author software in the form of code. So just what is the point you make? I think we all heard you loud and clear. Without Intellectual Property laws, all art and creativity would end. We got it, Thanks.
Seems to me, your argument is for the right to continue to sue based on those laws, so it's no surprise you would spread that rumor that creativity would die without it, but I believe your fear is that if it dies, you can't sue anymore.
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Re: Re: The prisoner dilemma
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Re: Re: Re: Re: Who
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Re: Re: Re: Re: Re: Probabilities
Because it's a crutch. If you can get $50 without doing any work, wouldn't you go for that too? It's safe, but that doesn't mean it's the best system for the creator or the consumer.
And yet, people still get copyrights on their works.
Copyright is automatic in the US (and I imagine most other places). If there were forms to fill out and fees to be paid, I submit there would be far fewer people 'getting' copyrights on their works.
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Re: Re: Re: Probabilities
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Common-sense suing rules
1. The concept of first-sale should be followed without fail. If you sell something to an individual, it is theirs to do with as they please. They have the right to resell it for however much they want and in any way they want without the original seller receiving anything from it.
2. Under no circumstances should you treat your entire customer base as if they are all criminals, guilty until proven innocent. Product activation and DRM are perfect examples of this. Such actions only serve to make loyal customers angry and frustrated, and they may soon not be your customers anymore. Don't think you have absolute power over any corner of the market, because there are ALWAYS alternatives, whether you think there are or not.
3. If somebody is using your exact name or a similar name with the intention of fooling customers into thinking it's your name in order to sell inferior products for a profit (i.e. counterfeiting), then you have every right to sue, and should. However, if somebody is using your name in such a way that they are not profiting from it in any way or using it to promote something bad, it should be viewed as a compliment and/or free advertising. If litigation is brought against such an action, the consequences will probably the same as in rule #2.
4. On the same note as #3, if somebody is reselling your products and/or using your name to promote your own wares, without damaging your own sales numbers or ruining your corporate image in any way, they should be left alone, even if they are making a little profit for their trouble (i.e. PsyStar with their Mac clones). Or better yet, strike up a partnership with them, because everybody wins in that situation. Such a partnership will give you good "street credit" in the corporate world, making you look like a good guy who wants to expand your horizons and offer more things to more people. If you simply litigate, it will only serve to make you look like a bad guy who can't innovate and can only hope to get ahead by suing anybody that threatens your poor excuse for a business model.
5. You should never try to lock down an entire market with proprietary technologies. It may seem like a good idea, but somebody somewhere will eventually take you down, for whatever reason, and it will not be pretty. You are just hurting yourself, the consumer, and the market itself in the long run.
I know these rules probably aren't ultimately thought out very well, but I'm sure I've raised several points of discussion with them. Businesses should be all about giving consumers what they want, when, where, and how they want it. They should not be allowed to sue everybody in sight just because their business model doesn't work. As long as somebody is not directly hurting your business by using your products or names, you shouldn't be wasting time, money, and other resources on them.
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Re: You would be singing a different tune..
Well, I used to write and sell software for Palm OS organizers. I made a fair amount of money for a couple of years, not gigantic sums, but enough to keep me in new toys.
I decided early on that my "copy protection" was going to be very minimal. To put it simply, I decided that I would used the least amount of copy protection I could, just enough to keep the honest users honest. Anyone who really wanted to steal my product was going to do it anyway, so why worry about them?
My copy protection limited a user to some number of transactions in the demo version, but once the user had the full version, it used to keys, no nothing. It could be transfered to another device, backed up, handed to another person, whatever. The only caveat was that if you were on my user list, you didn't get support or new versions as they were made available.
$8000 in one year isn't a gigantic sum of money, no, but I think it's enough that I can have an opinion on this issue.
Sean.
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Re: Re: Re: Re: Probabilities
I'm not a fan of Rowling's (and Warner's) overly litigious nature, but using that site as any type of reference to prove "idea theft" is absurd.
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Re: Re: Re: Re: Re: Who
You said that "programs are covered by copyright as well as trademark." That statement asserts that one can get trademark protection on a computer program. That statement is entirely wrong, unless someone were to actually use his program as a mark of some kind. So I decided to challenge you on whether you were using your programs as a mark. You appear to not be, so you clearly can't get trademark protection on your programs.
Yes, words can be trademarked, but only if they are being used as a mark, and if so, only in the realm that the words are being used as a mark. Words cannot be outright owned, however; those are in the public domain.
By the way, it helps if you quote the language you're responding to so that I don't get confused as to what you're replying to.
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Re: Re: Re: How about Tivo?
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Re: Re: Re: Re: Re: Re: Re: Re: Re: Probabilities
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Re: Probabilities
Besides, what would be so bad about having every song ever in existence available for users to peruse (which are essentially commercials for the band/performer), or YouTube hosting entire television programs (which are essentially commercials for the series), radio stations having the right and ability to play what their market wants to hear instead of what the Industry tells them to play, pirated CDs & DVDs if widespread would drive the cost of CDs & DVDs down to a reasonable amount (production cost for a physical CD is substantially less than $1/unit), or having the choice of seeing a movie in good quality for $10/person or in bad quality for $1? Like it or not, digital piracy exists. The only way to reduce it's impact is to either increase the percieved value of an item to its MSRP or lower the MSRP to the percieved value.
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Re: Re: Re: Re: Re: Re: Re: Probabilities
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Re: WUZZUP TECHDIRT?!?!
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Re: Re: You would be singing a different tune..
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Copywellfare for all
Forget about how 'high' or 'lofty' the classic 'arts' are, the people who were doing these things over the years were doing them because it's what they loved and what they wanted to do... NOT because they wanted to get paid for 70 years for working once. If anyone had suggested that a persons children should be compensated 50 years down the road for work that the artist did once, they would have been laughed out of the room... but that is what the 'artists' expect today, because we as a society have allowed it.
I'm an accountant/programmer/IT consultant, so when I come into a new business and design/setup a business process guide that includes the basic steps that will be performed during each step of the financial transactions, why shouldn't I continue to be paid for the next 70 years, or as long as the business plan is in use, I mean I wrote it, right, so I should be entitled to compensation if someone else uses my work for their profit, right? If I design a program that integrates a couple of systems, why shouldn't I continue to be paid as long as that program is in use?
For those who will claim that 'art' is different, let me ask, "WHY?".... Is what we consider art today the same as it was 50 years ago? How about 100? How long before modern 'art' has no resemblance to traditional art forms at all? Who is to say that crafting a sculpture of someone's face (copy and paste?) is more 'art' than crafting a program that can integrate complex data sets, process the results, and provide a reliable performance indicator? And why should I listen to them when they obviously have no clue what true 'art' is (give em another 50 years and they might come around, or we'll still be paying their kids for that one little thing they did).
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Re: Re: Re: Re: Re: Re: Re: Re: Probabilities
On the contrary: I have no desire to practice copyright law. Patent law, yes, but copyright, no.
However, last I checked there was plenty of competition in the music-writing and fiction-writing businesses. So I'm not sure where you get your information on how copyrights are restricting competition in the field of the arts.
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Re: Re: Re: Re: Re: Re: Re: Re: Re: Probabilities
So it is. Thank you for being the first contributor to this thread to add something worth looking up. I was waiting for someone to bring up Letters Patent, but this was much more interesting.
It is telling (and supportive of my assertion) that the Statute of Anne replaced the monopoly enjoyed by the Stationer's Company. They way this worked is that the Stationer's Company would buy the work from the author outright (no royalties for them) and would then *publish* the work by *printing* copies and *distributing* them.
As I said: copyright law benefits publishers, not creators.
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Re: Re: Re: Re: Re: Re: Re: Re: Re: Probabilities
In fact, in it's original form it forbade copyright assignment from creator to publisher and several methods of ensuring the creator would get paid.
The purpose was the continuing of a vibrant culture and encouraging education.
Publishers got the assignment of copyright back in the 1740s or there abouts though they didn't get to keep ripping off creators. Well, until the DCMA showed up and they basically took over and claimed credit for all artistic creation rather than the reality is that they are distributors of certain kinds of content created by someone else.
ttfn
John
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Re: Re: Re: Re: Re: Re: Who
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Re: Copywellfare for all
Let's be accurate, It is the life of the author PLUS 70 years, Welfare indeed.
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Re: Re: Re: Re: Re: Re: Re: Re: Re: Probabilities
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Re: You're right, intellectual property law is silly (huh?)
But see, the problem I have is that they WERE NOT a competitor when Scrabulous was created and as it grew in popularity. In fact, Scrabulous likely helped Hasbro sell many copies of the game.
Hasbro was completely blind to a market demand. Scrabulous saw it and went after it. I strongly doubt that having Scrabulous around made any negative effect on the sales of Hasbro's products.
However, Hasbro decided that it needed an (exclusive) chunk of the online presence. In so doing, they interfered with a popular offering thus upsetting potential customers, brought out a lame knock-off of that offering thus upsetting potential customers, and brought about a ton of negativity of those potential customers against Hasbro.
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Re: Re: You're right, intellectual property law is silly (huh?)
Maybe it did. Then again, maybe it did not. There is no way to tell on the basis of information posted on blogs.
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The RIAA could learn a thing or two from the textbook publishing industry. However, I find it particularly very strange that none of these cases or stories have ever made it mainstream or public knowledge…
Check out
www.nysun.com/new-york/this-detectives-mysteries-involve-real-life-books/49753/
And
www.au ctionbytes.com/cab/abn/y05/m04/i25/s02
They successfully sued a college student at Georgia Tech for copyright infringement with a judgment about $210,000 and $100,000 in attorney fees. This was only after he telephoned the plaintiff’s attorneys to discuss a amicable settlement and, according to court documents, disclose his personal bank statements, etc. All this was over sending out portable document format (PDF) files. …
Check out Pearson Education, Inc., John Wiley & Sons, Inc., Thomson Learning Inc., The McGraw-Hill Companies, Inc.; v. Nadir Knyane
The defendant is being sued for allegedly distributing two (that’s 2) instructor solution manuals as stated in the complaint. Only Pearson and John Wiley are itemized with the 2 allegedly distributed files. So why is Thomson and McGraw-Hill listed in the lawsuit?
Check out
Pearson Education, Inc., John Wiley & Sons, Inc., Thomson Learning Inc., The McGraw-Hill Companies, Inc.; Defendant v. Yi Shi
The defendant, a college student in Missouri, is being sued for allegedly distributing homework assignments and foreign edition textbooks of 19 texts. Wow, so lesson learned, you can’t distribute your homework without the expressed written permission of the publishers I guess. Actually, that could be reasoning for not turning in your homework on time.
All of these lawsuits are from last year (September 2007). There’s many, many more but going over all of them would take too long. Plus to read them you need access to LexusNexus and other legal website access.
It seems to me that these are filed quite systematic. I find it very strange and unusual that a large majority of these lawsuits are filed by one attorney. Furthermore, I find it equally strange that they are all filed in the Southern District of New York. Unlike the Recording Industry, who sends it to the defendant’s state of residence with counsel in that state, this is not the case.
Since the publishers are concerned about people photocopying ‘their’ stuff and distributing it electronically why are they making their materials exclusively electronic? Why are they filing lawsuits on the basis of this?
Also, popular McGraw-Hill text (named in a previous lawsuit against students) resource says this right next to the copyright “The contents of, or parts thereof, may be reproduced for use with [textbook name] provided such reproductions bear copyright notice and may be reproduced in any form for any other purpose without permission of the publisher.”
Isn’t it funny how none of these stories truly make it mainstream or to public knowledge? A kid with a judgement larger than the RIAA lawsuit doesn’t even make a bleep. With about 50 lawsuits filed in the last year, and settlements (according to court documents and an enforcement agent) of up to “five figures”, or specified in one court case that settlements are between $700 - $70,000.
Paul Newman put it best in Cool Hand Luke, “Wish you’d stop bein’ so good to me, Captain.”
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Re: Re: Re: Re: Re: Re: Re: Re: Re: Probabilities
I didn't mention copyrights at all and don't know where you got the idea that I did. You almost sound delusional.
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Re: Re: Re: You're right, intellectual property law is silly (huh?)
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