Free Doesn't Mean Unpaid
from the follow-the-money dept
One of the problems we often run into whenever we write about economics involving "free" is that someone inevitably posts a comment saying something to the effect of "but if content creators can't make any money, they won't create content." The problem is in jumping to the conclusion that "free" to the user/reader/listener/watcher means that the content creator isn't getting paid. Nothing is further from the truth. In fact, most of the business models we talk about concerning embracing such "free" things points to ways that the content creators can make more money, while still allowing the consumption for free. Reader thepi points us to a blog post by author John Scalzi, who has long been a proponent of free e-books, where he explains that free to the reader doesn't mean unpaid to the author. It just means that the business model is slightly different; the money is coming from somewhere else other than the reader. For some, this may seem obvious -- but it's clearly a point of confusion that we run into frequently, so it's great that Scalzi is highlighting it.Thank you for reading this Techdirt post. With so many things competing for everyone’s attention these days, we really appreciate you giving us your time. We work hard every day to put quality content out there for our community.
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Filed Under: business models, copyright, ebooks, economics, free, john scalzi, paid
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I dont pay . . .
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Bookselling movies?
I think people are missing one major factor in the whole "book selling" model: movies.
how many authors/publishers have had proprietary works turned into major motion pictures since the advent of film? Even barring the recent trend of comic book adaptations and Shakespearean classics, the number is incredibly high.
Atonement, the Girl with the Pearl Earring, Golden Compass, Chronicles of Narnia, Lord of the Rings, HARRY POTTER etc. etc. etc.
And these movies make their authors MILLIONS of dollars. And then there is the ancillary products: toys, games, lunchboxes, etc., ALL of which CANNOT be pirated even.
The expansion of eBook offerings, like the expansion of free movie content, ensures that those individuals who are valued by the public most are given the largest audience, thereby ensuring they will be tapped over the mediocre offerings of hack writers for further endorsement and film production. We are seeing this now on YouTube, where actors and comedians who would have passed into obscurity in the real world are found by talent seekers for the value of their content. eBooks do the exact same thing for printed media.
As an added bonus, the quality of our movie scripts should increase as better and more unique writing is encouraged as opposed to formulaic horror and action by big names (I'm talking to you, Mr. Lamp-monster Steven King and Tom Clancy).
If you will insist that this only favors a minority of authors, all you are saying is that "Only those authors whose story is entertaining enough to the public will receive such endorsements." Ergo - The MARKET will chose which authors it wants to reward with wealth for their production. Which is how the whole system is supposed to work anyhow, isn't it?
How's that for a business model?
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Re: Bookselling movies?
To be fair - The Lord of the Rings movies didn't make any money for Tolkien.
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Re: Re: Bookselling movies?
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THAT is how the market works.
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Question: if there was no government-enforced monopoly on her works, would she be suffering in poverty today?
This isn't a nitpick at all. The question is whether the market RESTRICTION enforced by government in the name of PROGRESS is in fact achieving its goal by continuing to reward people/companies who had nothing to do with the effort of the original works and are no longer contributing to PROGRESS?
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Re: Re: Re: Re: Re: Re: Bookselling movies?
Is there really a right to IP after the originator passes away? does the estate of CS Lewis or JRR Tolkein really have a moral right to the intellectual property forming the basis of derivative works?
Dunno. Moral right is a suspiciously religious thing. I try to avoid arguing its non-existant absolutes.
Should the heirs of Thomas Edison have a right to his highly beneficial (if legally suspect) series of hundreds of patents? {thousands?}
Where do we begin to draw the line between purely intellectual property and implementable patents?
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Re: Re: Re: Re: Re: Re: Re: Bookselling movies?
The question I asked is whether these laws are serving their purpose or are they bastardized/abused so as to invoke the exact opposite effect?
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Re: Re: Re: Re: Re: Re: Re: Re: Bookselling movies?
I would say both though.
By forcing derivatives to pay royalties, it does make sure that the actual investment of production will be geared towards goods that the market supposedly WANTS and which are FACTUALLY profitable (not just the CD's they want to sell and can't, but goods and a model that actual DO serve the market)
I also want to bring up a point that I haven't yet heard - it may be a bit of innovation (***IP patent pending***): By providing legal pressure and restricting the flow of derivative goods from a central idea, the "hydraulic pressure" of creativity is forced to find a new outlet.
Basically, if everyone could pirate the same source material without repercussions for ther derivative, then there would be little incentive to stepping outside of more traditional model. By using copyright to "staunch the flow of creativity," they are inadvertently and invariably causing it to spring up somewhere else.
And the market will follow the goods and innovation it values most.
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Re: Re: Re: Re: Re: Re: Re: Re: Re: Bookselling movies?
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Imagine if one had wheels, one had treads, and one had a million tiny legs. It's just dumb.
not at all: is that not encouraging innovation in the market place? are you saying that the present hinge design for the car door is the ONLY ONE that could possibly work or make sense?
but again, I was referring to the creation of ART (the text of the novel), not the creation of GOODS (the physical book).
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There is leeway in copyright to express ideas that are SIMILAR, one just cannot rip-off obviously from pre-existing content. if a person is discouraged enough that it prevents his parroting of of a creative source, eh. no real loss there.
People are not infinitely creative, and a really good idea is worth nothing if the only expression it's originator can find is disallowed by IP law.
If it is disallowed by (properly applied) IP law, and there is NO OTHER POSSIBLE EXPRESSION of the idea than to copycat someone elses, then it clearly isn't creative to begin with. Find enough of a difference to make it a unique work.
That's the point. Copyright isn't about enabling the commercialization of art, it's about enabling and encouraging the blossoming of GOOD art, not just a recreation of someone elses.
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Re: Re: Re: Re: Re: Re: Re: Bookselling movies?
Sure, there is legal as well as moral right of your family members to own your IP if you pass away, just like any other property
Otherwise we would have a lot of prematurely dead IP creators...
In fact, being granted an important patent or having written a widely succesful novel would be equivalent to receiving a death sentence
This is the world we live in, dude
Gotta love it
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Re: Re: Re: Re: Re: Re: Re: Re: Bookselling movies?
Can't argue that there's a legal right, but the "moral right" to inherit IP is highly questionable. How does passing copyright onto the descendants promote the progress? The original creator can hardly be encouraged to create more works after they've passed on.
And as has been pointed out to you frequently, IP is hardly similar to "any other property." It's treated differently for a reason.
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Now, I would argue that it's wrong-headed thinking that leads us to believe that no content would be created without perpetual royalties, or that the HARM that such royalties do does not outweigh the good they bring, but...
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Re: Re: Re: Re: Re: Re: Re: Re: Re: Re: Bookselling movies?
See:
YouTube, DeviantArt, Gutenberg Press, BLOGS
Movies/music, art/drawing, all forms of literary expression
The idea is that creators are creating because they know they'll get a steady stream of income from it.
The majority of people posting on these open public formats aren't looking or expecting to make ANY sort of income; they want to express themselves and would like public recognition - an opening to an audience or critiques for improvement. PROFIT IS NOT THE EXCLUSIVE REASON FOR CREATING ART.
Nor should it be - the market will automatically reward that which it values through the process of ecouraging GOOD ART to be produced.
The majority of art created nowadays is done without direct monetary incentive.
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or just not care about making a living - care about the art.
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Bunch of punks
Shame on you, young idiots
Your parents have clearly missed to educate you about some basic values in life
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Re: Bunch of punks
. . . and get off my lawn!
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Re: Bunch of punks
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Re: Bunch of punks
Was talking to my dad yesterday about a few things, including my little sis who is graduating soon. We decided that GenX (even me) has a pride issue. They went to school and had all this book smarts but out of college, didn't want to learn domain knowledge. They saw anyone who was "old" as a threat, and found ways to render the positions ineffective, some even pushed off-shoring the jobs.
Now GenY is coming along, getting out of college and seeing how GenX messed a lot of things up by selling out the workforce.
Funny.
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Re: Re: Bunch of punks
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Has the world CHANGED between the generations? Yes, certainly. But that change brought in both goods as bads. Anyone claiming that we're "worse off today" has an AWFUL LOT of work ahead of them to prove that claim.
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Re: Bunch of punks
The month after, his publisher saw a gain of 12% in the purchase of the "free" novel.
So many people liked it they wanted a hard copy.
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Re: Bunch of punks
By reading your posts, it appears that the your parents (and possibly the school system) have failed to do the same thing for you.
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Re: Bunch of punks
Why is the author who wrote the article linked to wrong by giving his works out to the public at no cost? (Note: he isn't living off food stamps).
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No one is talking about stealing from authors. what we are discussing are market mechanics and how it would be possible to view the essentially infinite good (information - writing - text itself) as a vehicle to sell the scarce good (books - movies - IDEAS - author who GENERATES PROFITABLE IDEAS)
By all means, I pay for books - my wife keeps on threatening to throw them out because we have too many for our 1 bedroom apartment.
The key is, as you said, to "pay the author of a GOOD book" - not all books are good, and not all authors deserve payment. Big ticket authors will sell regardless, and still have million dollar contracts. It's the small guys who DESERVE to be heard that the eBook system will help - enabling publishers to gauge who is truly worthy by determining which authors are the most downloaded.
These authors of GOOD books WILL be paid whether we buy their books or not, while the creators of poor and mediocre content will have to improve or drop out of the market.
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Re:
I dont dissagree that the point here is not about "Stealing" anything but more about discussing newer shifts in the market and how new models can better exploit them. However, I still have troubling reconciling the idea that some compensation is "morally" due for every exchange of ideas (which is esentiall what a book is). I simply do not buy the idea that art without compensation would be created. There might be alot of complicated hinderences that could also be thrown into the mix, but I have no doubt that many artists will and do create often without any though (or even hope) of monitary gain. I simply have troubling reconciling the modern ideal that monitary compensation is the only way to value anything.
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TV
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Re: TV
Do you still have antenna on the roof and watch your free Sunday night movie once a week ?
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Re: Re: TV
Standard TV is free. Everybody has a number of channels that they can access with no direct payment to the providers of those channels. Yet, content is still produced and people are paid because the business model that traditional TV is based on does not depends on getting revenue directly from viewers. That's point one that usually gets raised here - change the business model to profit from the available revenue streams rather than trying to force the market to stick to the old ones.
Then, your childish attempt at insulting HFC raises the other point made here. Your comment basically boils down to "ha ha you don't have cable!". Well, why should he pay for cable when TV's free to watch? The answer's obvious - less commercial breaks, more choice, less censorship. In other words, cable offers finite goods that make the service attractive despite the fact that free TV - an infinite good - is available.
This is the exact thing that Mike keeps raising, yet you keep trolling here to try and shoot down the suggestions. For a change, why don't you try refuting what he says with an explanation of why you think it's wrong rather than randomly hurling insults and allegations? That way, you won't inadvertently support the points he's trying to make.
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The better analogy, and one worked to death around here, is radio: the closest thing to free (for the consumer) that we have right now, I think.
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wonderful idea
but we (still) have a freedom of speech in this country, don't we, punky ?
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I mean, really, give us at least SOME substance, rather then just goading people for the heck of it.
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right now I am hacking some Perl code
but it gets boring after a while...
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well at least now I understand all the anger . . . hehe
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Fuck you all.
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Every once in a while, he spurs someone to making a well-thought argument against his mostly-baseless position, and that's good. If nothing else, he makes most of the rest of us look really well-reasoned and civilized. If he bothers you, just ignore his posts. No one's making you read them.
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Re: Re: Re: Re: TV
The one thing that you forgot to mention is that unlike the rest of you I actually know what I am talking about when issues like patents or IP in general get discussed
Have a nice day
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Re: Re: Re: Re: Re: TV
again, please bring some substance, kind sir.
or howsabout a name?
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And angry dude: I missed that you claim to know what you're talking about. I don't believe that's been proven, and I wouldn't be two cows that it is true. But I STILL think you should be allowed to say your part. Despite, and in fact particularly because of, the fact that I disagree with you almost entirely.
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what can I do ?
Just try to create something new AND make money on your creation in todays world
Then come back to talk about your experiences
Those won't be pretty, I can assure you
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As far as me personaly... I have a job I generally like which pays me enough to have some free time. Some of that free time is spent creating things and for the most part I'm not concerned with making money from them: I create simply because I create, and I do other things to put food on the table. I don't think there's anything WRONG with professional artists (I give them my money whenever I feel they've earned it), but I also don't buy the line that all creation would stop even if no one could make money from it. In the end, we'll probably always be somewhere in the middle.
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And yet you never provide any reasoning or evidence for your arguments, and resort to pathetic ad hominem attacks, lies, or russian insults when questioned on it. All we ever get from you is "trust me, I know how the world really works."
You've made it abundantly clear that you in fact have a fairly limited grasp of intellectual property concepts.
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art without compensation
grafitti (i mean that in a good way)
performance artist often do it for nothing
and sites like flickr, YouTube, and DeviantArt are awash with incredible and unique creations.
Money isn't the incentive for those who produce truly excellent art. Art is.
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infinite goodies, scarce goodies..
Mikey is on his favorite topic
Give away your creations for free and start selling T-shirts, LOOOOOTS of T-shirts to make up for the losses
Hillarious
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Re: infinite goodies, scarce goodies..
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Re: Re: infinite goodies, scarce goodies..
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Re: infinite goodies, scarce goodies..
Still confused?
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Free
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Re: Free
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Re: Re: Free
want to read it again? check it out again.
want to read an ebook? boot up your computer.
the same modicum of inconvenience exists, just in a modified form.
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angry dude
The library didn't kill the consumer market for books. eBooks won't either, even if they are free.
Ultimately, Mike is saying that whether or not you choose to recognize it, you content will get out there digitally, and youu can either shriek and complain and try to sue hundreds of people at subtantial cost to yourself, or you can try to find an effective method of leveraging that popularity into profit.
When people pirate your work, it is because they see it as worthwhile, as having value. find a way to use that, not run from it.
You don't have to.
But don't get upset then when your lack of understanding of the market and poor acumen means you don't get that bundle of money you were wishing for.
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Re: angry dude
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Re: Re: angry dude
the blatantly obvious. Some of the people whining most
loudly about the piracy that happens to their work are
wildly successful despite of it and/or built their
success on it originally (this means you Lars).
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Re: Re: angry dude
He is telling people that instead of fighting the tide of change and culture, ride it out - don't push against the wind, go sailing.
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to angry and anon.
If you think that Miike is wrong, prove it. otherwise, don't just attack him. He's done plenty of research to form an educated opinion. You don't have to read it, you don't have to agree with it.
Also, bringing politics into the thread to derail it? not exactly an appropriate move. Please treat this thread, this debate, and the people involved in it with respect, sirs.
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Paid does not mean "content creator"
Some the digital artists this means a huge potential upside if they can discard the middle men and go directly to the consumer.
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Two edged sword
I would prefer exploration of approaches that more directly link the producer and recipient of a good so that a more reciprocally beneficial exchange can take place. I guess the "read the free ebook, buy the scarce T-shirt or hardcopy" approach fits this pattern, but in a roundabout way. Direct payment for the actual good produced, whether infinite or not, seems to be the most straight forward way to connect the two ends of the transaction.
So, while this model is appealing as a way to secure payment for producing works of interest, I hope it does not become the predominant method. More appealing to me, although not without its problems, is the "donation" model used by NPR or PBS. NPR is probably a better example, because my experience has been with local affiliates that produce quality local programming. The latter is the scarce good that is worth paying for, I suppose. Local shows that nobody wants to listen to go away, while the good shows persist or move to a less popular time slot. It's not perfect, but when it works the results are quite nice.
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Re: Two edged sword
a sensible one will prioritize giving the public WHAT THEY WANT. that is how the market runs [at least naturally]. I'm pretty sure that advertising-supported media is the majority of online content. Google, Yahoo, YouTube, etc. don't generate income from nowhere. are these mediocre services?
the internet cuts down on lag time and cost of information and access to create a situation much closer to the idealized ceterus-paribus. technology makes the medium of all economic exchange (read: not just money) more efficient, equal, and effectual.
"Direct payment for the actual good produced, whether infinite or not, seems to be the most straight forward way to connect the two ends of the transaction." - that's the point - a new business model needs to deal with the fact that the good in question is no longer the book, or music, or movie, but it's ancillary worth which displays itself in a number of ways - memes, tees, products, and ultimately OTHER EXPRESSIONS OF MEDIA. you can no longer limit ideas to a single expression of media - turning it into a tshirt isn't "roundabout" - its the reality of change.
the written word and printing press "overthrew" public lectures, photography "bested" painting, and the digital realm "trumped" physical performance of music.
just find another way to express it.
smell-o-vision? anyone?
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Re: Re: Two edged sword
Not at all. In popularity? Perhaps. But what has that ever had to do with "art"?
a new business model needs to deal with the fact that the good in question is no longer the book, or music, or movie, but it's ancillary worth which displays itself in a number of ways
The value of a book is in its content, not the typeface or the book jacket ... and so, not the t-shirt with the author's face printed on it. I have to have to have to reject any arguments to the contrary as shallow and foolish.
I get that some people argue that one way to generate income from content is to sell related, ancillary, "scarce" goods, but that doesn't mean that the true value no longer lies in the original content. The value hasn't somehow been shifted to the ancillary, it's what drives the ancillary.
This may sound like nit-picking, but I think it's a vitally important point to preserve if there's to be any hope of getting the two sides to listen to one another.
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Re: Re: Re: Two edged sword
thank you. that was my point.
The value of a book is in its content, not the typeface or the book jacket ... and so, not the t-shirt with the author's face printed on it. I have to have to have to reject any arguments to the contrary as shallow and foolish.
I didn't say VALUE, i said GOOD. The intrinsic value belongs to the creative process, as I said earlier. Freeing the content of the creative process allows its expressions to become more valuable - a book by a popular author is [generally] more collectible and has more 'value' than an unknown one.
I get that some people argue that one way to generate income from content is to sell related, ancillary, "scarce" goods, but that doesn't mean that the true value no longer lies in the original content. The value hasn't somehow been shifted to the ancillary, it's what drives the ancillary.
Again, this is EXACTLY what I said earlier in the post you seem to be criticizing.
Read:SO TO SUMMARIZE: "The creativity of any one human" is the ONLY thing that has intrinsic value.
The remaining value is derived from the public/market response to the creative work of the individual.
This may sound like nit-picking, but I think it's a vitally important point to preserve if there's to be any hope of getting the two sides to listen to one another.
I concur. Please read what I have to say BEFORE jumping on to a uncontexted sentence.
Regardless, I like what you have to say, and I thank you for forcing me to condense and clarify the essential points of my ideas.
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He doesn't want anything, he's just being nice!
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Re:
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I smell shenanigans!
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Do you consider the creativity of one human to be infinite or scarce?
That question is: "Do you consider the creativity of one human to be infinite or scarce?"
1. The time for one human (in one life) is not infinite. Can we agree on that?
2. So the amount I can create in my life is finite. Can we agree on that?
3. Let's say I create something and it takes me a year. Let's further suppose that it is something easy to reproduce using a computer. And it turns out many people desire to own it or have access to it on their computer.
You're saying that, because this thing I created can be easily reproduced, it has no intrinsic value. The only value is the value placed upon it by the 'market' and, since it is not scarce, its value is low.
Is that what you're saying?
Further are you saying that it is futile for society to try to preserve or enforce any kind of intrinsic value through the law?
SUMMARY
So to summarize what I think your saying is that in reality the creativity of any one human has no intrinsic value. If a person wishes to profit from his/her creativity they must do it in some way that makes something about the fruits of their creativity scarce. They must create something that is not easily reproducible or they must "sell" some other thing rather than the fruit of their creativity.
Is that a fair summary?
By the way, when I say, "creativity of any one human has no intrinsic value", I don't mean to put any particular moral connotation on this.
Peace,
Rob:-]
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Re: Do you consider the creativity of one human to be infinite or scarce?
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Re: Do you consider the creativity of one human to be infinite or scarce?
Secondly, I would argue that an individual's creativity it probably infinite, though it'd be an interesting exercise to argue the point. You rightly point out, though, that time is finite, both how long it takes you to create a thing and how much total time you have to use before you expire. And THAT is one of the VERY key scarcities that we've said you can charge for. There seems to be a moral reluctance to have artists paid for their time, and I'm not really sure why. The thing is, if you get paid for your time, it doesn't MATTER that you can't (or don't) charge for copies of your now-infinite creation -- you've already been paid.
The summary should be: you charge for scarities and you leverage the infinite as self-promotion. It just makes good business sense, and if you don't do it your competition will and you'll lose.
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Re: Do you consider the creativity of one human to be infinite or scarce?
What's infinite is the content once it's been created. If it can be represented digitally and the marginal cost of reproduction is next to nothing, then it's an abundant good.
Content creation is definitely a scarcity though. One of the business models often discussed here is based on that precisely. If you have the ability to create content that people value and want more of, it makes more sense to leverage the abundance of the content you've already created (i.e. let people share the digital files, share them yourself) in order to promote your ability to create content, to raise interest and even raise money for the creation of new content.
Some musicians have taken advantage of this business model already, like Jill Sobule, Maria Schneider and the band Marillion.
They must create something that is not easily reproducible or they must "sell" some other thing rather than the fruit of their creativity.
No, not at all. I mean, it's definitely a good idea to recognize the scarcities in the "other things" surrounding your creativity, but the the ability to create content in the first place is one of the most important (if not the most important) scarcities to recognize. You can (and should) sell that too.
You're saying that, because this thing I created can be easily reproduced, it has no intrinsic value. The only value is the value placed upon it by the 'market' and, since it is not scarce, its value is low.
Also, don't confuse value and price. Value is only one of the factors that determines price and the two don't have to correlate (value oxygen?). The price of digital goods is low because the marginal cost of reproduction is low. Value is something different.
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Re: Do you consider the creativity of one human to be infinite or scarce?
That question is: "Do you consider the creativity of one human to be infinite or scarce?"
There are a few questions implicit in that: the ability of a single person to create is a scarcity. But their creations, once made, are often infinite.
1. The time for one human (in one life) is not infinite. Can we agree on that?
Yes, indeed.
2. So the amount I can create in my life is finite. Can we agree on that?
Yes, indeed.
3. Let's say I create something and it takes me a year. Let's further suppose that it is something easy to reproduce using a computer. And it turns out many people desire to own it or have access to it on their computer.
That's not a question. :)
You're saying that, because this thing I created can be easily reproduced, it has no intrinsic value.
Whoa, whoa, whoa. Not at all. It may have plenty of value, but value and price are two different things. DO NOT assume that a price of zero means a value of zero.
The only value is the value placed upon it by the 'market' and, since it is not scarce, its value is low.
No, again you are confusing price and value. Value is how the buyer determines if the price is worth it. Having a price of zero absolutely does not mean that it has a value of zero. You value plenty of things you get for free I imagine.
So to summarize what I think your saying is that in reality the creativity of any one human has no intrinsic value. If a person wishes to profit from his/her creativity they must do it in some way that makes something about the fruits of their creativity scarce. They must create something that is not easily reproducible or they must "sell" some other thing rather than the fruit of their creativity.
Again, not at all. I believe it often has tremendous value, but part of that value is in INCREASING the value of scarce goods -- over which the price will be greater than zero.
And, no, they shouldn't do something to make the fruit of their labors scarce, they just need to recognize what is NATURALLY scarce, and which of those NATURALLY scarce things are made more valuable by the infinite output of their content.
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side note
the data that forms the physical basis of any "art" can be propogated indefinitely with no overall loss, but is not infinite by any means.
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Re: side note
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Re: Re: side note
you can't say there is an arbitrary amount of sunlight, but there is an indefinite amount (as of right now - until we are consumed by the evil solar panel monarchy)
You could call a could arbitrarily reproducible, but that is a trait that is basically true of any good - the market just mediates at what point an arbitrary could will reach equilibrium.
'indefinite' is a useful term because of its transcendence and the concept of progression, which are the essential concepts distinguishing IP in the digital age.
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webcomics
http://www.goblinscomic.com/tf85.html
This is a webcomic I stumbled upon and have read off and on (more off):
The artist has figured a means of generating income for free content: the fate of the character in a particular series of comics is dependent upon public donations: if the viewers donate enough money to the author to enable him to continue producing the comic (an openly predetermined amount of money) by a set date, then the character survives that particular challenge. Otherwise, he is killed by the devious traps endangering him.
Additionally, the creators encourage participation through adding riddles and puzzles the readers have to solve to progress the story. It's a brilliant means of enabling the creator of cree content to profit by appealing to the public's sense of value as an influence upon the work directly.
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Re: webcomics
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Agree
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Um, I think some of you are missing the point
He's not arguing for free books all the time. He's saying there's a place for limited free content. And I'd venture to say most writers agree with that statement. Most of the writers I know understand that quite well.
As to claims about lots of books getting made into movies: Isaac K has it exactly backward. It is extremely rare for a book to be made into a movie. Extremely. But it's not so uncommon for a movie to be based on a book. Far more books are published than movies made. And even having a film made doesn't guarantee the author comes out ahead. You don't have to look much further than Tony Hillerman for that.
Anyone who believes that authors could actually make a living selling not their writing but stuff related to their writing simply doesn't understand how the business works. You can't compare music to books. They're not the same. The consumer experience isn't the same. No one downloads, say, an ebook, reads it and rushes out to buy a t-shirt or a CD to commemorate and relive the experience. A reader who wants to relive the experience rereads the book.
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Re: Um, I think some of you are missing the point
And a book is a scarce good the the author can sell. The same way a musician can sell a CD, if they make it worth buying. (Many more people already think a book is worth buying, as opposed to people who think CDs are worth buying, so authors have a leg up there.) Authors also have an advantage in that books signed by the author are already considered to be valuable -- not generally so for musicians, though I think that's changing.
The point is, the content can be freely available and you'll still be able to sell the physical goods associated with it -- in this case books. Several authors have already noted that having a free ebook available increased sales of actual books that had the same content.
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Musicians used to sell their music to their audience. But now the audience can get the music without paying, the musicians must sell their listeners' ears to third parties. Commercial radio always did this, of course.
Now there will be a stronger incentive for musicians to write songs that attract the audience the advertisers want to sell to. An audience with a high disposable income. I wonder how that will change music, for better or worse...
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