Tens Of Thousands Of Students Have Signed Up For Choruss... Even Though No One Knows What It Is?
from the am-I-missing-something? dept
A bunch of folks have sent in the story in The Register about Jim Griffin's appearance at the World Copyright Summit, where he apparently told the crowd that "tens of thousands" of students at universities have agreed to voluntarily pay for Choruss. But, unfortunately, nobody seems to know what it is. Plenty of folks have been asking for an actual description of what it is -- and every time we're not told anything other than that it's "an experiment" that we're not to criticize. So, I'm curious who these tens of thousands of students are, and exactly what they've signed up for. If any of them is willing to share with us the details of what they signed, that would be great.At one time, we were told that Choruss would be mandatory, but lately, Griffin has suggested that it will be voluntary. A voluntary system is much better, so that's definitely a step in the right direction, if that's true. But there are still plenty of other problems with such a system, many of which I've outlined elsewhere. It still seems like the entire program is based on a negative benefit ("you won't get sued") rather than a positive incentive ("here's a reason to give money in exchange for something you want") and a distortionary effect on the market (i.e., inserting unnecessary bureaucracy into a market, such that artists will actually make less). But, the fact that supposedly tens of thousands of students have agreed to pay for this when no details of what "this" is have been offered seems quite odd.
Separately, I should note that in our last post about Choruss, we solicited questions to be sent to Griffin which he has promised to answer. Due to my own hectic travel schedule, I haven't had time to go through the responses yet and whittle the list down to a more reasonable level, but I'm hoping to do that shortly. Alternatively, Griffin is free to answer questions and discuss these issues in the comments, but to date he has preferred not to do so, which is his right, of course. Still, if you have any additional questions for Griffin, feel free to add them in the comments, and I'll include them in the potential list (which will be narrowed down, so as not to overwhelm Griffin).
Thank you for reading this Techdirt post. With so many things competing for everyone’s attention these days, we really appreciate you giving us your time. We work hard every day to put quality content out there for our community.
Techdirt is one of the few remaining truly independent media outlets. We do not have a giant corporation behind us, and we rely heavily on our community to support us, in an age when advertisers are increasingly uninterested in sponsoring small, independent sites — especially a site like ours that is unwilling to pull punches in its reporting and analysis.
While other websites have resorted to paywalls, registration requirements, and increasingly annoying/intrusive advertising, we have always kept Techdirt open and available to anyone. But in order to continue doing so, we need your support. We offer a variety of ways for our readers to support us, from direct donations to special subscriptions and cool merchandise — and every little bit helps. Thank you.
–The Techdirt Team
Filed Under: business models, copyright, jim griffin, licensing, music, questions
Companies: choruss
Reader Comments
Subscribe: RSS
View by: Time | Thread
Already irrelevant
[ link to this | view in chronology ]
Re: Already irrelevant
But apparently someone does.
[ link to this | view in chronology ]
[ link to this | view in chronology ]
I dont get it
[ link to this | view in chronology ]
Predictable
[ link to this | view in chronology ]
[ link to this | view in chronology ]
Re:
[ link to this | view in chronology ]
Hephaestus posted a comment here http://www.techdirt.com/articles/20090521/1714594965.shtml
Where he said
"The one thing I want out of this is ....
to know where the money is going. So my question is ...
will you open your books to the public and show that the artists are getting paid?"
I have thought of this and came up with a solution. The solution is
Youtube has a counter on their videos telling EVERYONE how many people played a video. Why not put that on downloads. If an artist puts his song on the Internet and wants to get paid per person who downloads, when someone downloads it he can go on the website (as can anyone else) and see how many people downloaded his song. Based on that he can asses how much in royalties is owed to him. He, and anyone else, can ensure that the counter works because the artist can go to the website on another computer and download and see the counter go up. If it doesn't go up, he knows he's being cheated and he can successfully sue for significant damages. If it does go up then he knows he will be payed royalties. Others who download can see the counter move up too and they will notice if there is something fishy going on if the counter doesn't move up when it's supposed to. Of course this could lead to other problems where people create worms that spread and click on a link (changing the URL of course would then be the solution) but these problems can occur with or without a counter. There could also be a problem where the RIAA may lie and say that worms and programs pretending to be users are responsible for a bunch of the clicks when they're not so that they can avoid paying royalties. A solution (for now), of course, is to put one of those art pictures with letters where people see an image of letters and have to type it in in order to hear the song.
another solution is to change the URL every once in a while, the URL that the link links to (this won't affect the counter and won't ruin peoples ability to ensure its integrity). This will prevent bots from constantly "clicking" (or referencing or loading or whatever) on the same URL.
and this system even lets people run experiments to ensure integrity. Say an artist in Texas has a cousin in New York. He can call his cousin in New York over the phone, have him click on the link to listen to the music, and see that the click in New York registers on his computer (on the counter, ie: the youtube counter) in Texas. If it doesn't, then we know something fishy is going on and we can put it on blogs and sue. It would be hard for the RIAA to get away with this since everyone and their mothers can run experiments ensuring the integrity of the system with an open counter (like the one we have on Youtube).
After thinking about this for a while I realized there is an obvious loophole, if many people are clicking on a song at approximately the same time (ie: within a second) how do we know that the counter isn't going to count both of them as one person? I will address this problem shortly.
[ link to this | view in chronology ]
Re: Has anyone thought we are the solution....
I have seen a ton of wonderful Ideas here, and there is no one size fits all solution in this information age. So we could build a mix and match solution based on the artists desires, not the cookie cutter approach the big 4 use.
So that said..........
Maybe we should all get together and build this music distribution system ourselves. We can do the following...
1) Artist set payment amounts ($0.00 USD - $ anyamount)
2) Music Auctions
3) Central credit card clearing system (think paypal or "PayMuse" )
4) A simple server based plugin that anyone can run on their website.
5) A central catalog of music.
6) A tiered payment schedual (think AmWay) For people promoting the artists music.
7) Touring support
8) Tee shirt / coffee mug / booble head / etc Sales
9) Remixing agreements and royaly schedual
10) Short run CD and DVD production
.
.
99) .... I can go on for hours on this
Anyone wanna Join me in setting this up. I mean we all Bitch and complain about RIAA, MPAA, etc. Why not do something to hasten the death of the Recording industry and replace them with a kinder gentler industry.
PayMuse - I really gotta copyright that ... LOL
[ link to this | view in chronology ]
Re: Re: Has anyone thought we are the solution....
[ link to this | view in chronology ]
Re: Re: Has anyone thought we are the solution....
[ link to this | view in chronology ]
Re: Re: Has anyone thought we are the solution....
[ link to this | view in chronology ]
Re: Re: Has anyone thought we are the solution....
14) Touring scheduals and ticket sales.
15) Central point for all an individuals or groups e-mail, social networking (facebook etc)
16) Fan Sites Links.
17) contests (Remix, Favorite Artist, etc)
18) promotional givaways
19) ......
[ link to this | view in chronology ]
Re: Re: Has anyone thought we are the solution....
20) DMCA takedown system linked to the RIAA Opt-Out Form that informs the sender of DMCA takedown this artist has opted out of the RIAA ... etc (Insert Legal Mumbo Jumbo here)
21) ...
[ link to this | view in chronology ]
Re: Re: Has anyone thought we are the solution....
Feel free to add your ideas 22) is the next one.....
[ link to this | view in chronology ]
Re: Re: Has anyone thought we are the solution....
You better hurry up before laws are passed to make this more difficult.
[ link to this | view in chronology ]
Well, you may think, this doesn't really solve anything, the site may still assign two people the same number. The solution, allow each person to submit a short comment before downloading/listening to the song, that comment will appear next to the submitters click number. It's very unlikely two people will submit the same comment at the same time so the system can't simply assign two people the same click number since it must display both unique comments next to the click numbers (and anyone can then verify, from any computer, that their click number made it through at the correct page, at the correct location, with their unique comment next to it). So the page will look like this
CL = Click number
D = Date/Time
C = Comment
CL - D - C
IE:
01 - 6/12/2009:9:30PM - Hello!
03 - 6/12/2009: 9:31PM HELLO@!
Notice how click 02 does not show up. That's because, in this example, the person who was assigned that click number was interrupted by a phone call. He comes back and submits his comment and downloads the song (or listens to it). The page updates.
01 - 6/12/2009: 9:30PM 06 sec - Hello!
02 - 6/12/2009: 9:32PM 05 sec - Hello!@
03 - 6/12/2009: 9:31PM 02 sec - HELLO@!
04 - 6/12/2009: 9:32PM 06 sec - Hi!
06 - 6/12/2009: 9:34PM 07 sec - Hi!*
Each user can then go to the page with his click number (and he can do this from any computer) and ensure that his click number showed up with his specific comment. Also, it's not necessary for every click number to be there sequentially, some maybe absent if someone got a click number but never submitted it to download the song (ie: they closed it out before putting in a comment and downloading the song). In this case, click numbers will be skipped (ie: click number 05 may never show up). With millions of users verifying that their clicks show up it would be very difficult for the RIAA to cheat artists (since it would quickly make it on many blogs, there would be a huge backlash, and people would sue).
In this way, the artists can also verify how many people clicked on their song and ensure the appropriate royalties. If the RIAA and other collection agencies are serious about transparency and making sure artists get paid, this is the system they should adopt. The only reason not to is if they want to scam artists by lying to them about how many people listened to their song.
[ link to this | view in chronology ]
Re:
[ link to this | view in chronology ]
Re:
01 - 6/12/2009: 9:30PM 06 sec - 90% - Hello!
02 - 6/12/2009: 9:32PM 05 sec - 100% - Hello!@
03 - 6/12/2009: 9:31PM 02 sec - 100$ - HELLO@!
04 - 6/12/2009: 9:32PM 06 sec - 84% - Hi!@
Of course those who downloaded the song know how far along the download process they reached.
[ link to this | view in chronology ]
Re: Re:
[ link to this | view in chronology ]
Re:
Or, in these cases, it can still be displaced as being 0 percent downloaded. Of course this means bots can flood the pages with 0 percent completed downloads. The solution, make users type words from images earlier in the process.
[ link to this | view in chronology ]
[ link to this | view in chronology ]
[ link to this | view in chronology ]
[ link to this | view in chronology ]
Re:
Um. The article says:
"Tens of thousands of students have signed up to pay for a legal P2P music program in US universities, set to start later this year in experimental form. It's Choruss, the incubator hatched by Jim Griffin - a long-time advocate of licensing P2P sharing on networks."
[ link to this | view in chronology ]
Re: Re:
Hence my question.
[ link to this | view in chronology ]
Re: Re: Re:
The entire article is about Jim Griffin's Choruss project, based on what he said at an event. Leading off the article by announcing that tens of thousands of people have signed up for it seems pretty clearly attributed to Griffin. If not, then The Register's reporting is even worse than normal.
[ link to this | view in chronology ]
I give different versions of the same idea, one that values privacy over transparency the most (it offers complete privacy) and another that values transparency over privacy the most. Perhaps we should implement a system in-between or maybe someone else can improve my system so that it ensures the relevant transparency without giving away unnecessary information about voters over the Internet. You can read my idea here http://www.techdirt.com/articles/20090608/2201455173.shtml and tell me what you think. It's pretty long though.
[ link to this | view in chronology ]