Could Evidence-Based Copyright Law Ever Be Put In Place?
from the perhaps-not dept
Recently, we were discussing how copyright law seems to only get worse and worse, and it got me thinking how likely it is that "better" copyright laws could ever be put in place. Michael Geist recently put up a post on how to design copyright law that would last, emphasizing "balance" as being essential for durability. I have to admit, I tend to wince when people talk about a "balanced" copyright law, because it usually means a copyright law where everyone is worse off. A balanced copyright sets up the argument as if there's a real give-and-take, where what's good for some is bad for others.I don't think copyright law needs to be that way. If the real purpose of copyright law is to "promote the progress," then why not make sure it's doing so? In other words, why not have actual evidence-based copyright law? There's a lot of historical evidence that can be looked at, and different ideas around copyright law can be empirically tested. If it doesn't promote the progress, get rid of it. If it does, then shouldn't that make almost everyone better off?
The real problem, though, is that there is a very small group of companies who disproportionately benefit from today's copyright laws -- at the expense of the public. And they have a ridiculously powerful lobby who aren't about to give up their monopoly rights, no matter how much evidence there is that it harms the public and does not promote the progress at all. So we're left with a bad system that continually gets worse. And no evidence-based system will ever be allowed, because it would almost certainly strip that small, but powerful, group of their monopoly rents.
People often assume that I'm in favor of just tossing out all copyright law. I'd argue that I'm more agnostic on the subject than anything else. I don't care about "copyright law" per se. I care about what's going to best promote the progress. If someone can show me that copyright actually can do that, I'm willing to understand how. But if we can't present the evidence of how, or actually defend what good copyright does, the I'm left wondering why it's there at all.
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I'm glad you seem to be waking up to the fact that the Internet is not going to magically fix the existing corruption. Tyrannies have existed throughout history and probably the only thing that eliminates them is a strong enough resistance. The Internet is not our magic solution, people must stand up for what's right or we will succumb to tyranny.
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Some parasites only die when the host dies, you know.
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The system would still have to grant all the current copyrights, because otherwise developments could be locked up out of the public eye for years as the debate goes on, "is it an advancement of not?" It would add another level of "government" to the whole process, and would create a whole new level of appeals and costs associated for people intending to develop anything.
If the idea is to make a copyright almost impossible to obtain, too expensive to push for, and too slow to obtain, you hit the nail on the head.
As a result, I think this suggestion is just an anti-copyrighter's way of trying to put a stick in the wheels of progress.
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Has anyone seriously considered that "progress" has various synonyms, at least one of which is "encouragement".
It may prove instructive to know that the Copyright Act of 1790 began with the phrase "An Act for the encouragement of learning...".
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My proposals for reform of U.S. copyright
2) Reduce the duration of copyright to 60 years maximum for published works. Shorter still would be even better.
3) If the term of copyright in published works is greater than 50 years, require formalities for the copyright to be fully effective beyond the 50th year. If the formalities are not complied with, the copyright would subsist for the full term, but remedies would be much reduced.
4) Repeal the DMCA's "device" and "circumvention" provisions
5) Automatic termination of all assignments at fixed intervals.
6) Author's successors to be specified by statute. Not even the author can will the copyright to anyone else. This, together with the automatic termination, will prevent excessive fragmentation of rights and provide for easy identification of the rightsholder.
7) Provide for more generous margin of fair use, possibly narrowing the derivative work even so far as to reach only to translations, abridgements, arrangements, and other derivations that remain close to the original.
8) Scrap copyright in architectural works themselves. Blueprints will of course remain copyrightable.
9) Amend the law of trademark to focus more narrowly on graphical marks (no sounds.) Burden to be on mark-holders to inform the public to look for its mark and beware of imitations. Any publisher, for example should be permitted to publish Peter Rabbit in an edition of the same dimensions as the Warne editions. The public would need to take care to look for the Warne mark if it wanted Warne editions.
The statute can be reviewed periodically to see how well it "promotes progress". Further changes should be made cautiously, on the basis of clear evidence of need, with a decent respect for copyright's public purposes as former Congressmen Kastenmeier advised so long ago.
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Re: My proposals for reform of U.S. copyright
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Whatever your issues with copyright law, that type of situation is much, much worse.
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Hmm.... of course it will be necessary to copyright those measurement criteria and publish the data in peer-reviewed journals. :)
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In your first suggestion, how would your system handle works produced by a multitude of parties that today create works-for-hire such as a motion picture film? I'm genuinely interested in some deep consideration. Don't merely suggest pushing it into the public domain. Put some serious thought into your answer.
Second point makes sense, however, I tend to favor more of a "unwinding period", say 3 but not extending past 5 years after death before release into the public domain.
Thirdly, are you referring to the "assigned party"? I am a little confused why this is an issue. Can you elaborate on what problem/s this attempts to address?
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Re: My proposals for reform of U.S. copyright
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On Balance
The founders of copyright in the US knew this, and it seems to be the basis of their limited time monopoly rights structure, so that once the author has had sufficient time to to benefit from the work, it's turned over the the public for everyone to benefit more. Unfortunately, with the current perpetually repeated term extension model being pushed by the lobbyists, any sense of balance has been lost long ago.
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Re: My proposals for reform of U.S. copyright
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Words sometimes have more than one meaning
That is one of the interestig things about a dynamic language
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There - fixed that for you
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John
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IP is the new religion
It would end people's beliefs being thrust upon society at large. IP theory is very much like a religion. There is no proof, only a belief that it is for the best.
It is a belief that has worked its way into our law system much like the religious extremists of our country continue to chip away at our consitution in regards to seperation of church and state.
It is a no-brainer that evidence should be behind all of our practices. I hope that our public education system is next, as they have been going against evidence on how to teach children for years and continuing the same basic education theory that has existed for hundreds of years.
We know better. We know we can use actual scientific studies to back up our practices and get measurable results. I believe that this would lead to the elimination of IP in general though, but change is good and necessary at times when you find you current practices are not resulting in what you believe they should.
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Re: IP is the new religion
That is a great topic for another discussion. Could you imagine schools that allow students to learn at their own pace? Instead of testing into, say a whole grade level, they could take grade-level classes at their own discretion and pace.
What an amazing accomplishment if it could be carried thru. However, anything like that would be a paridigm shift away from the current horizontal structure (8->9->10) to a more college-type learning style.
To accomplish this, it would require a complete re-working of education, and I don't believe Obama, nor the DOE has the right people in place to facilitate that.
Great idea.
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Copyright law is not enforceable if copying is cheap
1. Expensive
2. Had a significant set up (typesetting/record mastering) cost for each new item that was to be copied.
This meant that you would need to be very wealthy to afford one - and even if you could afford the capital cost of the machine it would not be economic to copy individual books or records for personal use/friends etc.
It followed that such machines could only reasonably be used in ways that were commercial and relatively high volume.
To sell your output you would then need publicity and so enforcement of the law:
1. required no detective work
2. Did not involve large numbers of cases/defendants.
The invention of the photocopy machine and the tape recorder changed that situation. The law at that point became strictly unenforceable and the general public basically ignored it. However at that stage the volume of copying was low because blank tapes cost as much as a record anyway and photocopying a book was time consuming and didn't generate a very usable product.
So, after a few bleatings of "home taping is killing music" and crude attempts at ARM (Analogue Rights Management) the industry learned to live with the situation.
In more recent years the cost of media has plummeted and the internet has provided a cheap many to many distribution medium so now the volume of copying has gone up enormously.
To start enforcing the law now against the general public requires either:
1. A police state that would make the old communist regimes look like liberal democracies.
2.The legally enforced crippling of the technology available to ordinary citizens and businesses.
At present the industry has tried to implement both of these options - but with very limited success. 1 would be (I hope ) politically unacceptable and 2 is likely to fail technically.
Some in the industry have realised this and have embarked on an "education" offensive to try to persuade the public of the immorality of copying. However this is undermined by the fact that given modern technology it is almost impossible to avoid breaking the law in a technical sense because of the way that computer systems make multiple working copies of everything -eg dynamic RAM makes a copy every time it refreshed. Consequently it is difficult to work out exactly what is and isn't allowed.
However this approach basically adds up to the "honest" subsidising the "dishonest" for no real return.
The CWF+RTB alternatives proposed on this site don't really change this equation very much since the major value created by the artist/author is still in the work itself rather than the extras.
The root of this problem is the release first fund afterwards model that is fundamental to copyright - but is also shared by many business models that are based on "free".
The solution is to move to a fund first release afterwards system. That way the funders get a real return for their investment - because they get a measure of control over what is created. Those who pay the piper call the tune and nobody minds that everyone else gets to listen for nothing.
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Historically however copyright originated as a job creation scheme for redundant censors - so the practical similarities are not surprising.
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Tough Problem!
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Re: Copyright law is not enforceable if copying is cheap
This sounds too much like a government contract. You give someone money first and then they may or may not perform well. What incentive does anyone have to perform well if they already have the money?
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Re: Copyright law is not enforceable if copying is cheap
Please, a simple URL would suffice. I'm Swede anyway, and everyone hates Swedes. Damn those fucking Swedes and their genius ideas...
Haha. I would be better utilized in Stockholm anyway. Now, if I could trade my Range Rover clunker in to move to Sweden... Hmmm.
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The evidence is that automation and the imfamous Crystal Ball would allow stories to be staggered over the weekend so that more subjects would get discussed. To many lame ass stories this weekend, including this speculative piece of "professor took the blue pill" thinking.
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Copyright
Gene
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Wow...
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You've been hacked!
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LAWL
Way to just plain suck.
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You've been hacked!
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You've been hacked!
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What Is Promoting Progress?
The Constitution give Congress the power to "To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries."
When this clause is quoted around here, the "why" of copyright (to promote progress) is usually cited, leaving off the "how" (exclusive rights).
In other words, to encourage people to create, whether it be art or science, the law provides incentive: the right to control the creative expression and usually use that creative expression for financial reward.
Would people still create content, processes, inventions in the absence of copyright? Sure. Would they do so to the same extent? Maybe, but maybe not.
Why would someone bother laboring over a film, a novel, an invention if they knew from experience that a large, wealthy, rapacious corporation would sweep in, copy the work and exploit it without recompense to the creator? Some would, but many would be discouraged and some measure of creativity would be lost.
I can hear the counter-argument that creators just need to come up with better business plans to thwart those evil corporations, but this isn't just a matter of competing better.
The progress of art and science is a public benefit, but not an unfettered public benefit. Copyright (and patent) has always been a balance between pure public benefit and protected rights as incentive to create. I'd agree that the balance has gone too far toward protecting exclusive rights, but the public progress of art and science still occurs, and at a rather rapid pace.
There might be marginally more "creativity" and innovation without copyright, but there might also be a loss of creativity and innovation without the financial incentives provided by IP rights. How much of either is speculative, but if you claim one you have to at least acknowledge the other.
Which is why in my comments here I've often urged copyright reform rather than abolition (which is politically unlikely anyway). Balance is indeed important.
Evidence-based copyright law is likely unworkable. How are you going to measure progress or the inhibition of progress? If one can point out a single instance were "progress" was inhibited, do you throw out the law or just rescind copyright protection in that specific instance? "Evidence-based" copyright law would likely promote litigation and eventually would be tantamount to no law at all.
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Re: Re: Copyright law is not enforceable if copying is cheap
Let me list some people/things/organisations that are/were funded this way. Some were/are government contracts others are/were private You can decide whether they are good (in no particular order)
Prof Stephen Hawking
The BBC
NASA
DARPA-> The Internet
CERN->Tim Berners Lee-> the Web
Any live concert/show you ever went to
Your Education
Beethoven
And of course record companies work that way in their negotiations with artists, so do publishers with authors. This is really just about cutting out the middle man.
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Re: What Is Promoting Progress?
So we should stick with "faith based" IP law?
Listen, if you can't prove a law is effective then you shouldn't be advocating for it IMHO.
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So Buy Out the Copyrights.
Let's break copyright down into categories. The first category is software. Software copyrights are largely a moot point. Does anyone really care when the copyright of Windows 3.0 expires? The interfaces have long since been cloned by WINE. The fighting is mostly about patents now, not copyrights.
Books are a different proposition. Governments traditionally fund both public libraries and academic research libraries. There are large classes of books whose authors and publishers make most of their money from the library market. You can usually buy a library card at a state university library for fifty dollars, even if you are not enrolled, and of course public library cards are free. As long as you are willing to drive to the books, rather than having the books come to you over the internet, there is still a quite workable system. The problem is that this system has not translated over to the internet.
Very well, governments can perfectly well buy up copyrights and place them in the public domain, or they can buy Creative Commons licenses, which comes to much the same thing. They can do wholesale what they have been doing retail. In the case of an old book, the government might have to pay a thousand dollars per copyright, just to pay for the legal expenses of establishing that the seller actually owns the copyright. Granted, the sums involved would work out to billions of dollars in total, but that would still be small compared to the cost of running the educational system. The universities would play the leading role, of course. They might find the money by temporarily cutting back on library purchases. That will give publishers a sense of urgency about finding things which they can sell the copyrights of. No doubt the publishers will wind up paying people in India to root through their old files, do searches to find next of kin, locate wills, etc. However, that is the publishers' problem. Additional money can be raised by instituting maintenance fees for new copyrights issued after a specified date, similar to those for patents.
One has to speak of textbooks, which constitute a major share of the publishers' revenues. Particular textbooks do not have anything much in the way of unique content which competing textbooks do not have. What guarantees the market for textbooks is their compatibility with other copies of the same edition, as used in courses. Before the internet, someone who merely wanted to study by himself could simply buy an older edition of the textbook in a thrift shop, but of course there were difficulties in assembling enough copies of old editions for an entire class. Now, of course, there are open-source textbooks. As these gain traction, there will be nothing much the commercial publishers can do about it. This will put the publishers under increasing pressure to find something they can sell-- such as old copyrights.
Most copyrights over twenty years old are effectively worthless. If a book is both out-of-print and rare, it generates no revenue at all, obviously. The next step up are books which are out-of-print but common, or in-print and common, but not adopted as textbooks in the schools. In these cases, the internet used book market can supply copies for a lower cost than putting out a new edition. Given an efficient market in used books, only a handful of books are lucrative enough for the copyright to be worth a thousand dollars after twenty years.
The internet used book market can be made more efficient, driving prices down, and diminishing the worth of copyright. For example, E-bay has introduced a feature under which people can sell mixed parcels of books, more or less on the same subject, or more or less by the same author, with only one shipping, handling, and auction charge per parcel, so the effective price can be on the order of fifty cents or a dollar per book, inclusive of shipping. Amazon should be encouraged to copy this feature, possibly in somewhat modified form. E-bay's great weakness is its insistence on auction. Amazon takes the view that the seller is a professional used bookseller; that he is expected to know approximately what goods are worth; and that he takes his occasional losses and averages them out with his profits. Life is generally simpler if you are dealing with professionals. In respect of bundles of books, a professional used bookseller could reasonably be expected to collect a thousand book and sort them out into a hundred parcels of ten books each, and no doubt this will be the standard Amazon enforces.
The result will be that, without any change in the law, the effective incidence of extended copyright in books will decrease. The copyright industries do not consume an undue portion of national income. The problem is that they produce market distortions. We can afford to buy them out for a lump sum, and that will make the market distortions go away. Carrot-and-stick tactics work best on the book-publishing industry, because so much of its income comes from the government-funded educational establishment. However, such tactics can probably be applied to the recording industry as well. At this point, no one listens to Gene Krupa or Tommy Dorsey, the pop favorites of the 1940's. As against that, there are lots of Indie musicians. The actual production of recorded music is no longer concentrated or monopolized. The scarcity is not so much music as celebrity, the latter produced by the studio promotion system. From the recording industry's point of view, the only musicians who matter are the handful whom they actively promote. File sharing, as an economic threat to the recording industry, is mostly about sharing copies of maybe a couple of hundred different albums. Selling off all the other copyrights, which do not have celebrity, might come to seem financially attractive, especially as the record business continues to shrink.
The copyrights would be bought by reverse auction. Within equivalent classes of material, whoever offered to sell for the lowest price, taking account of factors such as previous sales, sales within the last ten years, size of work, age, etc., would turn in his copyright and get the money. No one would be forced to sell, or even to bid. As stated, it would be the burden of the prospective seller to locate evidence of his good title. Once copyrights were bought, the works in question would be posted on a variety of official websites (Library of Congress, various state universities, etc.). Fixed sums would be allocated annually for purchase of copyrights, and as all the cheaper books were bought in, the rates paid would gradually increase.
This leaves only one major copyright industry. The movie industry is different. It still controls its product in a way which none of the other copyright industries do. Making movies is still a form of industry, what with the sound stages and the special effects, and whatnot. Even here, leaks may develop. When one studio sells off its copyrights to the government, it doesn't have to share the money with the other studios, but the downside, the diminution of monopoly, is shared.
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Re: Re: What Is Promoting Progress?
Listen, if you can't prove a law is effective then you shouldn't be advocating for it IMHO.
There is nothing "faith-based" about copyright law and there is plenty of evidence that it is effective...depending on what you expect it to do. Which is why the defining what is meant by "promoting progress" is important.
Mike's question was whether evidence-based copyright law could ever be put in place. And that depends on what you want the evidence to show.
Ultimately, though, it's kind of a meaningless concept. Laws are judged, though perhaps not frequently enough, on whether they are achieving an intended outcome. For example, laws on sentencing for possession of crack cocaine versus powder cocaine are being "reviewed" in that there is an on-going discussion about whether the harsher penalties for crack should be brought in line with the penalties for powder coke.
I take from Mike's post that he has something more concrete in mind, but I have no idea how that could be implemented.
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I have faith your right!
If you have proof the let's see. I have yet to see a single shred of evidence that copyright law does anything useful for society.
You speak about crack cocaine, but it is not a very good example. A better example would be mandatory minimums that were pushed through on the ticket they would decrease crime in the 80's. The only problem is that longer sentences do not decrease crime. Instead we have imprisoned more people per capita than anywhere else in the world.
IP law is very similar. A few rich claims makers (not prison owners in this instance) claim that somehow society benefits from their new "laws". Without proof or without any sort of independent review we pass these misguided laws to protect the pocket books of industry on the principle that these laws have been seriously reviewed and are just.
I don't know what your definition of faith is but clearly your logic has failed you. If you cannot produce a independent study that can prove any aspect of IP law is actually effective then you must have a great deal of faith that you are right.
As far as what the evidence should show. Well that they actually protected their profits for one. That the laws actually help to promote creativity for two. That the laws are beneficial to society at large which is the general reason we allow laws to be passed in the first place for three.
I would shudder if someone like you were in the medical profession. Without proof you have nothing but your faith. Unfortunately the placebo effect will only carry you only so far :)
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Re: I have faith your right!
It's not just the profits of large corporations that are protected, but those of authors, artists, etc. It also protects the jobs of millions who work in industries that produce protected content. Society still benefits hugely from this creativity, even with copyright.
IP utopians seem to think that the benefit to society always trumps a benefit to an individual (or even a corporate) creator, author, or artist. Society doesn't have a right to the fruits of my physical labor, but somehow has a free right to the fruits of my intellectual labor?
Copyright is intended to balance rights of the individual and society.
If you think soulless corporations are bad now, I doubt you'll like them better when they can freely appropriate unprotected content at will.
I would shudder is someone like you were in government. Without regard for individual rights you have nothing but your tyranny. :)
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Re: Re: I have faith your right!
Say What?
1)
US copyright law under the constitution only allowed 14 year protection, with an option of one 14 year extension. Furthermore, only books, maps and charts were protected, and only if the author followed correct formalities.
Compare that with the current law which makes copyright effectively eternal (congress always extends before any work enters the public domain) and every napkin doodle is automatically copyrighted.
2)
There is no empirical definition of "creative and inventive (and innovative)" that makes the US the "most creative ..." country on the planet.
We could get a man on the moon without the help of German scientists.
You are so brainwashed that it's useless to go on.
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