Bad Idea Redux: Revisiting The Music Tax
from the not-this-again dept
I was going to ignore this, but people keep submitting it. A student blogger for ZDnet has decided that he's solved the RIAA's problems: just tax every internet connection at $1 per month. This is, of course, unworkable and unwise for a variety of reasons. First, the recording industry would laugh (and laugh and laugh) at the idea that $1 from every internet connection would come close to covering what it (falsely) considers to be "losses" from file sharing. Remember, this is the same recording industry that's continually trying to raise the price per song downloaded to over $1. But, more importantly, there are so many problems with a music tax idea, that it's taken up multiple posts here.However, now that the fall semester is starting, we're curious about the "tens of thousands" of students that supposedly had signed up for Jim Griffin's Choruss -- which is an effort to put just such a plan into practice, though on a smaller scale, just on university campuses -- and, as Griffin constantly reminds everyone -- with a variety of experimental business models rather than a single one (despite them all seeming to reflect this sort of "let's create a big pool of money" concept that makes little sense to us). Last we'd heard from Griffin, back in June, he promised to answer all of the questions folks here had asked him about Choruss. I just emailed with him before posting this, and due to some unforeseen -- but perfectly understandable -- circumstances, he has not yet had a chance to go through the questions, but promises to do so soon. In the meantime, it would be great to hear from any students arriving on campus this fall, and finding out they're a Choruss campus. To date, I've heard from students at two schools, both (happily) telling me their campuses had turned down Choruss, but I haven't heard from anyone who's actually seen the program. But, surely, with tens of thousands of students signed up, at least someone here knows one of them. It would be great to find out from their perspective what's happening.
In the meantime, though, I take solace in the fact that nearly every comment on the ZDnet post points out why the idea is a bad one. This is an improvement. A few years ago when people talked up the idea of a music tax, many people seemed to like it -- but these days, it appears that more and more people are recognizing what a bad and unnecessary idea it is.
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Why should I pay?
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Re: Why should I pay?
http://en.wikipedia.org/wiki/Private_copying_levy#Canada
http://www.cpcc.ca/english/index. htm
It's called a royalty but it's a tax of 29 cents for each CD. I only use CD's and digital recorders for computer files that I created. So far there is no fee on DVDs but I can see that coming real soon. In Europe it's worse. Oddly you would think the recording industry would love this money for free setup but they tried to have the royalties removed after they lobbied to create it. It seems they didn't foresee the iPod:
http://www.michaelgeist.ca/content/view/2238/125/
I have said it before: I am never buying any music ever again unless it's directly from the artist.
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Re: Re: Why should I pay?
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My biggest issue
How do you figure out who was actually pirated the most because logically they would deserve the biggest cut.
And what about artist that sell music in America but don't live here. Do they get a cut? Because it is Americans who are copying their music without paying for it.
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What about the Student Kneecap Tax?
What? Explain how it's different.
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You don't have enough thugs to stop your racketeering operation from being shut down, the RIAA does. Other than that, pretty much nothing. :P
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Re: Difference Between a Thug and a Businessman
He who dies with the most lawyers wins.
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I wish they would...
Seriously though, I will be pissed to no end to be taxed for something I don't do. Besides that, it would just open the door to adding a buck onto your conneciton for every other industry that could possibly be affected such as music, newspapers, etc. This is an extremely slippery slope here.
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Music tax is a good idea
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Just Plain Dumb
Sorry to go on and on, but this is a hot issue with me.
So to wrap it up my philosophy is that the artists and the RIAA should be charged with compensating the "pirates" who have been giving them free advertising since Napster.
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Maybe they don't know
I don't know if that's the case or not, but it wouldn't surprise me.
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Re: Maybe they don't know
I'm in college now, and I have no clue, though I read the billing statement carefully. There's a technology fee, but that could be anything from computers, having a network in place, the campus radio station...
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TW Burger has the right idea.
Don't forget the Copyright Royalty Board.
In my quest to understand how this "collection agency" works and just exactly how that money flows, I had just this past weekend opened the topic for investigation at Daddy, where does all the money go?.
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Compulsory license is fine
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Re: Compulsory license is fine
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Re: Compulsory license is fine
Then you'll love my "compulsory break your left big toe" idea. It's much less than a kneecap! And probably not even your dominant big toe!
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Really hate the idea of a music tax.
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2. Not everyone likes music, and since taxes are enforced at the point of a gun ultimately, it's stupid. Music should not be accorded such a high place that taxes are needed to ebnforece music "rights." Absurd idea. Let's start the tea party now.
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we are already taxed for media
A considerable amount of art, theatre, dance, and classical music are subsidized by our tax dollars. Even major Hollywood movies are subsidized by state government tax breaks and incentives (or by the Canadian government). And then there's public television and public radio. Yet for some reason rock music has to make a profit to be culturally valid.
Seems like some creative record label could form a non-profit to seek grants and donations to help support a roster of artists. Let the people who want to make music be supported by taxes, and let the people who want to get rich try their luck with the for-profit route.
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But the quid pro quo is
If the music industry was genuinely willing to give something in exchange for the tax then it might be a way forward. Unfortunately their "have your cake and eat it" mentality means that they will still want to enforce their "rights". For example in Canada you pay that tax on blank CDs - based on the theory that they will be used to copy music - but paying the tax doesn't actually give you the right to copy the music does it?
So this deal isn't likely to happen soon - and if it does it will be too late for the industry to get much in return - they will look irrelevant by then.
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If I want to pay for any music that is 'pirated'
http://forum.videohelp.com/topic280445.html
(And if I ever won the lottery I'd open up a bar JUST so I could pick the 'pay a tax per song' option and have the RIAA have to then account for payments to all the old artists. Then contact as many of 'em as I could 3 years later and ask about their royality checks.)
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