Part Of Civil Rights Documentary Finally Coming Out On DVD After Years Of Copyright Battling

from the slowly,-but-surely dept

Back in 1988 and 1990, PBS aired the two parts of the seminal documentary Eyes on the Prize about the civil rights movement. Since then, it's been considered one of the best ways of explaining and showing the civil rights struggle to those who did not live through it. Yet, it soon went out of print, and for years there have been fights to get it released on DVD. The problem? You guessed it: copyright. When the original documentary makers made the film they were only able to secure limited licenses for the archival footage they used, and once those licenses expired, the film was effectively dead in the water. For obvious reasons, this greatly upset some people, who started encouraging people to download copies of the film to get it seen -- even if this did upset others who were (loosely) associated with the film, fearing that it would hurt the ongoing negotiations for eventual licensing.

While it's taken a long, long time, the good news is that part I of the documentary has finally been released on DVD, even though part II is still tied up in licensing problems. While I can understand why some have been upset in linking the issue of civil rights with copyfighting, this seemed like a perfect example of the problems of copyright law today. Allowing this DVD to go forward would, in no way, "harm" the market for the original archival footage. It was a way to get it much more attention -- on an incredibly important topic that has deserved much greater awareness. To have all that content mostly locked up for nearly two decades is a real shame, and speaks to the censoring power of copyright law.
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Filed Under: civil rights, copyright, documentaries
Companies: pbs


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  • identicon
    Anonymous Coward, 6 Apr 2010 @ 7:00pm

    It's amazing how a video on civil rights is tied up because of retarded laws that diminish our rights.

    link to this | view in chronology ]

  • icon
    Dan (profile), 6 Apr 2010 @ 7:11pm

    A thousand years from now

    A thousand years from now, very little will be known of the culture of the late 20th/early 21st century. All because of ridiculously overextended copyright. Of course, looking at this period of mankind, perhaps that is a good thing.

    link to this | view in chronology ]

  • identicon
    Anonymous Coward, 6 Apr 2010 @ 7:26pm

    it is amazing to think there is only one source for any footage.

    link to this | view in chronology ]

    • identicon
      Anonymous Coward, 6 Apr 2010 @ 7:35pm

      Re:

      No one said any such thing.

      link to this | view in chronology ]

      • identicon
        Anonymous Coward, 6 Apr 2010 @ 7:42pm

        Re: Re:

        so if they had shopped around maybe they would have found footage elsewhere. sounds like they made the movie and then went looking for rights. where have we heard that story before?

        link to this | view in chronology ]

        • identicon
          Anonymous Coward, 6 Apr 2010 @ 7:58pm

          Re: Re: Re:

          Troll better, TAM. It's getting dull. I recommend comparing copyright infringement to terrorism, that always works well.

          link to this | view in chronology ]

        • identicon
          Anonymous Coward, 6 Apr 2010 @ 8:30pm

          Re: Re: Re:

          Which still misses the point that this still leads to a lot of perfectly good footage being potentially lost in history or at least locked away due to draconian laws that shouldn't exist.

          link to this | view in chronology ]

          • identicon
            Anonymous Coward, 6 Apr 2010 @ 8:35pm

            Re: Re: Re: Re:

            and it also misses the point that there would still be plenty of footage without copyprivilege laws except that it won't be covered under such silly restrictions by default, restrictions that make all footage that doesn't explicitly opt out automatically subject to such restrictions. Since opting out itself requires extra effort, and especially during a time where there were no CC licenses to facilitate the process of opting out of copyprivileges, these laws could end up restricting a lot of footage and causing a lot of footage to get lost in history. and any footage that gets lost to history due to such laws is strong reason why these laws should be done away with. But, of course, TAM supports 95 year restriction lengths for corporations and the lifetime of the extortion artist + 70 years for individuals.

            link to this | view in chronology ]

  • identicon
    Anonymous Coward, 6 Apr 2010 @ 7:57pm

    Wow. I saw the original series on PBS, and it was absolutely unforgettable. I still have the book - and I'll tell you how often I go out and buy the 'companion book to the PBS series.' Never.

    This also explains why some other video sets are fetching crazy prices on the used market, in VHS format. One in particular you can't even find to watch on the PBS website, and they have no copies for sale - a fantastic documentary series on the history of the Chicano rights movement. The last time I checked, there wasn't even a transcript available. (Most everything PBS has ever produced on the network has a printed transcript available to download for free). There must be a copyright issue holding this one up too. What a disgrace.

    link to this | view in chronology ]

  • identicon
    Anonymous Coward, 6 Apr 2010 @ 8:09pm

    Torrent

    Heaven forbid that I would condone "theft"...sorry..."infringement". But a quick torrent search shows the whole package available in a number of places. Big file though, almost 8gig. Way to show how copywrong works you silly IAA folk.

    link to this | view in chronology ]

  • identicon
    Anonymous Coward, 6 Apr 2010 @ 8:29pm

    Rather than copyright, might the real reason for their unwillingness be a bit more nefarious?

    link to this | view in chronology ]

  • identicon
    Nick Mc, 6 Apr 2010 @ 8:51pm

    Re: Re: Re: Re:

    Does TAM just post as an AC now?

    link to this | view in chronology ]

    • identicon
      Anonymous Coward, 6 Apr 2010 @ 9:14pm

      Re: Re: Re: Re: Re:

      Yes.

      link to this | view in chronology ]

    • icon
      PaulT (profile), 7 Apr 2010 @ 2:10am

      Re: Re: Re: Re: Re:

      He seems to have taken to trolling anonymously and then assuming that whoever catches him out has to be Mike (rather than the many others here familiar with his shtick). Sad, really, but since when has that guy had an intelligent point or useful way to spend his time?

      link to this | view in chronology ]

  • identicon
    RD, 6 Apr 2010 @ 9:16pm

    This is a common occurance

    There are numerous examples of this "promoting" of the "arts" throughout history.

    -Heavy Metal, an animated scifi movie from 1981, was held up from being released on home video for almost 2 DECADES due to copyright issues over the music used in the movie.

    -NUMEROUS TV shows are either never released (One episode of Profiler and I think also Pretender) or severely altered from the original (EVERY f-ing episode of WKRP where all the songs had to be changed), all thanks to copy "right."

    Books, movies, music, all locked up behind the wall of copyright. Our collective culture and shared memories are being denied to us, in direct abrogation of the copyright bargain, and to the detriment of the public good for the benefit of the wealthy.

    link to this | view in chronology ]

    • identicon
      Anonymous Coward, 7 Apr 2010 @ 5:20am

      Re: This is a common occurance

      I think some of the blame should fall on content creators. Before technology made it easy to distribute one's content, sure, they had an excuse to use the big labels/publishers/whatever. Now that it is easy (and as we all know here, more profitable) to release media on a better license and orders of magnitude eaiser to connect with one's fans and give them a reason to buy scarce goods related to one's media, how can creators have an excuse not to do this? Not only does it make them more money (which should be enough incentive) but it preserves our culture for the future.

      Some artists do this, but we need to see this be the norm, not just repeat the same success stories of Jonathan Coulton and NIN.

      link to this | view in chronology ]

  • identicon
    AC & Your Sunshine's Banned, 7 Apr 2010 @ 12:37am

    -NUMEROUS TV shows are either never released (One episode of Profiler and I think also Pretender) or severely altered from the original (EVERY f-ing episode of WKRP where all the songs had to be changed), all thanks to copy "right."


    Same situation with the original "Beavis & Butthead" as well as "The Young Ones". Music licensing problems caused the dvd editions to be butchered. TYO was so damaged that the storyline actually changed due to the excised music-filled segments.

    link to this | view in chronology ]

  • icon
    iamtheky (profile), 7 Apr 2010 @ 5:53am

    "copyfighting" is a fantastic typo

    link to this | view in chronology ]

  • identicon
    OSTV, 2 Jun 2010 @ 1:31pm

    OURsceneTV's Pride Exclusive!

    check out a sneak peak of one of christine quinn's coming out stories on OURsceneTV.com!

    http://www.ourscenetv.com/main/show/id/383

    link to this | view in chronology ]


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