Why Haven't Any Movie Studios Become The 'Fan Friendly' Studio?
from the makes-you-wonder dept
Copycense points us to a recent, if short, David Pogue blog post, in response to a reader question, complaining about the ubiquitous unskippable FBI warnings at the beginnings of DVDs. The questioner asks why the industry bothers with them, when all they serve to do is annoy legitimate customers (infringing copies cut that stuff out). Pogue makes an interesting point in response, questioning why some studios don't stand up to become the "friendly" studio, in the same way that newer discount airlines, like JetBlue have tried to become a more customer-friendly airline:I don't understand why some movie studio doesn't decide to become the Good Guys of the industry. Get rid of all those annoyances, all the lawyer-driven absurdities, and market the heck out of it. Be like the breath-of-fresh air new airline (as JetBlue was in its day) or cellphone company (like T-Mobile, the only company that drops your monthly rate after you've repaid the subsidy on your phone). Dare to be different -- and win a lot of customer loyalty as a result.There are some smallish indie studios that are sorta trying, but that's not quite the same thing. Part of the problem, I imagine, is the overall ecosystem. Studios can't become "fan friendly" without pissing off the theaters (even if the theaters are probably overreacting). Still, it does seem like this is the direction that movie studios should be moving in. While there will always be some who will automatically distrust the big studios, I would imagine that if a big studio actually stopped treating people like criminals and embraced a much more fan-friendly attitude, it would pretty quickly find that fans were more than willing to reciprocate.
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Filed Under: fan friendly, fbi warning, movie studios, movies, warnings
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Theaters
That's probably a reason they stick with "release windows," but there are plenty of other ways major studios could become more fan-friendly. Being less litigious against the general public would be a good start.
I think their reason is the same reason the RIAA labels can't do it: they're married to their own business model, and genuinely can't see any other way to do it.
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Bluray's Suck!
We've seen a few video files on the TV, streamed from the PC through the Xbox, and really who hasn't by this point in time? My wife comments that we should just download everything because it is just so much easier and we don't have to be treated like thieves every time we watch something. I find that a little ironic that she feels like less of a "thief" (her words not mine) watching a torrented show than she does by watching a legit Bluray. It is getting harder and harder to stay away from torrents with all of this crap, thank god Canada got Netflix! Now if only they would add some content to make it worth watching torrents wouldn't even come up as an option.
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Re: Bluray's Suck!
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To ask is to answer
Well, no, pretty much by definition.
HD-DVD would have provided something similar to the DVD experience (which was something of a success) but the industry was mesmerized by the siren call of Blu-Ray which was essentially the same thing with AN EXTRA LAYER OF SHIT! ALSO FIRMWARE REBOOTS!
Frak 'em. I don't even care about the *pirated* Blu-Ray crap, since that only encourages them (and also it's way huge. TMI, guys.)
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Re: Re: Bluray's Suck!
My new fav gift to give out now is a cheap HD loaded with high quality torrents that you can watch by just plugging into the usb port of any modern TV worth buying, sony is not on that list cuz they think if they just leave off the port you can't watch DL's what a bunch of morons. Samsung, Toshiba, Vizio (3 usbs), Philips all play these files quite well and I am sure there are more.
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Re: Theaters
Take the record labels licensing piece now take that and expand it out to along about 7 levels for the movies and TV shows.
They are not "Married" to their business model, they are contractually (guilds, actors, distributors, etc) and legally locked (Laws they have lobbied for) into their business model. With contracts that go out years. They have set themselve up to be inflexible. For them to change course is almost impossible.
Its the reasons Mikes arguments about them finding new business models doesn't make sense to me. They can't ...
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Re: Re: Re: Bluray's Suck!
(That cannot be a native BD format file with the same compression (or lack thereof for audio) and color scheme as you will find on disk. If you had the same compression and color scheme as BD format it would have been a 20-30GB download. You're still missing something from the image quality standpoint compared to the BD, granted once you get past all the junk.)
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With an airline, they all basically do the same thing: get you from point A to point B. So, the peripheral benefits (no baggage fee, really friendly service) are can be real difference makers if price is comparable.
With movies, the movie content itself is everything. I'm not about to buy a ticket or a DVD for a crappy movie just because it's produced by a studio that cuts out FBI warnings.
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Re:
Having a quality product should kind of be the foundation of your business model, no?
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The JetBlue analogy misses a vital point.
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Not when it is Pixar. (n/t)
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Re: Re:
I just don't see the "fan friendliness" perks making a purchasing difference in the vast majority of cases.
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Politics
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Re: Politics
Now on Filibuster
Senator Woz(I) [Incredulous Party]
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Re: The JetBlue analogy misses a vital point.
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Re: Re: The JetBlue analogy misses a vital point.
Some boy scout is going to risk his life umpteen times to save some old geezer that hates him?
A single plant is going to save society (who frankly were better off in their all-needs-provided robo-chairs)?
Pixar has fallen a great deal lately.
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Re:
I actually believe they think the warnings are part of their campaign to deter piracy. Such an annoyance.
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Luxury and monopoly markets can't be analyzed
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Re: Politics
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Re: Re: Re: The JetBlue analogy misses a vital point.
Way to miss the point. While no one says "let's go see the latest Warner Brothers flick", people quite often DO say "let's go see the latest Disney (or Pixar) picture".
Just one of those odd differences about animation, I suppose.
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marketing an invisible attribute
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Re: Re: Theaters
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Re: Re: Re: The JetBlue analogy misses a vital point.
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Re:
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Because the studios aren't the brand
If I see a Pixar film, I know what I'm getting. Same isn't true for sony or fox. They make movies that make them money. They aren't brands, they're investors. Consumers care about the product, not all the people who make money off of it. I don't know which studio is putting out a film until after I'm in the theatre or have the disk at home and it the logo pops up on the screen. And it's forgotten before the credits roll anyways. It might help an established brand but until the general populace can identify your works on site, preforming consumer gratis would likely not help. it's hard to build a brand around "no FBI warnings" when the main item is the content.
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The point...
20th Century Fox - Rupert Murdoch
Universal Studios - Owned by GE, current president Ronald Meyer (since 1995)
Columbia/Sony - Howard Stringer (2005)
------------------------------------------
Thing is, most of them have been in these positions or near to those positions for 15-20+ years.
Of all of the CEOs, only Stringer seems to be trying to move his company forward. He has pushed Sony into 3D technology for better or worse and made Blu-Ray the defacto next generation standard.
With Bob Pisano leading for even more stringency in regards to copyright, I doubt anyone is looking at the larger picture of a better direction. Merely more into fighting a losing battle.
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movie studios aren't really consumer brands
If a movie studio were trying to create its own netflix/hulu/etc. competitor, then sure, it might start to become a consumer brand, but for now, as long as it isn't substantially worse than the other studios in these sorts of ways, it has no real incentive to be better.
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Re: Re: Theaters
Add to that, Studios are NOT IN THE FILM BUSINESS. They are in the STAR business.
The don't line up hundreds of millions of dollars in financing based and pre-sales based on the quality of the product, but on the "guaranteed" audience sizes the studios project based on the stars that are in the films.
Indie's are a totally different (and arguably, more adaptable) business. But most indie filmmakers are pretty terrible entrepreneurs/business people.
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Madman Studios
Although here they are legally required to put the "you wouldn't steal a car" ad on the dvd's, they make sure they place them in an area on the dvd so you can always watch the main content of it without having to sit through that damm ad. Usually it's placed before the trailers if you select play all.
They also have pretty great communication with customers through there forums (Which I joined to complain about missing something in a dvd and ended up being a regular member for 4+ years)
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madman
i was just about to reply about that...
quite often our discs aren't CSS'd either. it depends what the licensors want.
the AFACT trailers (who's to say i wouldn't steal a handbag?) are part of what on the face of it resembles a protection racket from AFACT. if ever we needed to bring suit against a serious pirate, we'd need their help.
as far as the warnings and logos... years ago they were sometimes required to be "unskippable", and often the author just "forgot" to set that PUO.
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