Public Domain Starves While Copyright Office Struggles To Modernize
from the behind-the-times dept
One of the biggest problems with copyright law is orphaned works—material for which the copyright status is impossible to determine, or for which the current copyright holder is unknown. Closely tied to the issue of orphaned works is the sheer prohibitive difficulty of looking up copyright registration information: the Copyright Office has records going all the way back to 1870, but only those from 1978 onwards are available online. That leaves over a century of records that exist only in physical catalogues containing upwards of 70-million entries. Millions of these works have undoubtedly fallen into the public domain thanks to shorter, stricter copyright laws at the time of their creation—and yet they continue to have de facto copyright protection because very few people have the means to access and search the records.
Last year, the Copyright Office said that they would make it a priority to digitize these records. Naturally this is a difficult and expensive task: the scanning phase is well underway, but the office has yet to tackle the much bigger challenges of text-recognition and metadata tagging that are necessary to make the records searchable. As a stopgap solution, they are now considering the possibility of putting the raw scans online:
Of the 25,723 drawers in the Copyright Card Catalog, more than 12,000 have already been scanned resulting in more than 17 million card images safely tucked away in Library storage. The long term plan is to capture index terms from the card images using OCR and keyboarding and to build indexes for online searching. But this will require significant time and money to achieve. Must we wait to share these images with you? Maybe not.
As an interim step, the Copyright Office is considering making the images of the cards in the catalog available online through a hierarchical structure that would mimic the way a researcher would approach and use the physical card catalog. We’re calling this a virtual card catalog. While it would not provide the full record level indexing that remains a principal goal, it would make information available as we’re doing the scanning and as searchable as the actual cards.
Anything that makes these records more accessible is a good thing, but this situation really just serves to underline the massive imbalance in copyright law. The public domain—supposedly a key part of the bargain of copyright—is being curtailed by the failure of the system to keep up with technology and culture. In today's world, everyone is a content creator, and by extension, everyone is a remixer. For new generations, public records that don't exist online might as well not exist at all. Expecting people to wait for these records to be digitized (or fly to D.C. and request access to the physical catalogue) is laughable—a total denial of reality. Is it any surprise that people don't respect copyright law under such circumstances?
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Filed Under: copyright, copyright office, modernization, public domain
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Scanning by the public for the public
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Re: Scanning by the public for the public
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Perfect Crowdsource Opportunity
The process has worked for astronomy data, why not copyright data?
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Past-tense: Loosed, as in "I loosed by bile on mis-spelling shills."
Lose: eg You might lose your day job.
Past-tense: Lost, as in "I just lost the game."
(please Please PLEASE learn to spell.)
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Re: Perfect Crowdsource Opportunity
If 'people' typed or entered data they will not be watching movies and the children of the corn farmers will starve.
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Re: Shill-o-tron
The freetards would just copy everything, then it wouldn't matter if it was public domain or not, it would definitely be out there.
/shill
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This is an intended result, IP laws are anti-competitive in nature and the public domain would compete with proprietary works. Can't have that, this interferes with the profit margins of big corporations that care little about the public interest.
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Better idea...
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RE
(that was a Joke son)
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It goes beyond orphan works to works nobody even knows existed because everyone that worked on it is dead. How many times have heard stories of someone digging through a movie studio's archives or record label's vaults and discovering amazing treasures? Even the copyright office is unable to keep track of who owns what.
Our culture has been stolen from us and it's sad and pathetic.
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Possible solution
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Not really hard to determine at least the likelihood that a work is covered. For a book, or a movie, check a copy to see if it has a copyright notice in it. If it does, and it's been less than 75 years, the work is likely still copyright - even if there are no specific right holders at this point.
For music, it's a little harder. An original copy disk might lead to a publishing company or similar. If the disk in your hand has copyright on it (at the point is was printed) then it is likely still under copyright if it is less than 75 years.
Yes, there are some works that have been ceded to the public domain early, but if you follow the above guidelines, you will err on the side of being right most of the time.
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Um, no. If it was registered between 1923 and 1963, then copyright only lasts 28 years, and 28 more if renewed. And according to most data, only 7% of books were renewed. In fact in all media, under half (and usually under 25%) of works were renewed - with film being the only area where the majority of works retained copyright. Yet nobody will touch the rest of that stuff because confirming its status is too difficult.
So it's not "some" works - it's the vast majority of works. And remember, "likelihood" is not enough. Accidentally violating someone's copyright could put you on the hook for huge damages and a lengthy legal battle. So nobody is going just "err on the side of being right" - they need actual confirmation.
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Re: Copyright term
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Everyone is not a remixer. You might be infringing upon the works of others but not "everyone". A lot of people don't even take advantage of fair use - they simply don't use the works of others.
If new generations can't cope with things not being online, they are sheltering themselves from reality and need to get out more often. This comment is entirely too broad and casts gen-xers and the entitlement generation as computer hermits - which is an inaccurate generalization.
"Is it any surprise that people don't respect copyright law under such circumstances?" Yes, it is. Just because you don't like a law doesn't afford you the permission to ignore it. There are a lot of laws that I think are stupid but if I choose to ignore those laws I face the potential for reprecussions (fines or incarceration). Your comment sounds like an excuse for breaking an inconvenient law - but there are many inconvenient laws.
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