Village People Singer Wants To Ban The Group From Singing YMCA After Claiming He's Regained The Copyright
from the um... dept
We've written many times about the issue of termination rights in copyright. Under the Copyright Act that went into effect in 1978, artists have a "termination right" to basically take back their copyright from whomever they assigned it to, 35 years after the works were created. Artists cannot contract that right away. It's inalienable. Of course, it's 2013, and as you may have noticed, that's 35 years after 1978. There are a variety of legal fights going on, as copyright holders (generally large gatekeeper companies) are fighting to stop the termination rights. One of the first key cases on this involved The Village People's Victor Willis, who initially scored an initial victory last year. Of course, the legal fight went on. The NY Times, however, is reporting that Willis himself is now claiming victory, but the details are lacking, and the lawyer for the record labels denies Willis' claim, noting that there's still an appeal to be heard.That said, what struck me as more interesting -- but no less troubling -- is the gleeful manner in which it appears Willis is preparing to use his new copyright powers (if he actually gets them) to make the current version of The Village People stop performing the band's classic songs:
In a telephone interview from his home in Southern California, Mr. Willis said he has not yet decided how best to exploit the song catalog. “I’ve had lots of offers, from record and publishing companies, a lot of stuff, but I haven’t made up my mind how it’s going to be handled.”Willis seems positively gleeful about his believed power to stop the song from being played:
He added, however, that he is thinking of prohibiting the Village People — the band still exists and is touring this month and next, though with largely different members — from singing any of his songs, at least in the United States.
“I learned over the years that there are some awesome powers associated with copyright ownership,” Mr. Willis said. “You can stop somebody from performing your music if you want to, and I might object to some usages.”The NY Times claims that this right could allow Willis to prevent venues from even playing recordings of classic songs like YMCA. This seems somewhat unlikely. While it's true that a copyright holder can prevent a public performance (though not a recording of a cover), most songs are licensed for public performance via one of the major performance rights organizations like ASCAP, BMI or SESAC. In theory, there could be a situation in which Willis would pull the songs from those guys, but that would likely lead to a major loss of income. But if it's licensed to those guys, then, generally speaking venues pay a blanket license and can play any and all songs in that venue. I can't see how Willis would possibly stop that without pulling his songs out of the PROs and that just seems silly.
Still, even assuming there is a way to do this, why would he? It just seems petty and stupid and vindictive, with little upside, other than annoying a lot of people. But, all too often, it seems like that's what copyright is for.
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Filed Under: blanket licenses, copyright, performance rights, termination rights, the village people, victor willis, village people
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You act like this is a bad thing!
Purely a subjective comment, I assure you.
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Re: You act like this is a bad thing!
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Re: Re: You act like this is a bad thing!
Apparently, I really need to get out more. Or do I? The mind boggles!
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Re: You act like this is a bad thing!
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Be careful what you wish for
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Disco still sucks
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Re: Disco still sucks
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Re: Disco still sucks
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Re: Re: Disco still sucks
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Way to play right into the copyright industry's hand, too.
If he actually gets the rights, and stops it from being performed, you know that the copyright groups will spin this to get termination rights revoked. Even though the informed will understand that this is an issue with copyright in general, all the focus will be on the termination rights.
Maybe I'm just paranoid, but the labels couldn't ask for an artist to do something more perfect for them on this issue. Is it a sham? Wheels within wheels, and all that.
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Re:
I'm okay with that. Termination is a dumb idea and very paternalistic. If authors make bad deals, well, they were adults, they were not forced into it, they could've negotiated or said no or made a deal with someone else or self published. Why should they get to go back and undo contracts decades later?
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Hang on a minute...
I don't buy that. Think about all the songs that the major labels currently "own" that they're practically hoarding in a vault somewhere and not promoting at all. Musicians have far more avenues for promoting their compositions in 2013 than they did in 1978. Why shouldn't those musicians take those songs back and do something new with them? Why should the labels be allowed to keep those songs locked up in perpetuity?
One guy who doesn't get the concept does not invalidate the concept. Give the art back to the artists.
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Re: Hang on a minute...
No, I already thought that it was a dumb idea.
I don't buy that. Think about all the songs that the major labels currently "own" that they're practically hoarding in a vault somewhere and not promoting at all. Musicians have far more avenues for promoting their compositions in 2013 than they did in 1978. Why shouldn't those musicians take those songs back and do something new with them? Why should the labels be allowed to keep those songs locked up in perpetuity?
In that case, why not place the songs in the public domain? Then, everyone, including the musicians, can do something new with them. Termination doesn't release works from being locked up;, as we see here, it only changes who holds the keys.
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Re: Re: Hang on a minute...
Why?
"In that case, why not place the songs in the public domain?"
Oh believe me, I agree here. But reverting to the original owners is surely preferable to keeping them locked up ad infinitum by a corporation?
Besides, once the song writer owns the copyright, they could conceivably so what they wish. This could include moving them into the public domain, applying a CC licence, etc. Most probably wouldn't, true, but it's a further possibility that isn't going to happen if Sony or whoever keeps all the rights. Once control is wrested away from the labels, there's a better chance of a reasonable copyright system being made for all.
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Sounds like the lyrics might be in need of a slight change
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Re: Sounds like the lyrics might be in need of a slight change
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Mike should go with majority opinion here.
"initially scored an initial victory"
"initially victoried an initial victory "
Fixed that for ya.
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Re: Mike should go with majority opinion here.
You seem to either hate or have the internets biggest crush on Masnick.
I'd be willing to venture that less than 1% of the people who read and post here can stand you.
You seem to have only the vaguest idea of what copyright trolls are despite the fact that you post in every. single. thread. about them.
Whay are you here again? If it's so we all can get a good laugh at the microcephalic idiot then kudos. Well done. If you really ARE that stupid, take a moment and think about the fact that you are so near-universally reviled that you get reported no matter WHAT you post and maybe stay away from this place for a week or two.
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D! M! C! A!
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Re: D! M! C! A!
Young man, who gives a shit if its wrong
You can play it, on almost everything
Because there's no D-R-M in your way!
. . . . .!
It's fun to violate the D-M-C-A!
It's fun to violate the D-M-C-A!
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Re: Re: D! M! C! A!
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Re: D! M! C! A!
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When does a live performance become a recording being played back?
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PROs
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Re: PROs
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I said, young man, there is a need to feel down
You can't use it, because of the DMCA
You can't use it, unless you agree to pay...
D-M-C-A
It's not fun to sample because of the D-M-C-A
I hope someone has explained Fair Use and parody to Willis...
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termination rights
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Re: termination rights
What he said.
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YMCA = Yet (another) Moron (who signed with the) Copyright Assholes !
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YMCA
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Re: YMCA
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As you were...
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FLASHLIGHT2013
“How many more sealed court cases do we have to endure, before WE THE PEOPLE, become part of this cover-up too!?”
This quote came to us as a result of our reporting on the Federal Court cases that have been placed “under seal” (hidden from the public) and outline some of the Armen Boladian lawsuits related to the extensive list of copyrights he has “mis-appropriated” including:
* There are over 300 Federal Court cases in Nashville that have been hidden from public view, for what reason we are not sure… (over 300 court cases and their transcripts, not just the exhibits or documents!)
* The Special Masters agreement between Armen Boladian’s company and others, which has been called “the collusion agreement” by some of the artists that have been victimized by it.
* The Jane Peterer deposition that contains Copyright Office fillings that show the “potential fraudulent activities” of Armen Boladian, his company and their business partners including Universal Music Group and B.M.I.
We have Ms. Peterer’s non-sealed deposition on our website here: http://flashlight2013.com/depo.html and we continue to call on the NY TIMES and ABC NEWS to grow some balls and finally report on the facts they have uncovered,….which are summarized here: http://flashlight2013.com/motiontounseal.html?_ga=1.146804863.919432567.1377051678
ABC Detroit showcased a 4 minute interview on this exact issue in February 2013 and then were immediately “forced to remove it from all websites worldwide”.
Why did this happen? Why did the reporter have to “retire” immediately after the report? Why is the NY Times not reporting the facts they have uncovered? Why is no other media outlet picking up this story?
We believe it is part of the continuing “cover-up” and we now call on President Obama and the “Gang of Four” to investigate and act on our complaints.
#WARPATH #FLASHLIGHT2013
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Side note
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Re: Side note
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Willis Can't Stop the Music / Did NYT's Get it Wrong?
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