When A Fourth Of Small Businesses In England Complain About Collection Societies, It's No Coincidence
from the gimmie-gimmie-gimmie dept
Copyright collection organizations, among the most prolifically corrupt and hilariously dirty organizations as far as some of us are concerned, are reportedly now building themselves quite a reputation among business groups as well. In England, we're finally starting to see some formalized push-back against the collectors from the small business community. From research done by the Federation of Small Businesses, we learn that a quarter of businesses have reported a complete lack of clarity, transparency, and understanding when it comes to how all this insane music licensing is actually supposed to work.
Research from the Federation of Small Businesses (FSB) shows that 24% of small businesses have complained to the regulator regarding a lack of clarity when it comes to obtaining music, media and design – which are often used for promotional purposes – with issues surrounding licence payments and potential copyright infringement being prominent. The industry body says that copyright collecting societies, which protect the intellectual properties of said industries, lack clarity when it comes to rules and regulations.Think about what that means for a moment. For a quarter of small businesses, those that can least afford to be dinged by not properly complying with copyright laws, don't have a full understanding of how to stay compliant. Beyond that, even those working with the collection societies, ostensibly in the business of protecting artists and ensuring compliance, aren't made to understand how this all works. How can that be?
Well, the answer is, of course, that collection groups aren't really in the business of compliance or protecting artists. They're in the business of collecting money and making a fee for those collections. It is simply not in their interests for there to be a wide understanding of how music is licensed, should be licensed, and should not be licensed. Far better for these agencies that they simply be able to stroll into a small business, declare them to be infringing, and collect their cut of the fees.
John Allan, national chairman of the FSB, said: "An unexpected demand for licence payments to allow you to play music in your business can be a very unpleasant shock to some small businesses, and the industry should be sensitive in how they approach the issue.That'd be nice, but it's certainly not how this works in the real world. There's no patient description of why certain licenses are needed in certain situations. And, oh, by the way, why is clarity and transparency amongst this convoluted mess of a copyright system a better solution than simply cleaning up the mess and streamlining the whole thing?
"For trust to be built, they need to make sure they are very clear on why a licence is needed and completely transparent on how charges are calculated."
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Filed Under: collection societies, shakedowns, uk
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...and the other 76% are infringing and don't know it yet.
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The music business? the sooner the better it implodes the better..
How many times do people have to pay?
You listen to Spotify (or one of their ilk)---they get paid
You listen to the radio----they get paid
You listen to the muzac in say a shop----- they get paid.
You buy(or if digital, licence it) the music----they get paid.
Where does it end?
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PRS
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Re: PRS
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Re: PRS
Needless to say that these performers never see their money back...
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Re: PRS
This is fraud, of course, but they get to claim "fighting piracy" as an excuse, so they get away with it.
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Extortion to legal 'collections' in two words flat
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Re: PRS
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Now doubly meaningful as the whistling attracts the attention of collection societies rather than the more traditional graveyard ghouls.
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Re:
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$$ Ecosystem
I recall reading somewhere that the CCC redistributes hundreds of millions, but damned if I've ever heard of anyone being able to track what the real amounts are, or who gets it.
--
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Re: $$ Ecosystem
That goes to the labels, who are the copyright holders tat the collection societies work with. The labels should pass royalties on to the musicians, at their usual measly rate, after deductions of advances of course. Net result, the musicians see very little if any of the money, and have to pay the collection agencies via venue fees when they perform live.
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Re: Re: $$ Ecosystem
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When I was a kid the record companies realized that airplay=sales and they paid the DJs to play their songs in what was called the payola scandal. While that in itself wasn't ethical, when did these greedy bastards forget that exposure means more money for them in increased album and concert ticket sales. Now they are going to make pre-1972 music so difficult to license that many will just stop playing it. That will really help them find new fans for artists that haven't been on the charts for over 40 years.
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That's why we do it now you have to hire a lawyer to figure it out.
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Re:
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I'm hearing the theme song from The Godfather going through my head.
Didn't one of these outfits shake down a woman who was playing music in her barn for her horses? Isn't that a bit like expecting cotton plantation slaves to pay taxes?
It never ceases to amaze me that all of this atrocious behavior actually managed to get implemented, and it manages to continue to happen with so many tales of travesties showing up in the news. Who's protecting these bums?
Don Vito Corleone was a saint in comparison. The real Mafia only snuffed the competition when they tried to muscle in on their turf. These collection societies have politicians handing them entire countries as their designated turf, with all the citizens and businesses within considered their plantation slaves. That's a pretty sweet racket!
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You say 'Bug', they say 'Feature'
If a company doesn't know when they need to pay, they also don't know when they don't need to pay, which means if they want to avoid being sued into oblivion when a 'collection' agency comes knocking, they'll be better off paying out even if they don't have to. And what do you suppose happens to money gathered for bands that don't exist? Who do you suppose gets that money?
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Re: You say 'Bug', they say 'Feature'
Nice. This's Kafka's "The Trial", updated. Brave New World. More Soma?
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Another racket in the making, and government endorsed.......out of the goodness of their heart im sure
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https://www.techdirt.com/articles/20120729/02544819867/uk-government-censors-copyright-consulta tion-submission-about-how-awful-collection-societies-are.shtml
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/s
(Does it still count as sarcasm if I'm joking, but they were dead serious?)
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PRS & PPL
By my reckoning we're each paying for the same thing 4 times over. It's legalised racketeering and it needs to stop.
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