How One 'No Name' Musician Used Free Music To Build A Following
from the funny-how-that-works dept
We've joked in the past about how people always look for ways to make "exceptions" rather than "rules" out of every example we use to show how adopting business models around the economics we discuss works well. So, if we show a big name band being successful, we're told it only works for big bands. If we show a less well known name doing well, we're told that it only works for no names, but that it could never work for big names. Someone in our comments jokingly referred to this "exceptionalism" as "Masnick's Law." Hell, in a post that once described both big name bands and no names being successful, someone in the comments complained that it might work for big names, and it might work for no names... but it couldn't possibly work for the vast majority of musicians in the middle.So, the best we can do is continue to show examples of how it works... for musicians of all "sizes" and levels of fame. One of Techdirt's longtime readers, and a well known "social media guru," Adam Singer, sent in a very personal example: himself. It turns out that, on the side, he's been something of a hobbyist musician. After years of trying to sell his music from various sites and getting nowhere, he went free and found an entirely different experience. He chose a Creative Commons license for his music, and it was like "magic." Because people could easily pass around and share his music, suddenly he had a following. Many more people heard his music, even to the point of people creating a profile page for his music on Last.fm, his music showing up on popular music blogs and internet radio programs -- and even people asking to commission him to write new music for them. To say that Adam is a convert would be an understatement.
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Filed Under: adam singer, creative commons, masnick's law, music
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Oddly Enough...
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Special Case
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Re: Special Case
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Re: Re: Special Case
People are always going to invent exceptions to prop up their preconceptions. You see it all the time with the Mac360/ps3/ipod/zen fanbois.
When you get people like that railing at you, then you know your on to something because you have mioved beyond the logical arguments into the land of emotional denial.
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Re: Special Case
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When I heard about Radiohead's Pay as you wish I though that business model can be more "universal"
I believe Adam Singer's case completes the loop.
-When your unknown you should give your music for free (Consider that advertising/Pr) you could use the "pay as you wish" model too but free will create more good will.
- One your start becoming an Established musician you switch to pay as you wish.
- when/if you get really famous you start rolling out the limited edition albums (that's if your stuff is good of course)
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last line didnt show
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Special Case Ditto
It's obvious that the free model cannot work in any case due to the unmanageably large number of unduplicatable variables...
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Re: Special Case Ditto
How is this obvious?
As for being a "social media guru", I think you miss the point. It isn't the artist that is the guru...it is the FANS themselves. By liberating their works, the artist allows the fanbase to GROW ITSELF. The work is used not to generate revenue directly, but to spawn FREE marketing efforts by the fanbase so that revenues on scarce resources (e.g. performances) becomes much more valuable.
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Re: Special Case Ditto
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Things that work at different levels of frame
You can't do a greatest hits album if you're a no-name, either, and that's an old standby of the traditional music industry.
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This guy is the exception, not the rule.
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Re:
Almost every musician I know wants free music AND have written many songs, AND give them out for free. And I know a lot of musicians thanks to some skills I have that they lack.
Hell, back in the day before we could download music I toured with a band that was mostly local that made incredible money simply from touring around the state all the time. Five piece band, $1500/night and played 5 nights a week. That was $78,000 a year per member back over 10-15 years ago. It actually cost them money to put CD's on the shelves in stores.
Or are you talking about someone who is utterly and completely unknown even in their own town?
The ONLY people I will pay for music are the real exceptions like Andy Partridge of XTC who had simple stage fright then someone(I think his wife at the time) threw his nerve pills down a toilet right before a show and his anxiety got so bad that he's been phobic of stages ever since. That I can understand paying for since he never tours but Andy is wickedly wise and already has realized that he's gotta give his fans a bit more for them to buy the CD's and has done something about it. There are other exceptions but Andy's is always the first to come to mind.
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Re: Re:
The biggest obstacle any musician (or any artist) faces is obscurity. Not copyright infringement. The internet makes obscurity much easier to overcome. I wish to god we had the net back in the day. It would have made life a lot easier and we would have saved a small fortune copying cassette tapes of our music.
And one more thing, songwriting is not difficult if you're a good songwriter. All the songwriters I know had no problems writing songs. They just flowed out of them. Songwriting is only hard if you have no talent to write songs. But that's true of any activity.
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Re:
Please cite the sources and/or evidence for your claim.
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Way to go Adam!
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Free music
Like A.C. said, you can start to charge people once you have built a following. My only concern is people stealing your tunes for their own use.
Comment 4 - are you being ironic? Coz I can't tell.
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ok smartguy
ha ha, see your free model breaks down and now everyone has to go back to buying CDs!!! check me out, i beat the internet!
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Re: ok smartguy
Damn. Looks like you found a flaw in the plan. :)
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Re: Re: ok smartguy
Most of the widely popular music available (in traditional formats & for sale) that you hear on the radio is utter rubbish (IMHO). The artists are either engineered (boy bands) or no-talent development projects of the record label (examples too numerous to mention).
The reason that so-called "piracy" hurts the industry's business is because the practice of engineering a band or investing heavily in production to make a worthless artist sound good for the radio is extremely expensive, but deemed worthwhile because they have been able to make it profitable for so long.
In addition, there is the fact that most artists (content creators) are not lucky enough to have any creative license or latitude in their contracts with said record labels, make little or no money from album sales, often must pay for touring and promotion out of their profits from all of these activities, and when all is said and done, retain no rights to the music that they have written.
A lot of worthwhile artists love the sharing model precisely because it bypasses all of these common complaints; distribution becomes virtually free, and they are able to create the music that they want and develop a fanbase on the same. This then allows them to profit in ways only associated to the music itself (touring, branded items like apparel, etc.) while their creation is itself offered to consumers free of charge.
What is the end result? 1) Most of the mass-marketed content that I download I subsequently delete, as I don't even tolerate the "cost" of the hard drive usage, and 2) I have uploaded content for several real musicians so they can build their own following and become successful outside of the traditional business model.
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Its all in a name?
Rose M. Welch - Agreed! "Masnick's Law" would be a great band name. Of course, the band would then have to fine TechDirt everytime Mike used the phrase "Masnick's Law"...
Finally, I think what is key here is one of the last statement's in Mike's post: 'and even people asking to commission him to write new music for them.'
THIS is is business model - not giving music away from free, but using the free music to promote himself. These commissions might involve writing wedding songs for people or writing commercials, but the bottom line is that they pay and enable him to produce more music for fans to enjoy. Everyone wins.
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Bob Lefsetz did a feature on the free cd program at http://lefsetz.com/wordpress/index.php/archives/2008/11/21/e-mail-of-the-day-13/
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Is being heard by thousands of people for free, bad?
I doubt you'd be sitting there rubbing your hands excited about the money you could make from 50,000 copies. I think you'd be more worried about how to sell the damn things!
When you scale the question up I think the 'free is bad' idea goes right out the window. Here's what we did with 'free': http://bit.ly/14MD9
At no point did we think this was a bad idea. Quite the contrary. We're wondering when we can do it again.
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location
A production company advised me to stay in LA due to the eclectic atmosphere & a good place to gig. Even though I am not doing business w/ them at present, I am digging for data that gives me a 'green light' on relocating. I brought up Nashville & he replied that it would be good if I played country.
If you have any referrals to production companies that can work w/ an artist who can write well, play all the instruments but needs marketing, more production & help in direction, please feel free to advise.
I would be much obliged to have your feedback.
Thank you.
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