Insanity: Judge Rules That Copyright Holder Of 10-Second Sample Deserves 84% Of The Royalties
from the clueless-judges dept
More insanity in the world of copyright, this time coming out of Denmark, where a judge has ordered the musicians behind a song to pay massive royalties to the copyright holder of a song from which they sampled a mere 10 seconds. Despite the fact that the musicians worked hard to find the copyright holder and to work out a deal, and despite the fact that it was just 10 seconds of music, and one of about 50 different elements in the song, the (apparently musically illiterate) judge decided that this sample was the major part of the song, and deserved 84% of the royalties. The article details how the musicians went to great lengths to work out a deal with the copyright holder, but ran into some problem as they dealt with one person who later turned out not to be the actual copyright holder. When they did discover the real copyright holder, again, they worked hard to come to an agreement. And, again, this is a 10-second sample, and one of dozens of elements in the song.The major issue of the case concerned the definition of a sample is and whether the judge understood the nature of modern music. While Djuma Soundsystem argued – with support from Koda – that the sample was 10 seconds long, Meistrup argued in the court documents that “all of [Engin’s] original composition is used, up to three minutes play time.”The article notes that part of the issue may be that the musicians being sued represented themselves and were "under prepared" for dealing with the court. But the real problem is that this ruling will act as a precedent and apparently it's the first of its kind in Denmark dealing with samples, and may effectively wipe out the ability to create music based on samples in Denmark. The band, Djuma Soundsystem, claims that it's now hired a lawyer to handle an appeal, so one hopes that a higher court recognizes the insanity of it all. In the meantime, however, the band owes approximately $200,000 (over 1 million Danish kroner) on a song which they say made them about $25,000 (or 140,000 Danish kroner).
Ralf Christensen in newspaper Information criticised the judge’s lack of understanding after the verdict.
“It’s a harsh verdict not only because of its economic burden, which may affect Danish music in a way similar to what we’ve seen happen with American hip hop. It is also an expression of the court’s lack of understanding for the development of modern music.”
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So...
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Re: So...
Let us try a fair calculation. The band says they made $25,000 off the song. Assume the song was 3 minutes (typical length for a song) = 180 seconds. The sample was 10 seconds. So the band owes:
$25000 * 10s / 180s = $1388.89
There, that wasn't too hard was it?
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Hint: This isn't OOTB posting. You guys need to grow up.
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They're everywhere! Run for the woods!
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Your melody?
Get over it.
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There are only so many notes and so many ways to arrange them, I guarantee every song knowingly or unknowingly samples other songs.
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As long as they don't reproduce the original song to a point where it may be mistaken for the original and claim it their own it is fair use in my book. Negativland were famous for deconstructing popular songs and turning them into something else entirely, and they too got into legal trouble more than once, but the only time they got really slammed was for album artwork that might be misconstrued for an U2 album.
Musicians need to take their heads out of their ass once in a while and realize that it's not only the idea that counts. If people wanted to listen to the original song they would.
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Wouldn't a better reason to be creative, is to create? Put money as a maybe distant second or lower, would be nice, priority? That might put some 'heart and soul' into your music too.
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Reading comprehension: 4%.
As for the rest: I think you're lying about writing actual music. I bet you're just a troll.
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Yeah, thankfully this isn't part of the music industry, any more than the guy shuffling the garbage cans at Intel is a chip maker.
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Education.
Today the rate of change has sped up so much (a la Alvin Toffler) that their knowledge is obsolete in a few years.
Do the law schools even give courses in technology at all?
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FTFY.
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"pirates stole my notes!" yeah right, like anyone with a brain is going to say that.
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FTFY.
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Nothing like facts to destroy the Techdirt myth of the day.
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start at 2:10 or so... the guitar part is "the sample" and it plays pretty much to the end of the song. Sort of hard to miss.
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Dangermouse? GirlTalk? 2 Live Crew? Come on, jackalopes--what will it take?
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I'm confused as to what that has to with anything in this matter. The sample is only 10 seconds long. Who cares how much elapsed time that 10 second sample is used in the song. It's still just 10 seconds of use....
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The "10 second sample" makes it sound like it is a small piece of a 5 and a half minute song. The reality is that it is a key, repeating component of the song, providing it's melody, pace, and structure. It's not insignificant.
The court got this one right.
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http://www.youtube.com/watch?v=5pidokakU4I
and then tell me again they got it right.
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As for the video itself, considering there are only 88 keys on the keyboard, there are technically only a limited number of noted to play. Musical scales limit that even further. It is very easy to try to jam a bunch of songs into a cord pattern in this manner, but it proves very little. Performance is a significant part of the deal, not just individual cords played.
Sampling? That is using performance, which is why it always ends up being copyright violation.
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It's my opinion. I disagree with your opinion, but I understand where you are coming from.
I have to say though that trying to call it a "sound scape" rather than a song is a very sly way to try to avoid the fact that it is still made up of the same elements of a song, such as tempo and melody.
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" is still made up of the same elements of a song, such as tempo and melody" the tempo was established by arpeggios at the beginning 2 min before the sample was introduced..
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Actually, if you pay attention, the speed and tempo of the arpeggios appear to be set in consequence of the sample, and not the other way around. This sort of song isn't written in a linear fashion. It is clear that the sample in question is they key melody of the song, and a such, everything else appears to have been done in support of it.
It's opinion, nothing more.
So what is it that you do Mr Raybone that gets your ears paid so well?
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I have my own unfounded opinion in which I use musical terms I don't really understand. I disagree with your opinion, but I understand that you know a lot more about music than I do and clearly have a professional opinion on the matter, but I don't concede points no matter how much bullshit I am called on.
ftfy
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Is focking 10 secs of it.
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Nothing like misrepresenting facts so I can prove people wrong and accuse them of misrepresenting facts. Hypocrisy is the coolest.
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Next you will call people who don't pay artists to stream music or video inside their homes is theft too.
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I dont know why anyone would want to be a musician these days. when even just playing music, in your basement, for yourself could get you used why even bother. just become a lawyer and let other people play the worlds smallest violin just for you, as you sue them to the ground.
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Right?
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Let's start another branch here. Mike, if the song made the "band" better known, or added to their fan base, or they attracted a larger crowd or sold more merchandise at their shows, and will do so going forward, how much did it really "earn" for them?
You are all about the esoteric exposure theory of marketing, so how much is the exposure worth here? I am guessing about $175,000... what about you?
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Apparently the song made them a huge hit. But we anti-pirates all know exposure is worth negative 150 billion dollars.
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http://images3.wikia.nocookie.net/__cb20100108063233/uncyclopedia/images/archive/b/b5/2010010 8063328!Exploding-head.gif
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Denmark yay!
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Djuma got caught violating a copyright
Also, there was no mention how often that 10-second sample was used throughout the song. 10 seconds might sound miniscule, but use it 6 times throughout a song and it's already a whole minute.
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Re: Djuma got caught violating a copyright
Can someone research and tell us where the "original" songwriter got that 10 second sequence from? If proof can be shown that the artist screaming and ranting about how his music was ripped off, did in fact take the sequence from somewhere else...it would invalidate the punishment wouldn't it?
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I know. It is hard to imagine, people actually performing music with basic instruments rather than just arranging clips of other people performing, but it actually use to happen a lot.
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A remixer...their instrument IS other people's work. He uses it to create something new.
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No matter how good a music teacher, no matter how perfect the "rendition" of the music, someone playing guitar will always add a little of their own nuance to something. Part of the art and the mystique of playing a musical instrument is that it is a basic tool, one that requires skill, and that skill is unique to each player.
There are no perfect guitar players. There are no perfect trombone players, and so on. Each player brings a little of their own skill and nuance to their play.
Now a sample of a performance is always the same. The performance does not change. You can edit it, you can play with it, you can stretch it, shrink it, chop it into little pieces, but there is still a performance there that is not yours.
While a good producer or a good editor is an "artist" in their own way, they are not musicians.
Performance is key, it is a completed work. Using that performance as the basis for something else doesn't make that new thing into a performance, or even really music. It is the producer editing the track, it's something else. It's not a musical performance.
The remixer doesn't create new... they just recycle. You may not have seen the pieces in that order or in that collection, but it is just recycled performances by other people.
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Which is why this "new" song sounds exactly like the work it is infringing off of. It has the same melody and tempo of all the pieces it stole from. Because really its nothing new, creative or original.
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But hey I am looking at this objectively and not letting my preferences get involved...
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Re: Djuma got caught violating a copyright
Where are the damages against the first guy who lied about being the copyright holder?
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Re: Djuma got caught violating a copyright
What's your legal basis for suggesting reusing the same 10 second sample infringes more of the original than only using it once? Be specific.
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Read a book.
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Nothing new
Look up what happened to John Lennon for using the phrase "flat top" in "Come Together".
Then there's the famous suit against George Harrison for "My Sweet Lord".
For you internet kiddies that don't know any history that happened before 1995, use your Google machine to look it up.
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This is why I generally don't get involved in these kinds of discussions, because average Joes who know nothing about music composition and/or arranging and copyright law think they're "experts" because they listen to music and watch "Judge Judy".
Clowns are entertaining.
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But tell you what, post your name and work, and I'll post mine
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Yay!
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Sampling is a hybrid art
Historically, arrangers take composed music and 'remix' them. They may change the tempo, change parts, keys, moods, instrumental composition and even styles. Frank Zappa famously arranged Led Zepplin's 'Stairway to Heaven' for a big band. It took a lot of creativity even though Frank did not compose the song. Just about all the high school jazz charts and most of the college charts I read from back in the day were arranged by a person other than the composer. I contend that a remix/sample artist is no different from a jazz arranger. However, a sample artist may go further.
There are so many new tools for manipulating waves today compared to just ten years ago. It is these tools that help make a sample artist a composer as well as an arranger. Samples can be stretched, scratched, effected, flipped, internally rearranged, and tone adjusted just to name a few of the options available. There are wizards out there that can do just about anything to sound you can imagine, on the fly, and in a musically pleasing way that create new art with the elements of the old they draw from. Some controllerists can even improvise with other musicians on their instruments in a group setting adding new elements to live performances now.
Sampling is too convenient, easy, and most importantly, effective to ever stop. It will continue to grow as tech gets better and cheaper. The lines will be blurred more and more as new kinds of instruments using this tech are developed for those who play live. They will not replace regular instruments but join them on the stage. Traditional instruments will also continue to change and incorporate the new tech with the old. Already with my 6-string Ken Smith bass with a midi pick up connected to my Fantom, I can sound like an entire orchestra or really anything I chose through sampling, recording and prepping wave files to my keyboard. I would suggest this is a good trend mainly due to the further democratizing affect the tech has on the music industry. For composers with a good perspective the world is their oyster. However, considering the current climate, just don't forget to befriend a good lawyer ;D
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