Neil Young: Piracy Is The New Radio (But The Quality Sucks)
from the well,-there's-that... dept
Neil Young apparently isn't too concerned about copyright infringement these days, according to his comments at the D: Dive into Media conference:It doesn't affect me because I look at the internet as the new radio. I look at the radio as gone. [...] Piracy is the new radio. That's how music gets around. [...] That's the radio. If you really want to hear it, let's make it available, let them hear it, let them hear the 95 percent of it.Of course, that's a bit of a reverse from back when he was angry that YouTube wasn't paying him money when people uploaded his songs. Still, it's good to see him come around to the view that infringement is, basically, a new form of radio. Artists like Chuck D have been making that argument for over a decade.
Young is still concerned... but about the fact that the quality of MP3 files sucks. He'd prefer technologies that provide a much fuller sound:
Steve Jobs was a pioneer of digital music, his legacy was tremendous. [...] But when he went home, he listened to vinyl.
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Filed Under: neil young, piracy, quality, radio
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What about FLACs and WAVs? I've heard these should provide pretty good quality.
I don't have a sound system to hear the difference between 320 kbps .mp3 and FLAC, but that's just me. I'm fine with mp3s - and I don't even use mp3s that much these days, I'm using GrooveShark :)
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That's why we need 32bit float 192khz audio instead of 44.1khz 16bit.
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Dynamic range of modern CDs is between 3 and 6 dB, while 16 bit samples allow for 96 dB. Compression is compression, it does not matter if your samples are 8 or 64 bit wide.
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The same thing happens to video, you can see the difference from a video encoded from Bluray and DVD the Bluray ends up with 1.5 gigabytes but it is better quality than the 4 gigabytes from the DVD itself, so in audio I assume is the same thing, they use higher frequencies to smooth out the corners of the wave.
https://en.wikipedia.org/wiki/File:Aliasing.gif
That graph shows what sampling does to an analogue signal. It becomes more squarish the more samples you take the more smooth it becomes. Of course that only works if you had a good quality source to begin with, trying to reencode a MP3 from 22 KHz to 44.1 KHz will sound exactly the 22 KHz or worst because it had no data to do it better it started with a squared wave and turned into something more square.
https://en.wikipedia.org/wiki/Aliasing
https://en.wikipedia.org/wiki/Nyquist_rate
https ://en.wikipedia.org/wiki/Sampling_rate
So to answer your question, you need bigger sample rates to have more data points to make the sound more smooth.
To make it more pleasant you actually need another thing and that is Acoustic Illusion aka: psycho acoustics, bineural acoustics, holophonics and other names for how sounds are perceived by the brain, using only two physical points of collection(aka: ears), but take this statements with a grain of salt since I'm not a sound engineer and don't know what names they use, I do know trigonometry though so I understand the math behind it, no matter what the name given.
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as stated by others in reply to your post, vinyl is better due to mastering, It also has a bit more detail (most of it you cant hear without great gear and golden ears)
the thing is, the loudness wars dont effect vinyl because its a dead format(you can now get some newer stuff in it but its pricy as hell and sometimes is made from cd masters...no, im not kidding..)
a good test is to get the latest remasters of some beatles or eagles or boston and compare them to the vinyl versions....its shocking how bad the newer versions are.
http://turnmeup.org/
good video on there that shows why MOST old versions soundbetter then their modern western masters.
mind you, I have been getting japanese masters or unmastered stuff alot lately because it just sounds better, even when converted down to 16/44 (really cant hear the dif if the files are down sampled and converted properly)
so tired of the loudness wars....makes me wana cry when i can hear the destortion from their shoddy work....
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The problem with the AB testing that led to the CD sample rate was, while humans might not immediately recognize the absence of higher frequencies while listening to a brief snippet of sound, they are able to perceive them at a subliminal level. Tests which involved subjects listening to music for extended lengths of time (30 minutes or more) produced results where humans demonstrably preferred the versions containing higher frequency content, suggesting that the perceived range of human hearing extended to nearly 50kHz.
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"CD quality is 44.1 KHz, 16-bit stereo."
yep
your max frequency is 1/2 the sample rate. 44.1 KHz samplings = ~22kHz max
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But he did say that
"The sample rate of CDs, 44100 samples per second, was based upon the presumption that humans were incapable of discerning audio frequencies above 22kHz"
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Remember, though that I did say distinguish. As a whole musicians and singers can distinguish the side tones created by a note played at 22kHz well up into the 40kHz range. And that's where the observation that CD's sound "flat" or toneless comes from. The high frequency side tones are missing. Rather they were because they're back in there now.
Analogue is different than digital in that it creates side tones surrounding the note(s) being played or sung. Digital doesn't. Early CD recordings would drop the sidetones altogether.
Still, I'd agree with Neil if he thinks mp3's are crap. I prefer to think of them as sonic swamps what with all the compression and all.
As usual it will work itself out over time. FLAC is far better while WAV does some cut off at the high and low end to save bandwidth.
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Re: Newness
It doesn't matter that's there's already a way to do it with existing tech.
Take the 'DMARC' thing from Google, Facebook and others. Their developing something new despite the fact PGP public/private encryption could just as easily solve the problem.
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DMARC is different than PGP:
DMARC offers a subset of what PGP offers but PGP requires adoption by and key distribution to all the people you want to communicate with securely. DMARC is, essentially, use in sending email of the Sender Policy Framework (SPF) and Domain Keys Identified Mail (DKIM). A critical point for DKIM and SPF is that an end-user receiving mail (and in some cases sending mail if the Mail Transfer Agent supports this) does not have to do anything for this to work, not even updating their email client. They can rely on their Mail Delivery Agent (MDA) to filter out spam and phishing emails, whether it be Yahoo mail, Gmail, or their own ISPs mail server. This is useful even if it only applies to email sent or hosted by just the current set of companies who have adopted DMARC. Ease of widespread implementation is an important feature. PGP has been available since 1991. I have used it since 1996, but is use is not widespread because too many people don't think it's worth the bother. PGP differs from DMARC in offering confidentiality, end-to-end integrity, authentication of both sender and receiver, and non-repudiation. DMARC is limited to verifying the senders IP address and the domain of the sender. This allows for filtering of a good percentage of spam or phishing emails. So, DMARC and PGP are different technologies with only some overlap in purpose. Both are useful.
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http://lawlgorilla.ytmnd.com/
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MP3 likes to muffle the highs A LOT. Voices and certain other sounds can be quite different with the highs muffled.
Vorbis 192kb is hard for me to hear a difference. Usually requires a lot of highs, like cymbals or other high sounds from pianos or violins. Vorbis 256kb I can't hear the difference on my crap hardware. I haven't tried on higher end hardware though.
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...streaming music?
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Too bad the industry did not go with this idea. I would have bought that line of crap before I read SOPA the way it was originally written. Now I won't ever buy anything from the music industry ever again unless I can find it at a legal reseller such as a used CD or book store.
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Response to: but.. on Feb 2nd, 2012 @ 7:54am
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(citation needed)
Well, I did a quick Google search and all I could find in reference to this is Young's own speeches. Anybody have a cite?
Either way, I think he's learned one of the hard truths of doing business - your own personal taste does not dictate what sells and what's successful. You like vinyl? Great. I can't fit that on my iPhone or my Spotify app, which is what I use to listen to most music nowadays. So, offer me the version I'll pay for, don't try to force me to stick to vinyl - I won't buy it.
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It would be nice to have some supporting evidence from another source, but I doubt that we will ever see any.
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If they are not using the Pirate Bay they are using iTunes, Amazon, Spotify duh, but they will only do it once, not forever.
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The MPAA however are not trying to make things easier with their windowing models and all the pushback on streaming.
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Response to: PaulT on Feb 2nd, 2012 @ 7:57am
And no one's telling you to buy vinyl, chill out. You totally missed the point he was making.
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Radio is dead!! Long live Radio!!!
The fact is that very few people today have ever really heard good full sound music and they don't know enough to care. So they enjoy the music they hear and then enjoy even more when they hear it live. Might be the reason more and more bands are making more money from live concerts.
Experience is not black and white. MP3's are not perfectly white or black they are just a bit gray.
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Re: Radio is dead!! Long live Radio!!!
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Bingo. Most people will listen on the earbuds that came with their smartphone and use the other $3000 for something else - and be perfectly happy with what they have.
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For that matter, a real landscape doesn't look like a painting of a landscape, or a photo of a landscape. Sound recordings are no different in that respect from photographs, they're just captured and edited samples of the real thing that include a very small subset of the available sound information. Arguing that one format is more "realistic" than another is like arguing about the "realism" of a photo of a mountain printed on matt or glossy paper. So, there's more detail? Big deal. It's 2% realism versus 1.99%.
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I cannot find the article now but in it they talked of how Neil brings along an autotransformer to each gig with him for his primary amp. His techs were amazed because he used to call out the voltage fluctuations (by changing tone of the amp) and always be spot on
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Legitimate concern
That was always the legitimate concern of authors/creators over piracy - the tendency of pirates to cut corners on quality.
Of course these days the "legit" outlets seem to trim the quality as much as any pirate ( perhaps even make it worse cf DRM) .
But it seems to me that there is a business model out there that would gel perfectly - let the low qual mp3 s circulate freely - and sell really high quality wav or FLAC files.
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But I bet you anything that if you stamp it with "Higher Quality" or "Master Recording Quality" even though those people can't hear the difference they all will pay through their noses to get it, just like there are people who pay $500 dollars for an iPhone wallpaper or $1000 dollars for a "superior" digital cable.
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But is that difference enough for most people to care about, especially if they're not really consciously aware of the differences, and many people only listen through earbuds and basic car stereos anyway where those frequencies don't come through?
I'm sure we can argue back and forth constantly, but the fact is that most people when listening on their normal equipment either can't tell the difference or don't care. I know that's difficult for audiophiles to understand, but it's the harsh truth.
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Re: Legitimate concern
Around audiophile pirate sites flac files are preferred.
There's only a portion of the audience that cares about high quality audio, and the model you propose hits the same problem as before, flacs and wavs are still infinitely reproduceable.
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Re: Legitimate concern
So the business you want is out there, and thriving.
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Difference between piracy and radio
But I think the idea is right. Get your music out there, get noticed, get fans, then sell them concert tickets and merchandise.
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That's why taping things from the radio didn't hurt revenue where downloading does. The devil is in the details.
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So - if you ignore the thing that makes them the same, they're different?
What kind of warm-up do you need to be able to do twisted mental gymnastics like that?
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... but we're mixing to the LCD anyway
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This makes me...
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re
this makes sense...Neil nailed it
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Completely unlike radio.
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The labels even managed to get government to make it illegal for them to pay the radio stations to play the tracks they wanted the radio to promote and even still, they are occasionally caught doing just that.
Now that was a massively brilliant deal, but it is clearly insane, and its day is over.
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We are no longer satisfied just to send out a flyer with the restaurant's menu... now we are expected to send a free dinner and hope they tip.
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No one was ever "required" to buy the "product".
Funny kind of product that can be replicated an infinite amount of times. Can't do that with dinner.
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You could tape off the radio (massively compressed and ugly) or copy tape to take (hiss on top of hiss...) or copy from vinyl (crackle, pop, and more tape hiss anyway). You would probably want to buy an original for yourself.
Now you can have a perfect digital copy for free. Why buy it?
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I would never buy a MP3 though, when you have FLACs easily downloadable for free.
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>Google image search
feeling of owning the CD, being able to touch it,
>burn one if you need to own a physical medium
read the correct lyrics,
>Google (again)
and being "forced" to sit though it all
>Skip
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If you are ever in the situation of having an infinite amount of dinner, then yeah, you would have to find a different way to make money from it.
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As much as i can respect the revitilization (not invention) apple have done to the phone and tablet markets, at heart there a bunch of douches, for the above reasons, and i would never think them as supporters for "piracy" or the nature of the internet
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How do you think that is not emphasised by talking about vinyl being superior.
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What's wrong with mp3's?
A 96 kbps mp3 is sweet music as God & the RIAA meant it to be. (Nevermind what the artist says.)
Consider, if people don't like how it sounds, then they won't pirate it.
(Of course, they won't listen to it either, but since when does the RIAA care about collateral damage?)
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Listen to Neil's boxed set
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He has already begun releasing his back catalog on Blu-ray to maximize sound quality, but there's no chance I could (or would) pay $35 per album or $300 for a 10 disc set. Especially when he seems to have made a point of leaving some songs out.
That's a ripoff even compared to HDtracks, where I can buy FLAC downloads which aren't infested with DRM. With most albums costing $18 ($23 for a double album), I still consider their prices too high. But at least they are trying to make their product more compelling. You can even spend an equally ridiculous $2.50 to buy most tracks individually if that's what you prefer.
The bottom line is this. Neil Young really only pays lip service to expanding the popularity of high quality formats. Considering most people can't tell the difference, making it more expensive and generally less accessible has exactly no chance of doing that.
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Senility is kicking in
Besides Neil is nearly deaf (years of standing next to gigantic sound speakers will do that) from what I understand, so he wouldn't be able to tell the difference from a high quality digital recording and an mp3 anyway.
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Re: Senility is kicking in
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I can't either, but I think we have to assume that that is us, not everyone.
Someone I knew, did not notice colour flashing playing a film from a vhs tape that had been copied direct tape from macrovision protected tape.
I still don't know how someone wouldn't even notice, but he genuinely didn't.
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Raising it to 320kb got rid of it and even low bitrate ogg/vorbis didn't have the issue. Why I love ogg/vorbis for compressed audio.
I can hear the compression artifacts from sub 256kb MP3, quite annoying.
My ears are sensitive to distortions as many cause actual physical discomfort. Because of this, I think I've taught myself to pick-up on the distortions.
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Well considering....
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Live music
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Quality Sucks?
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Quality Sucks?
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That's funny...
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People complaining about quality will be wearing hearing aids and stuff when older, if lucky enough to still be able to hear at all.
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Neill
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what neil young really wants....
There are good songs and albums out there whose listenability have been wrecked by look ahead limiting or clipping.
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Or how about Jonathan Coulton? Two years ago, his income was $500,000 which he made from digital downloads, merchandise (which includes CDs and T-shirts) and live shows. Oh, he licenses all the music he wrote (which the exception of the music in the Portal and Portal 2 video games) with a CC: BY-NC license.
Also, Bandcamp makes independent artists a collective total of $1,000,000 every month.
The Major Labels alone do not make "The Music Industry" per se.
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This is nonsense for two reasons.
First, major labels never helped new artists "break in to it." In order to get signed, you had to have already been successful, either on your own or (more likely) on an underground label. Either that, or your family was already working for a label, and you got signed due to nepotism (hello, Lily Allen!).
Second, artists are making more money than they were twenty years ago. People are spending more money on music than they were in the 90's, and more of that money is going directly to artists themselves (B2B, merch, live, even digital sales).
So, if you're an artist who isn't making money now, there's no way in hell you would have made any in the 90's, either.
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Wasn't Steve a bit too late to the party to be considered a pioneer? Seems like he was quite dismissive of digital media players for many years, right up until the day before Apple introduced the iPod.
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Meh
Itunes is a weak player...I'd recommend foobar or MediaMonkey for the real music collectors.
Most people stream their music nowadays and don't mind the low bit rate of their hip hop or rock. Those who listen to the bass music usually care more about sound quality.
Music can be pirated/bough in any possible format (private trackers, DDL forums) from WAV, FLAC, 320, 256.. so explain what "Higher Quality" is.
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"MP3 is low quality"
Get over it, audiophiles.
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The MP3
In 1987, the prestigious Fraunhofer Institut Integrierte Schaltungen research center (part of Fraunhofer Gesellschaft) began researching high quality, low bit-rate audio coding, a project named EUREKA project EU147, Digital Audio Broadcasting (DAB).
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Digital all bad?
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FLACs and hi res mp3s
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Youtube
Well, pirates doesn't make money of playing his songs, youtube does... fair is fair, or?
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positivity of it all
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