MPAA Head Chris Dodd: I'm Willing To Discuss Copyright Reform As Long As Nothing Changes
from the your-input-will-be-ignored-in-the-order-it-is-received dept
Chris Dodd, head of the MPAA, has decided that, 16 years after the Napsterpocalypse (which singlehandedly killed the recording and motion picture industries, both of which are now nothing but vague memories for pre-Gen Xers), it's time to meet the tech industry in the middle and start working together.
But, as is Dodd's way, "in the middle" means drawing a line inches away from the MPAA's position and "working together" means making heavy concessions to the incumbent industries. Here's what the Grand Dame of the movie business had to say while attending a celebration of US-Germany film collaborations.
"New technology has made the international exchange of cultural and entertainment content faster, easier and increasingly, a two-way street," he said. "Technology and content need to live with each other. … Technology needs content, and content needs technology."So far, so good, even if it is a rather obvious statement. And so far, this preamble echoes the recent words of Jean Michel Jarre, who also began with an open-minded position when discussing the tech/content relationship, shortly before zipping it shut entirely and declaring copyright industries entitled to $300-400 of every smartphone sale.
Dodd says it's a two-way street... then sets about hanging new one-way signs all over the place.
Addressing copyright rules, Dodd said he was "not frightened of reviewing or reforming copyright," but said copyright rules shouldn't be "eroded."Great. Dodd's perfectly happy to discuss or reform copyright, just as long as nothing changes. Life +70 forever, then? Or more? The only thing that's "eroded" over time is the public domain. The original copyright "rules" stated that these rights would be secured for a limited time. Life +70 years is limited in terms of the entire history and future of the world, but it's certainly not "limited" in any logical sense of the word. Life +70 years is, on average, 110-130 years of copyright protection, which is more or less 50% of this country's total length of existence.
So, let's "review" copyright, but only if we're looking to "strengthen" the rules (read: expand and extend). And let's "reform" copyright, but only as long as nothing at all existing changes. Thanks for the invite, Chris, but this hardly looks like a promising discussion. All Dodd's looking for is concessions from the tech industry -- more permission forms and licensing fees and so on, until long after everyone has forgotten such tech blips as Facebook and Twitter and The Pirate Bay.
The only way the copyright industry (and I don't mean creators, I mean the gatekeepers who have watched their cherished gates erode into nearly nothing) is going to keep up with the tech industry is to actually meet somewhere in the middle. And the industry needs to do a lot of catching up. We're seeing industry figureheads finally recognize they can't keep treating each new tech advance as the enemy, but it's been a long, long time coming. They still seem to put 90% of their effort into enforcement, rather than innovation, and Dodd's half-assed "halfway" gesture indicates the MPAA is unwilling to consider anything that doesn't keep its extended-to-the-point-of-surreality copyright protection intact.
Thank you for reading this Techdirt post. With so many things competing for everyone’s attention these days, we really appreciate you giving us your time. We work hard every day to put quality content out there for our community.
Techdirt is one of the few remaining truly independent media outlets. We do not have a giant corporation behind us, and we rely heavily on our community to support us, in an age when advertisers are increasingly uninterested in sponsoring small, independent sites — especially a site like ours that is unwilling to pull punches in its reporting and analysis.
While other websites have resorted to paywalls, registration requirements, and increasingly annoying/intrusive advertising, we have always kept Techdirt open and available to anyone. But in order to continue doing so, we need your support. We offer a variety of ways for our readers to support us, from direct donations to special subscriptions and cool merchandise — and every little bit helps. Thank you.
–The Techdirt Team
Filed Under: chris dodd, copyright reform, mpaa
Reader Comments
The First Word
“Limited time...
I'm sorry, but if something is under Copyright from before I'm born until well after I will likely be alive, then, it doesn't matter if there *IS* a limit, for me, it's eternal.And that is why I do not support copyright, it is eternal, regardless of what is said.
Subscribe: RSS
View by: Time | Thread
That's what Dodd will be remembered as.
Him and his ilk need to hurry up and die so the Phoenix can rise and prove copyright is NOT needed.
[ link to this | view in chronology ]
Sheesh. That's 50% too short. In fact it's infinitesimal. We can't have a whole country freeloading on the hard works of our ape ancestors, can we?
[ link to this | view in chronology ]
A half-truth
Here's the thing though, and it's something they would never admit: it doesn't have to be their content. Hollywood and the recording industry could die overnight, and within a year or two they'd be replaced(and with the increasing number of alternative sources for music and services for musicians, the recording industry is already experiencing this).
Now, would the replacements be as well funded? Probably not, but less money doesn't automatically mean lower quality(just like more money doesn't automatically mean higher quality content*), and with how fast tech advances, even with a low budget some amazing special effects can be pulled off, something that will only get better as the years pass.
Moreover, lower budget, and less special effects, means a movie needs to focus more on those trifling things like 'plot', 'character' and such, you can't just throw a bunch of explosions up and let that carry the film, something they don't seem to have figured out yet.
*For example:
Blair Witch Project
Budget: Between $20,000 and $750,000, depending on the sources.
Box office: $248,639,099
The Lone Ranger
Budget: $225–250 million
Box office: $260,502,115
[ link to this | view in chronology ]
Re: A half-truth
[ link to this | view in chronology ]
Re: Re: A half-truth
I'm not saying it doesn't, what I'm saying is that their particular content isn't as important to the technology half as they like to pretend.
Their content could disappear overnight, and technology would continue on with only a minor bump at most, so for them to act as though tech needs them as much as they need tech is a massive overestimation of their importance.
[ link to this | view in chronology ]
Re: Re: Re: A half-truth
[ link to this | view in chronology ]
Re: A half-truth
[ link to this | view in chronology ]
Re: Re: A half-truth
Go back to playing video games in your parent's basement.
[ link to this | view in chronology ]
Re: Re: Re: A half-truth
[ link to this | view in chronology ]
Re: Re: Re: A half-truth
[ link to this | view in chronology ]
Re: Re: Re: A half-truth
Also, 'flat earthers', 'playing in your mom's basement', what are you, 5?
[ link to this | view in chronology ]
Re: Re: Re: A half-truth
Most video games are played in the living room.
[ link to this | view in chronology ]
Re: A half-truth
[ link to this | view in chronology ]
Re: A half-truth
Yes indeed. I'll reinforce your point and take this even further. Based on observing the movies that have been produced over the past several years, a smaller budget actually increases the odds that the movie will be of higher quality.
[ link to this | view in chronology ]
Re: Re: A half-truth
[ link to this | view in chronology ]
Limited time...
And that is why I do not support copyright, it is eternal, regardless of what is said.
[ link to this | view in chronology ]
Re: Limited time...
[ link to this | view in chronology ]
Re: Re: Limited time...
Limited time? For who, God?
[ link to this | view in chronology ]
Re: Limited time...
Much of culture is consumed by the younger generations, no point in locking up culture that they don't care about.
[ link to this | view in chronology ]
God damn MPAA assholes.
[ link to this | view in chronology ]
Seriously...
Half way in copyright law would be going back to 1909 and erasing the 38 years of Jack Valenti and his absurd paranoia over new technology.
Going back would be making fair use about the public and taking away their monopolies in the theater and abroad.
Going back would be about less moral pleas and some showi of facts that support the long tail of copyright.
Nothing exists. Chris Dodd has to show that his logic is standard for anyone but himself. That claim hasn't been proven. Why should I respect anything he says or does if it's a claim made out thin air?
And just to add to this, he uses money and lobbying tricks to have ICE go after his competition.
What a pedant...
[ link to this | view in chronology ]
Re: Seriously...
Claimed.
[ link to this | view in chronology ]
I congratulation them on getting me off their products and encourage them to continue as it will do others the same way. Not much sense in guarding a gate no one uses. Profit lines will see the pattern as usage does.
Maybe when they are flat broke they will no longer be able to shuck and jive on the worth of copyright. No longer will lobbyist be looking to who they can influence if they have no money.
Patterns are already developing in that direction. Think about it. At one time during the heyday of music, The Beatles had the most songs in the Top 10 at one time. The song that stayed the longest there was from the Top 40 and was Frank Sinatra's "My Way" for 75 weeks between April 1969 and Sep 1971.
Today's music market is a different critter. Mariah Carey and Boyz II Men performed "One Sweet Day" which stayed at the Top 10 for 16 weeks. That is the record longest Top 10 of recent years. Nor is it getting better. I would say that this beat everyone over the head for sharing music on line isn't helping their cause but rather is choking it to death.
[ link to this | view in chronology ]
My only question is how can they possibly manage such huge film libraries, and why aren't ALL their movies available to the public? Thanks to the internet, every movie ever made can be made available to the public in one way or another.
If they're going to be the stewards of culture, they need to at the very least release the material or lose the privilege.
[ link to this | view in chronology ]
[ link to this | view in chronology ]
Re:
Tech is useful by itself. The internet existed just fine before anyone put music or movies online. Some would argue that it was in some ways better off.
Content is nothing but live performances without tech. (If you keep peeling back layers of tech, that's where you end up.)
Content will find Tech because it needs it. If it isn't Chris Dodd's content that finds Tech, it will be someone else's content that finds Tech. Think about that. That is why they like the idea of taxes and levies on Tech. So that content nobody wants can still get subsidized by content people do want.
[ link to this | view in chronology ]
Re: Re:
I argue this. The inclusion of major media products on the internet, in particular, has been nothing but bad for the internet.
[ link to this | view in chronology ]
Re: Re: Re:
What has been bad for the Internet*, in particular, has been the direct interference of, by, from and for copyright maximalists. (* without delving into current security aspects, that is)
Even implying that the Internet needs big media's content indicates a special sort of ignorance. Insisting the same is grounds for terminating discussion. Blind, willful and unbridled ignorance.
[ link to this | view in chronology ]
Re: Re: Re:
I must confess, I'd never have gone near it if it had been restricted to bone-dry text-only documents and code snippets. What makes the internet so great is what is on it, and much of that is awesome. One man's major media product is another's culture, and the best thing about the internet is that we can grow and share culture across borders. If media were to be removed from the internet, it'd be the poorer for it.
[ link to this | view in chronology ]
Re: Re: Re: Re:
"by and large the advent of major media products has made the internet more accessible to people who might otherwise have left it to "the nerds.""
How so?
"What makes the internet so great is what is on it, and much of that is awesome."
I don't disagree at all!
[ link to this | view in chronology ]
Re: Re: Re: Re: Re:
I wouldn't have had much interest in the internet except as an online dictionary or phone book if I didn't have the opportunity to read books via the Gutenberg Project, etc., or watch movies and TV shows on streaming sites including YouTube. I doubt I'd have found that content via the usual means as it's not widely available in libraries, etc.
TD itself is an example of a major media product, IMHO. It's basically an online newspaper/magazine, isn't it? If you don't concur with that, what of CNet, Wired, and sites like that? I also read online newspapers, many of which aren't paywalled.
I use the internet for work, but I wouldn't browse it on my breaks if there wasn't cool stuff to read, and I certainly wouldn't use it at home for the same reason. Imagine an internet reduced to blogging and online document publishing, and perhaps some sales functionality. No, thanks. Call me greedy, but I want more.
[ link to this | view in chronology ]
Re: Re: Re: Re: Re: Re:
Ahh, perhaps that's the source of our disconnect. I don't consider TD a major media product at all. What I mean by "major media product" is one produced by a major media company -- the big movies houses, record labels, etc.
I'm not talking about media products which are large or comprehensive in scope.
"Imagine an internet reduced to blogging and online document publishing, and perhaps some sales functionality."
No need. before the major media companies wer on the internet, there was a hell of a lot more than blogging and online document publishing and sales. You even still had the Gutenberg Project back in those days. It was in many ways a richer environment than it is now.
Most of what you say you value on the internet now existed back then as well. The major exception is video, due to the technical constraints of the day. (But even then, you could do it -- even VoIP and video teleconferencing, if you had a fat pipe and joined the MBONE network.)
[ link to this | view in chronology ]
Re: Re: Re: Re: Re: Re:
Most good documentaries are independent productions and have nothing to do with the "major media" companies.
Why do people pretend that there's nothing apart from cat videos and major studio content on YouTube, anyway? There's one hell of a lot more useful independently produced content.
"TD itself is an example of a major media product, IMHO. It's basically an online newspaper/magazine, isn't it?"
No, it's a blog.
What definition of "major media" are you using? You've gone from saying that you like "major media" online because other wise you wouldn't be able to watch the videos, now you're saying that text-only content is "major media"? I have a blog myself, am I a major media producer now?
"I use the internet for work, but I wouldn't browse it on my breaks if there wasn't cool stuff to read"
Agreed. But that stuff existed well before media corporations got involved, and will do if they leave. Plus, what are you reading, if it's not "bone dry text"?
[ link to this | view in chronology ]
Re: Re: Re: Re: Re: Re: Re:
I don't know, to be honest.
And to be fair, I've got a rather broad definition of "major media products." To me, it means "digital version of physical items such as magazines, newspapers, and commercial video and audio products."
TD is more of a magazine than a blog, IMHO. I also have a blog and don't consider it to be anything more than a personal rant space.
What am I reading? TD, Wired, The Atlantic, The Guardian... By "bone dry text" I meant research documents, etc.
I only started using the internet in the last ten years, I wasn't on it when it started.
[ link to this | view in chronology ]
Re: Re: Re: Re: Re: Re: Re: Re:
Well, I consider the opposite, especially since most of the value with this site is the comments rather than the stories themselves. Techdirt usually comments on stories broken elsewhere, often a day or two later - it's not a primary news source, it's where people discuss news. When was the last time you had discussions with other readers of a magazine, apart maybe from one page where a couple of letters get printed? With the discussion element, it's a totally different beast.
"I also have a blog and don't consider it to be anything more than a personal rant space."
My main blog is reviews of horror movies, though I tend to be even-handed and don't rant too often. That doesn't mean I'm in the same media space as Fangoria.
"By "bone dry text" I meant research documents, etc. I only started using the internet in the last ten years, I wasn't on it when it started."
So, I'm confused why you think that research documents was all there was before your time. I've been online since 1996, and that was relatively late in all honesty. It's true that the original form of the internet was mainly research documents and the like, but that ceased to be true long before I got online. By that time, large portions of the web was already porn, gaming, chatrooms, nerd rants and ecommerce among many other things. Although the forms they took may have been rather different in the days of 33.6 & 56K dialup, none of that required "major media".
I'll admit we're apparently using massively different definition of media, but either we're arguing completely different things or you have rather an incorrect view of what the internet was before you got here. The thing that made the things you're talking about possible was the widespread adoption of broadband, not major corporations getting involved.
[ link to this | view in chronology ]
Re: Re: Re: Re: Re: Re: Re: Re: Re:
Playing Descent, Quake and Doom at school with friends via LAN, looking up information on shows, printing off fanfiction (didn't know what the term was at the time) to read later, looking up information on how to find all the items on various video games, information on movies, video games that were coming out, email, chatting with complete strangers.
Remembering how Geocities was the awesome webhosting website, the dotcom boom of 1996-1997.
[ link to this | view in chronology ]
Re: Re: Re: Re:
...and ability that the major media companies have tried and are trying to block to "protect their profits" because they *might* have some claim to some of the content you're sharing.
I believe that's what he's getting at - not that media itself is a problem (be that images, videos, music, whatever), but the huge negative influence the major legacy corporate media players have had when they decided to get involved.
"people who might otherwise have left it to "the nerds."
Erm, "the nerds" are the people who built everything from the infrastructure necessary for the web to exist to YouTube itself. If "the nerds" wren't involved, all you'd have is whatever the **AAs wanted to offer you, in the gloriously restricted, expensive and tired ways they usually try to offer such things. YouTube might exist under them, but you'd probably only be able to "share" whatever they pre-approved - and at a cost. Then again, they probably wouldn't bother and only offer you DVDs after they shut the net down because they couldn't work out how to use it.
[ link to this | view in chronology ]
Re: Re: Re: Re: Re:
The variety of content on it today appeals to a much broader range of people than it did at first. Whether this is a good thing or not must surely be in the eye of the beholder.
And may I add, I am most grateful to the builders of the infrastructure, etc., and have nothing but the greatest respect for them. I'm sorry that didn't come across in my comments.
I'm no fan of the **AAs and never have been. I actually sympathize with the Pirate Party and other internet freedom advocates, and have done so since I started reading TD.
Did you hear that whooshing sound as that statement went flying over my head? I'm afraid my tech knowledge doesn't stretch that far.
[ link to this | view in chronology ]
Re: Re: Re: Re: Re: Re:
Yes, it did change massively when it stopped being a purely military and academic research technology and opened up to the general public. Why does this mean that it's all due to "major media"? You're still not making sense.
"Did you hear that whooshing sound as that statement went flying over my head?"
Did you notice I didn't say that? Apparently quoting people properly is beyond your tech knowledge as well, not to mention clarifying what the hell you're talking about.
Go on, please - define what you mean by "major media". So far you seem to be referring to anything that doesn't resemble a form of the internet that stopped existing in the 80s, if not before.
John and myself are referring to major corporate influence, which has been a very negative influence of the internet in comparison to before they started getting involved in trying to claim it for themselves.
[ link to this | view in chronology ]
oh wait...
[ link to this | view in chronology ]
[ link to this | view in chronology ]
[ link to this | view in chronology ]
"Blazing Saddles" an unintentional mocking of the MPAA
MPAA we know (what you don't or won't acknowledge) that your gatekeeping is a bad joke and we have no problem going around it while giving you the same respect you show us.
[ link to this | view in chronology ]
let me fix this:
"old content needs technology to stay relevant, while technology will generate new content even if the old disappears."
the reality is simply that people will always create things, *because they can*. And the new technology that becomes available makes it easier than ever to make content with quality and sophistication that rivals big budget productions of the past.
Media production used to be a small niche of people able to afford the (back then) expensive materials to do the production, but technology made these expensive gadgets into a commodity. And in the same turn because of the now existing ease of creation media *itself* has become a commodity.
They are irrelevant because what once used to be a luxury is now a commodity but they still try to charge the price of a luxury.
[ link to this | view in chronology ]
No it didn't.
All these "tech" companies are nothing but advertising companies. That's it. They exist to sell ads and sell data to other ad companies.
So, to reiterate what even the dumbest simpleton already knows, movies and music existed just fine before the internet and its cesspool of ads.
[ link to this | view in chronology ]
Re:
Yes it did. You are either ignorant of this or are lying.
Don't confuse today's tech companies with the internet. The internet grew and grew because it was useful. Eventually it became a household item. Companies got online because it was clear that consumers could find information about them easier. Then, and only then did the business of internet advertising appear after it was clear there was an audience.
[ link to this | view in chronology ]
Re:
It already appears to be affecting your brain.
And, yes, the Internet will never "need" MPAA movies nor RIAA music, ever. Or are you so confused that you have no idea what you're supposedly fighting against? And loosing against? It's pretty clear that your fundamentals are flawed there chief.
[ link to this | view in chronology ]
Re:
Movies and music came along much, MUCH later than that, mostly due to technical restraints.
In fact, if not for the internet, I guarantee you that anime would not be anywhere near as popular in the West as it is today. Nevermind such anime like One Piece, while absolutely huge in Japan, it has a far more modest following in the West (still big though), however, most people wouldn't bother with it outside of Japan if not for the internet scanning the manga and posting it up online.
[ link to this | view in chronology ]
Re:
Content companies are grifters on society. Money spent on entertainment is money taken away from health care, retirement savings, and a host of other things with tangible benefits. Entertainment companies do nothing original, siphon billions of dollars away from industries which contribute to society in a tangible way.
[ link to this | view in chronology ]
Re: Re:
FIFY
For the record, I don't agree. Intangible benefits such as relationships and shared culture can't be measured but they're worth having.
[ link to this | view in chronology ]
Re:
That's funny, because I was on the internet back in the days before music or movies were there, and is was absolutely thriving. Did you fail to notice?
[ link to this | view in chronology ]
Re: Re:
Yes, he failed to notice. Many people had no clue about the internet until about 1995 when it was *way* late. Most people who weren't into computers still didn't know about it until about 1997.
With his 14 year old mentality, it is entirely possible that he wasn't born in a time when there wasn't music and movies on the internet.
[ link to this | view in chronology ]
The troll just fell off the
I could actually do with less of the flim flam. It manages to gunk up even a modern broadband connection.
[ link to this | view in chronology ]
Re:
[ link to this | view in chronology ]
Re:
Or was it too complicated for you way back then, and only now, after there's a "simpler version of Windows" for you to use, are you finally seeing what it has to offer?
I remember the early days of the Internet. And it was just as useful then, despite the lack of content by the assholes you're sworn to defend.
But then again, if dipshits like you didn't troll this site, all we'd have is intelligent conversation going on.
[ link to this | view in chronology ]
Re:
[ link to this | view in chronology ]
Re:
Techdirt troll: when you can't argue facts, argue an easily debunked fiction. Then whine when people report you instead of arguing yet again why you're lying.
[ link to this | view in chronology ]
Old content becomes irrelevant
New content doesn't need the gatekeepers. Content can be sold directly to the consumers without the gatekeepers.
This is what the gatekeepers of old content fear most.
The content which gatekeepers keep such a tight hold of loses more of its value each day.
Tech is the best way to get that content to the fewer and fewer consumers who will want it as time passes. But they will not embrace it. Many old TV shoes are on Netflix, for example -- but not other old TV shows.
One could argue that the gatekeepers get more new content into their gates each day. That is true, but I think more and more content creators are realizing they can do directly to the new distribution platforms. I think original shows by Netflix, Amazon, etc are just the tip of the iceberg (that will sink ships).
How many people under 30 watch TV shows from the 1960s? 1970s?
The issue is even larger and TechDirt has touched it many times. How many people under 30 read news in dead tree format?
[ link to this | view in chronology ]
No we aren't. The only thing we are seeing is them finally getting around to accepting some parts of this round of tech advances. It's no different than them accepting the advent of cassette recorders. Expect them to keep fighting the next round of tech advances like Goolge Glasses for quite some time. When the next tech advance after that comes, expect them to fight it as well if they've managed to survive.
[ link to this | view in chronology ]
[ link to this | view in chronology ]
> "strengthen" the rules (read: expand and extend). And let's
> "reform" copyright, but only as long as nothing at all
> existing changes.
Didn't TechDirt run a story the other day about the NY Times's use of scare quotes? Y'know, that they used scare quotes because they had no idea what they were talking about?
[ link to this | view in chronology ]
Re:
"Reform" for example, to any sane person would mean 'change to fix existing problems', whereas he's using it in a 'shuffle some words around at most, and don't change a thing' sense.
[ link to this | view in chronology ]
Re: Re:
[ link to this | view in chronology ]
Re:
[ link to this | view in chronology ]
[ link to this | view in chronology ]
I seriously doubt it
http://www.thewrap.com/piracy-hollywood-mpaa-chris-dodd-berlin
[ link to this | view in chronology ]
[ link to this | view in chronology ]
[ link to this | view in chronology ]
RE:
life (online) was good till about 03, it's been going downhill ever since.......
[ link to this | view in chronology ]
[ link to this | view in chronology ]
[ link to this | view in chronology ]
Re:
[ link to this | view in chronology ]
Re: Re:
[ link to this | view in chronology ]
Re: Re: Re:
[ link to this | view in chronology ]
FTFY
[ link to this | view in chronology ]
Re: FTFY
[ link to this | view in chronology ]
[ link to this | view in chronology ]
Dodd is a four letter word.
[ link to this | view in chronology ]
[ link to this | view in chronology ]
Re:
[ link to this | view in chronology ]