Can't Make This Up: Paramount Says Star Trek Fan Flick Violates Copyright On Klingon And 'Uniform With Gold Stars'
from the make-it-stop dept
Let's go back just a few months to remind you about two stories that seem fairly unrelated.- Story one: at the very end of last year, we wrote about the ridiculousness of CBS and Paramount suing the makers of a Star Trek fan film on the basis of that fan film actually looking like it was going to be good. The key issue, not surprisingly, was about money. Because this fan film had raised over $1 million from crowdfunding, suddenly it must somehow be illegal.
- Story two: a few months earlier, in trying to better explain to people just how crazy CAFC's ruling regarding copyrighting application programming interfaces (APIs) was, we discussed Charles Duan's excellent argument that noted that if such a ruling stood, merely using Klingon could be copyright infringement. The basic argument was that an API is a "created language." But could you imagine a situation in which the creators of such a language would claim that merely speaking it was infringement.
Clearly, the lawyers at Paramount and CBS are trying to argue that by copying many of these non-copyrightable elements, all together, that somehow magically makes it copyright infringement. And, you never know. Courts have been persuaded by these kinds of arguments in the past. And, of course, no one denies that this is clearly an attempt to build a "Star Trek" fan film. So it's obviously based on Star Trek. But there's a real issue about whether or not there really is infringement here, and by throwing absolutely everything into the filing, even things that are clearly not even remotely covered by copyright, it really makes Paramount/CBS look extremely desperate.
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Filed Under: apis, copyright, costumes, fan films, klingon, languages, star trek, uniforms
Companies: cbs, paramount
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The sad thing is that most people just accept this as the proper way of things. They expect to pay for every cultural interaction, they expect to have no control over their own devices or media and they expect to have no freedom to modify or build upon anything.
Corporations are only getting more powerful. So things will continue to get more restrictive and less open. We the people are now just consumer drones instead of culturally active citizens.
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Star Trek lives!
Too bad we can't find intelligent life to go along with them.
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A Little Fair Use Here, A Little Fair Use There ...
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It's only make believe
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Sorry, but...
The gold shirt or medals or transporter by themselves do not necessarily constitute appropriation - but in its entirety this is essentially what the movie is. It is an appropriation of Star Trek without permission or paying royalties. This is the very essence of what copyright was designed to prevent.
I can't make my own Batman or Superman movie either; but someone can write a movie "Hancock" about a superhero hat is not a bat or Kryptonian...
I'm reminded of the story of Charles Dickens, fighting whack-a-mole in the early days of mass publishing; as he fought and went bankrupt trying to stop fly by night operators from simply printing copies of his "Christmas Carol". One had the temerity to insist that he'd made a few changes to make thebook less depressing, thus it was an original work. But, like all the modern variations post-copyright, all they were doing was selling someone else's tale as their own.
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Hmm, tell that to the average 6 yr old running around the house pretending to be Spiderman.
How long can it be before the Entertainment Industries call for the age of criminal responsibility to be lowered? Yet one more reason not to expose kids to Hollywood or TV (purely in the spirit of Thinking Of The Children and Keeping Them Safe of course).
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Paramount Forgot One
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Paramount is right...
Actually, they're not right, unless they themselves own up to the copyright infringement they are guilty of in the unauthorized reuse of fan generated Klingonese.
Personally, I call for the boycott of all things Star Trek. (something a lot easier to do, considering the exceptionally poor plots in most of the Star Trek movies produced -- a personal opinion, of course)
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Re: Sorry, but...
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Scotty....
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Re: Sorry, but...
Simple question: what is the harm done by that? (Secondary question: how does one "take" another's effort?)
Even if we had the 70 years (or life plus 50) these elements would not be public domain
Er, I'm not sure precisely what you're saying here. That even once something enters the public domain, its constituent characters do not? That's not true and if it were, it would be disastrous...
It is an appropriation of Star Trek without permission or paying royalties. This is the very essence of what copyright was designed to prevent.
Well no, not really. Copyright was designed to promote creation of new works, not block them. And appropriation art wasn't really on anyone's radar in the early history of copyright - the primary concern was the wholesale republishing of others' completed works. Meanwhile, transformative appropriation art is one of the key things fair use exists to protect - and while it only does so with middling success (and almost no success in the world of music), many appropriation artists have still been found not to be infringing. There's plenty of debate to be had on where the line should be drawn, and even more uncertainty as to where it actually is drawn, but it's clear that preventing appropriation art is hardly the "very essence" of what copyright was designed to protect.
I'm reminded of the story of Charles Dickens, fighting whack-a-mole in the early days of mass publishing; as he fought and went bankrupt trying to stop fly by night operators from simply printing copies of his "Christmas Carol"
Okay so... no. You have got that story entirely wrong. Charles Dickens *successfully* sued people for copying the book, and they declared bankruptcy, which somewhat unfairly saddled Dickens with their legal fees. But even that didn't make a dent in his money. Though he started his life in poverty, his writing made Dickens fabulously wealthy and an international celebrity. He was touring America like a movie star the year before the Christmas Carol debacle, and buying a huge estate in Kent a few years after. When he died, his estate (adjusted for inflation) was worth approximately $9-million.
Please let's do away with this myth that "piracy" bankrupted Charles Dickens, one of the most successful authors of his age and all time.
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Beam me up Scotty...
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Die soon... bankrupt.
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EXCELLENT points, which show -once again- how they directly and indirectly work AGAINST the furtherance of culture (such as it is)...
however, i would take issue with 'most people accept' that the present draconian copyright/trademark/patent/etc laws are 'just the way it is'...
in rebuttal:
A. 'most' people don't know shit about shit, especially when it comes to copyright, etc...
B. *some* may know it is a morass and there are all kinds of restrictions, etc; but *probably* NOT what they are, because, WHO DOES ? ? ?
C. very few have read up on the practical ins-and-outs of the law, if not the technical aspects, etc, that a number of writers and readers here who follow these issues closely may know about...
(again, the complexity is such that specialized lawyers in the field can argue both sides against the middle, and reverse it next week to suit the application... how is a mere layperson to navigate such troublesome legal waters ?)
D. on the other paw, i think it would surprise just about No One that rich and powerful entities/people get the long end of the stick, and the poor get the short end (on their head)...
funny how the system is actually designed that way...
just a simple fact of nature, i guess...
immutable and 100% organic...
nothing to see here...
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Put a video of him doing that up on Youtube, and the police will likely confiscate and incinerate him.
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So? Copyright carves out the limited (remunerable) rights granted to the creators of a work in return for enriching arts and science.
They don't get to decide that they did not want to enrich arts and science after all.
That's not the deal. It is spelled out just what part of the change their contribution makes to the state of art they are granted the right to cash in on.
It's not everything. For copyright, it's the literal expression they have given their ideas. Not the ideas themselves.
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It sounds like...
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Re: Sorry, but...
So instead they flail around like a blind man in the dark and come up with comical screeds like this. It's hilarious.
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Re: Sorry, but...
You know what I always say to somebody who claims to be against cultural "appropriation", whether it be in the form of portraying/sampling everything from rap music to Japanese Kimono? It's this: when you protest something like this, deciding what is "culturally appropriate" is the very thing you are trying to do, not them.
I don't find it a coincidence that copyright's core mantra dating all the way back to its conception in the 1600s has very much in common with the petty social justice warrior movements of today, plaguing the minds of the naive and turning many decent folk away from universities. And not just that. Back in the 50's and 60's communists like Sam Aaronovitch protested the capitalist "appropriation" of American comics seeping their way into British cultural life in place of what should have been purist socialist ideology. In other words, unauthorised forms of culture were to be resisted simply for being alien, in place of more appropriate appropriation.
There is a reason why those of us aligned with Thomas Paine, 18th century liberal radicalism and freedom of expression are good at seeing through these things. Though I do wish most on my side would see the connection with the problems of copyright's right to decide what culture is "appropriate" too.
I also recommend you look at this article on the subject of folk deciding what is culturally appropriate supposedly in the name of fighting against it to see all the ironies: http://www.newstatesman.com/culture/art-design/2015/10/defence-cultural-appropriation . And I don't think it's a coincidence that it uses "intellectual property" as a metaphor for the stupidity.
It goes right back. When things like the Inquisition and the Dark Ages were afoot every bit of blasphemy could be pinpointed as an equivalent of morons killing each other based on what was culturally appropriate for Jesus and the like. I came to realise that whenever I criticised this solipsistic concept of ownership of expression instead of freedom of expression in copyright circles, I often found I would say copyright believers were in effect wanting blasphemy laws protecting their work from being defamed, wich in any other context would be seen for the transparent prior-restraint tripe that it is, which would logically extend to silencing critics of the work too since they too could sway the culture in the direction outside of the artist's "permission". Yet copyright squares the circle and pretends that the logic doesn't extend that far for a reason I've yet to hear. I was not, and am not, wrong to make this comparison.
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Re: Re: Sorry, but...
"in my opinion"
explain v.
"forcefully express flawed opinion on"
rights n.
"government-granted monopolies"
creators n.
"large entertainment conglomerates"
non-artist adj.
"not a member of a large entertainment conglomerate"
tech apologist n.
"copyright non-absolutist"
can't aux. v.
"don't"
process v.
"agree with"
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Clearly infringing...
When you're creating something on your own, relying on popularity of someone elses product is always very questionable. If you do that, you're just taking advantage of someone elses property, and trying to make money of someone elses work. Think of it this way. What would happen if they just didn't use star trek's elements in their movie? The star trek fans would no longer vote for them in kickstarter, and they wouldn't get any money. So all the money they received are coming from star trek's popularity, not based on what they do themselves. Clearly infringing.
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Why? Are only the big studios allowed to make money from films?
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Re: Clearly infringing...
Now, a simple question: who has lost what as a result of this exchange?
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Who is negatively impacted by that, and how?
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Re: Re: Clearly infringing...
It's very simple case. We require originality of products to make sure we have various kinds of products available, instead of 2 million copies of star wars ripoffs. When products are competing against each other, products that ripoff someone elses elements are not evaluated fairly in the marketplace, instead someone elses popularity is attached to them. Thus the competition breaks in such cases, and products are evaluated wrong. This guy got 1 million dollars from kickstarter, and when other (more decent people) try to do the same, they get 20 dollars from kickstarter. Would you believe his movie project is worth 1 million dollars because of something that team did excellently. Compare it to all the other kickstarter projects? Why was this project chosen to be special one, worthy of 1 million? Maybe because it just ripped off something very popular and this skewed the evaluation that projects gets in the marketplace..
It is very important that projects are evaluated fairly in the marketplace. Otherwise you cannot say to people whose projects were rejected that the evaluation is working correct.
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Re: Re: Clearly infringing...
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Re: Re: Clearly infringing...
Objection, relevance.
You can't show how that matters, legally speaking, of course.
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Re: Re: Re: Clearly infringing...
Tell that to the studios who follow ons, origins stories and remakes.
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Re: Re: Re: Clearly infringing...
I by no means think people should be able to freely claim they are making an official Star Trek movie, or writing an official Harry Potter story. That would indeed create the marketplace confusion you fear, essentially tricking consumers into buying something not simply because they like the fictional world it takes place in but because they have existing faith in who they believe to be the creator.
But unofficial creations harm no one, whether or not they make money. Star Trek fans are well aware that this is an unofficial production that is not sanctioned by the people in control of the Star Trek IP. Based on that, they look at what's being offered and decide for themselves whether they think it will be something they'll like, and decide for themselves whether to back it. Indeed, Star Trek fans are quite sensitive about the universe and are likely to give even more scrutiny than usual to a proposed fan project! Nobody has been tricked. There is no distortion of the marketplace simply because one thing is built on top of another. They are leveraging the existing fanbase of the Star Trek universe and the fact that those fans want more Star Trek and haven't been entirely thrilled with what the official creators have been giving them for some 20 years now. They are offering to create an entirely original work that includes many ideas, themes and settings from Star Trek — and those things are not supposed to be copyrightable. To the degree that courts have treated them as copyrightable, I think that's a problem, because I simply don't see what damage the reuse of them does.
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Re: Clearly infringing...
When has this ever actually happened in the history of story telling? Every story is built upon the works of others, either consciously, unconsciously or both.
Even Roddenberry himself admitted that Star Trek was basically a copy of the TV series "Wagon Train", set in outer space instead of the Wild West. He also said that he leaned on Jonathan Swift's Gulliver's Travels for the format that combines an adventure story with a moral message.
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https://en.wikipedia.org/wiki/The_Wind_Done_Gone
I wonder if this will go the same route.
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Re: Re: Re: Clearly infringing...
Well, we're not in court here. The question of how the copying work harms the original is of legal relevance, at least in terms of potential impact on the market for the original, which is one of the four factors of fair use. But even outside of that, since copyright contains many gray areas and fair use is a big one, and the whole purpose of fair use is to protect free speech and stop copyright from doing more harm than good, the question of who is harmed by something like this and whether we should want it to be covered by fair use is an important one.
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Re: Re: Re: Clearly infringing...
Now that's a new one. Gone are the fairy tail ripoffs from Disney. Gone are film versions of Homer and Aristophanes. Gone is Shakespeare. Gone is the Gospel.
Are you sure you understood the justification for copyright correctly?
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Re: Clearly infringing...
How's that train of logic working out for you, aside from having it laughed out of legal circles?
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Re: Re: Re: Re: Clearly infringing...
There's two important things that need to happen, if you build on someone elses work. You need to have license to the work in question. Somehow they missed that. Such license might cost significant amount of money in case of star trek, given that they spent billions to create it. Also, good projects are building yet another layer on top of the existing work, usually in such way that original elements are the main thing visible, instead of relying on someone elses popularity. Really big issue in this case is that there's significant chance that they received their money simply because Star Trek worked hard for 50 years, not because their 1 movie project is so amazing.
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Copyrighting a language?
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Re: Re: Re: Re: Re: Clearly infringing...
They received their money because people want their movie project to be amazing.
But again I ask you: what is the harm done? So far, all you've shown is good stuff happening - creators making money, fans getting something they want. Sounds like a win-win situation to me.
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Re: Re: Re: Clearly infringing...
Is that so? Name one prodcut, story, song that is truly original.
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I wasn't trying to paint Disney as violently homophobic here. It's "fairy tale ripoffs". Sorry for that.
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Well, they *have* been known to throw grenades in baby cribs.
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Did Paramount license the English language?
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Re: Re: Clearly infringing...
Generalize "money" to "value" and that's pretty much the point of having a society in the first place.
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Re: Copyrighting a language?
Ezperandu im Ladinu arth Eggepto margnirth birfle oop gasthanthi.
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Clearly....
It's especially important that you find stuff for them to do that will really PISS OFF your best and most loyal fans and supporters. That's called 'getting good press...'
Sigh....nobody's listening...
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Re: Scotty....
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Re: Re: Re: Re: Clearly infringing...
Let's look at a few facts:
Paramount is releasing "Star Trek Beyond", an offical Star Trek movie with the director of "Fast and Furious". This movie looks like it will be full of action, which may or may not appeal to Stra Trek fans.
"Prelude to Axanar" has raised over a million dollars on Kickstarter. This shows that Star Trek fans want and support this kind of movie.
To put on a conspiracy cap for a minute...
Who's being harmed? I would think Paramount is jealous that this fan film is getting more acceptance in the fan community than their official movie. AND the "Anaxar" people are showing that it's possible to make a quality movie for a fraction of the cost of a studio production. How much is it costing to make "Star Trek Beyond"? $100 million? $150 million?
So, yes, I think Paramount thinks it's being harmed by the publicity for "Axanar"... though Paramount is creating more publicity with the lawsuit and the now silly list of words they think are copyrighted.
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From a similar article at Ars
Here's a link (again from the comments in the Ars article) that explains the issue in more detail.
http://arstechnica.com/tech-policy/2016/03/paramount-cbs-list-the-ways-star-trek-fanfic-axana r-infringes-copyright/
https://www.reddit.com/r/movies/comments/4ad73h/paramount_gets_serious_about_c hallenging_star/d0zducq
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WHOA!!! MR "Re: From a similar article at Ars"
The 'making money' from someone else's link doesn't fly, because once this is settled, EVERYONE will be making money...
If they go after one production, they need to go after another. The people over at Stargate Productions would be a bit of a tougher chew if Paramount and CBS think is even legal. Paramount and CBS will have to go after them, because they've been using, or were using similar "Terminology" for fifteen years. Paramount and CBS will have to go after the creators of the Stargate Literature, and Comics, not to mention they will need to ̶c̶i̶t̶e̶ sue Stargate television and films Productions... Stargate, Stargate: The Ark of Truth; Stargate: Continuum. All the Television series, Stargate: SG-1, Stargate: Atlantis, and Stargate: Universe; the Animated series, Stargate: Infinity; the Game, Stargate: Resistance. These productions - every one of them, sets a precedent! They are the biggest, and most best I could possibly give as an example, and yes, I am aware of the other sci-fi productions, that I am also a big fan of, that could also be listed here. In their own ways, they are / were very successful productions.
I should also say that Gene Roddenberry wasn't the actual creator of a fair amount of the terminology being argued over - it's a fairly comprehensive filing.
It's in keeping with the Tolkien suit over the word Hobbit. He didn't actually create the word, and definition (he did say so himself), but dictionaries admonish him as creator (~1933?); though still not copyrightable... he he he :)
Hundreds of people enjoyed the concept of being part of history and creating something bigger than themselves through 'crowdfunding'. Paramount and CBS are now trying to kill the very idea; creative concept, brought to life, by grasping at some very thin thread.
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Re: Re: Re: Re: Re: Clearly infringing...
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Re: A Little Fair Use Here, A Little Fair Use There ...
If copyright law is holy and sacred, wouldn't that make them heretics as well?
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What difference does that make? Is there a clause in the copyright statute that can make an activity infringing only if it's profitable? Because I'm not aware of any.
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Re: Re: Re: Clearly infringing...
Who are you to say how fans ought to evaluate products?
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Re: From a similar article at Ars
Sounds like another court-invented copyright law, like "derivative works".
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When the Internet was Young
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Re: Re: A Little Fair Use Here, A Little Fair Use There ...
Unbelieving infidels alone see the parts about the monopoly privileges coming to an end at some point, or only covering certain aspects of a work. 'Tis the Enlightened and the wise to whom the sacred knowledge is revealed: copyright is eternal. Immortal. The riches of the property rights thereof are granted unto those who strive to enlarge and increase it from everlasting to everlasting.
Outside are the pirates, the grifters, and the heretics who cling to the Constitutional definition. They will lie forever in darkness where there is wailing and gnashing of teeth.
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*Which is to say that it is the expression of the limitation in the Copyright Clause.
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