Does Bluebeat Actually Have A Legal Basis For Its Claim Of Copyright Over Beatles' Songs?

from the unlikely,-but... dept

Folks on pretty much all sides of the copyright debate have been in pretty much universal agreement that Bluebeat's claim that its "psycho-acoustic simulation" lets it recreate songs and claim an entirely new copyright on the files is ridiculous to the extreme. However, an anonymous commenter on the site (no idea if they're connected to Bluebeat, but wouldn't surprise me) claims that if you look closely at US copyright law, there actually is a basis for this. Specifically, the commenter points to 17 U.S.C. section 114 (b) which reads, in part:

The exclusive rights of the owner of copyright in a sound recording under clauses (1) and (2) of section 106 do not extend to the making or duplication of another sound recording that consists entirely of an independent fixation of other sounds, even though such sounds imitate or simulate those in the copyrighted sound recording.

The argument is that an MP3 file is a duplication of another sound recording, but is done as an entirely independent fixation of other sounds. In case you're playing along in the home game, clauses (1) and (2) of section 106 of copyright law pertains to reproducing copyrighted works or preparing derivative works. Now, whether or not an MP3 is actually an independent fixation that simulates the original or a direct copy is an open question which I'll let you argue about in the comments. Of course, if we were actually paying attention to what the copyright law actually says, people might have noticed (as at least a few lawyers have) that section 101 limits the use of the term "copies" to material objects -- and does not cover pure digital files. But, it's not like we should let what the law actually says get in the way of how we interpret it.

Filed Under: copyright, reproductions, sound recordings
Companies: bluebeat, media rights technologies

Bluebeat Claims It Owns Beatles Copyright By Re-recording Songs; Judge Disagrees

from the but-the-copyright-office dept

In the US, if you really want to "protect" your copyrighted works, you have to register the works. Unlike for a patent or a trademark, it's pretty much a rubberstamp process. Every so often the Copyright Office will reject a registration, but it's rare. It does still go through them all, though. Or at least it's supposed to. However, we recently wrote about the weird case of the site Bluebeat.com selling Beatles MP3s for $0.25. We noted that nowhere on the site did the company explain how it had the rights to do so, but in its response to the lawsuit filed by EMI, it explained its bizarre logic.

Basically, the company claims it somehow re-recorded the songs via a "psycho-acoustic simulation" (don't ask) and then added an image to the file, making it a totally new work (um... yeah). And then it registered the copyrights on those new recordings, claiming that the re-recording is a new work where Bluebeat.com actually owns the copyright. Its "proof" is that the Copyright Office okayed the registration -- suggesting that the rubber stamp at the Copyright Office is a bit too quick at times. A judge isn't buying it and has barred the sale of the MP3s for the time being (i.e., almost certainly forever). While it's amusing to see Bluebeat's tortured explanation, perhaps some of the blame needs to go to the Copyright Office for allowing these registrations in the first place. Of course, you have to wonder if this now also opens up Bluebeat to additional charges of false representation in registering the copyright...

In the meantime, some readers have noted that this is not the first time that the folks behind Bluebeat.com have had ridiculous interpretations of copyright law. Two and a half years ago, it sued Apple, Microsoft, RealNetworks and Adobe for not using the DRM created by Bluebeat's parent company, Media Rights Technologies. Basically, the company claimed that by not preventing the ability to rip files, these companies were violating the DMCA. Of course, that makes no sense.

Given that it's now twice that we're seeing totally foreign interpretations of basic copyright law, it almost makes you wonder if the company is doing this to make a point about the ridiculousness of copyright law, rather than for any legitimate reasons. Either that, or the company actually thinks that filing lawsuits as publicity stunts is smart. I would imagine that a judicial slapdown might correct the folks behind Bluebeat and MRT of that notion.

Filed Under: copyright, copyright office, registration, the beatles
Companies: bluebeat, media rights technologies