Copyright Office Extends Anti-Circumvention DMCA Exemptions To All Filmmakers, Not Just Documentarians

from the victory dept

Earlier this year, we wrote a bunch of posts on the Copyright Office's request for comment on changes needed to the DMCA's anti-circumvention exemption list. There were lots of interesting submissions, but one that caught my attention was a whole bunch of film association groups, most of them for documentarians, advocating that the anti-circumvention they enjoyed to be able to use clips from other films and content be expanded to include filmmakers generally. This would address the copyright industries' cynical attempt to route around Fair Use usage by filmmakers by simply locking up their content behind all kinds of DRM that, unless you're a documentarian, you can't circumvent. The MPAA, as you would expect, said that allowing for this would kick off "widespread hacking" of all the DVDs on the planet, while all it was really concerned about was the licensing agreements it was able to secure by filmmakers who didn't want to violate the DMCA to get the Fair Use clips they wanted.

Well, the Copyright Office made its decision and the exemption will now be offered to filmmakers en masse.

Digital Millennium Copyright Act (DMCA) exemptions aren’t just for documentary filmmakers any more. The U.S. Copyright Office and Library of Congress last week broadened a DMCA exception to now allow more filmmakers to circumvent anti-copying technology and rip short video clips for purposes of commentary and criticism.

“This is huge for the independent film industry,” said Michael Donaldson, an attorney who argued for expanding the exemption before the Copyright Office, in a written statement. “The use of fair use material by narrative filmmakers has exponentially increased to the point where expanding the exemption to fiction films was absolutely necessary.”

What this means is that more filmmakers will now be able to simply rip clips from protected DVDs to use in their own creative works, as long as the purpose of the clip is used for parody or to demonstrate biographical or historically significant information. This opens up all kinds of uses, of course, but all of them will still be subject to being truly Fair Use cases. That, of course, is a defense, so you can expect lawsuits to be filed before we settle into some kind of a norm here.

Still, this is a good decision by the Copyright Office. The idea that the MPAA and others could lock up content that could otherwise be fairly used behind DRM obviously doesn't comport with the purpose of the law.

Filed Under: circumvention, copyright, copyright office, dmca, dmca exemptions, drm, fair use, filmmakers, library of congress, parody, triennial review

Surprise: Register Of Copyrights Expected To Call For Reduction In Copyright Term

from the legal-scrum-about-to-begin dept

For a long time now, the idea of an overhaul of copyright law in the US has mostly been seen as a pipedream. However, it appears that the Register of Copyright, Maria Pallante, may actually be angling for a major bit of copyright reform. Coming up next Wednesday, she's going to be testifying before the House Judiciary Committee on her supposed "Call for Updates to U.S. Copyright Law." Apparently, on March 4th, she gave a talk at Columbia University which has remained amazingly under the radar until now, in which she proposed a long list of possible copyright reforms, which are likely to headline the hearings next week. It's fairly impressive, given how much attention copyright law has been getting lately, that she could present a surprising call for massive changes to the law, and not have a single person report on it immediately after the event ended. However, that is the case.

Having spoken to a few people who were either there or who spoke to people who were there, it appears that Pallante is proposing changes touching on nearly every part of copyright law, and as you might expect, it's a very mixed bag, though I'll withhold final judgment until we see the full details. However, the big one would be a change in copyright term length, to effectively "roll back" the Sonny Bono Copyright Term Extension Act with one caveat. That is, she's proposing switching us back to a life plus fifty year copyright, but with the ability to renew for that additional 20 years for the tiny percentage of works that makes sense for. While, in the grand scheme of things, life + 50 is still ridiculously too long for copyright, this would be the first major reduction in copyright terms in the history of the US. That's notable.

There are a number of other issues that she apparently is suggesting, including expanding collective licensing, "reforming" the DMCA exemptions process that has generated so much controversy lately over phone unlocking, a change to the DMCA's safe harbors, some sort of effort around dealing with the orphan works issue (something the Copyright Office has been trying for for a while), and a "review" of statutory damages. This could get very interesting -- though it's unclear if it will be interesting in a good way or bad way. Once you open up the law, you have to realize that things could go in either direction. At the very least, a lot of lobbyists on all sides of copyright are about to be very busy for quite some time.

As we get more details, we'll be writing more about this, I'm sure. And, of course, we'll do our best to cover the hearing on Wednesday.

Filed Under: congress, copyright reform, copyright term, dmca exemptions, judiciary committee, maria pallante, register of copyright, safe harbors