Game Jam Winner Spotlight: Rhythm Action Gatsby

from the gaming-like-it's-1925 dept

We're nearing the end of our series of posts about the winners of our public domain game jam, Gaming Like It's 1925. We've already featured ~THE GREAT GATSBY~, The Great Gatsby Tabletop Roleplaying Game, Art Apart and There Are No Eyes Here, and Remembering Grußau, and today we're looking at the third and final game based on The Great Gatsby and the winner of the Best Digital Game category: Rhythm Action Gatsby by Robert Tyler.

From the name alone, you can probably guess what the game is: rhythm action games are a popular genre, and hey, why not make one for The Great Gatsby? The premise is presented as a joke, with the designer describing it as "the way F. Scott Fitzgerald would have wanted his legacy to be maintained" — but the game doesn't just lean on this one bit of amusing silliness, nor does it cut any corners in fulfilling its promise. Rather, it's full of handcrafted original material.

But before we get to all of that, there's another thing that makes Rhythm Action Gatsby stand out among all the Gatsby-based games this year: it's partly based on the book's incredibly iconic cover art. (We wondered if the cover art was even itself in the public domain, but it turns out that unlike most books, that particular cover was actually designed before the writing was done and published along with the first edition, and has an interesting story all its own.) The floating eyes and mouth that almost everyone immediately associates with The Great Gatsby become the target points of the rhythm action game, controlled by the player as they gaze out from the screen. The eyes must be triggered in time with the sparkling fireworks that rise from below and represent the notes of the music, while the mouth must be controlled to speak the words that tumble down from above.

The words are a well-known passage from the novel, dramatically spaced out over the 2-minute duration of the game — and it's all narrated aloud. That's where we get to all the other original material in the game. The narration? Freshly recorded by the designer, with a distinct mood and excellent delivery. The jaunty music that sets the pace of the game? An original piece written and recorded by the designer. And then there's all the details: the color changes and screen flashes that occur throughout the course of a playthrough, linked to both progression and the player's performance. All of this is choreographed so well that when it comes together it makes a rhythm game that, although simple and short, feels surprisingly dramatic and narrative — and that's not only impressive, it's extremely appropriate to an adaptation of a novel, and proves that the initial joke about the combination of genre and subject being silly wasn't quite what it seemed. That's just great, and makes it a worthy winner of the Best Digital Game award.

(Oh, and at the end, your performance is ranked and you get to find out just how great of a Gatsby you are. Several of our judges played it multiple times to try for better results, and maybe you will too.)

Play Rhythm Action Gatsby in your browser on Itch, and check out the other jam entries too. Congratulations to Robert Tyler for the win! We'll be back next week with the final game jam winner spotlight.

Filed Under: game jam, games, gaming like its 1925, great gatsby, public domain, winner spotlight

Game Jam Winner Spotlight: The Great Gatsby Tabletop Roleplaying Game

from the gaming-like-it's-1925 dept

Last week, we took a look at ~THE GREAT GATSBY~, one of the recently-announced winners of our public domain game jam, Gaming Like It's 1925. Today, we're moving on to our second spotlight, and looking at the winner of the Best Adaptation category, The Great Gatsby: The Tabletop Roleplaying Game by Segoli.

Best Adaptation is always an interesting category in these jams, because every entry is on some level an adaptation, but that doesn't mean they are all truly good candidates for the prize. Some make use of elements of a public domain work in a way that detaches them from their source, others focus so closely on the source that it is more like a study of the original — both those things can be amazing, and both approaches show up among our winners this year. But there's also something special about a game that turns a public domain work into something brand new while also carrying forth and further exploring its original meaning and context. That's the kind of game that is a candidate for Best Adaptation, and that's the kind of game The Great Gatsby: The Tabletop Roleplaying Game is.

As the name suggests, the game follows the contours of a typical TTRPG, with players taking on various characters and participating in a story (in this case, the story of The Great Gatsby, at least to begin with...) aided by a game master and some dice rolls. What makes it especially interesting as an adaptation is how it frames things for the game master: they are given a concise synopsis of the events of the novel, and encouraged to focus on whether their players are making more traditional choices that adhere to the original story, or wilder choices that rapidly diverge from it. Whichever way the players are leaning, the GM is encouraged to act as a counterbalance, throwing in fresh twists to push a traditional story off-course, or adding period-appropriate obstacles that force more divergent players to remember and address the setting. A lot of conventional wisdom says GMs should always try to flow with their players and take the game in the stylistic direction they want to take it, and downplay the idea that the GM acts "in opposition" to the players, but the framing of the advice in this game is actually quite brilliant: it means the players' tastes will shape the challenges they face in a satisfying way, while also keeping the game orbiting around the work it is adapting, and examining that work from different angles depending on the way the players want to interact with it.

Of course, there's another great way to win our hearts here at Techdirt, and that's by putting ideas around copyright and the public domain directly inside a game. The Gatsby TTRPG does exactly that, and it's just great. See, there's something I haven't mentioned yet: while the setting and story is firmly rooted in the novel, the player characters are not. Rather, players are required to be other public domain characters, turning the game into a mashup of Gatsby and any number of other works. And the instructions include a list of possible options, and a whole bunch of great intellectual property jokes that our audience here will surely appreciate:

Please note that several of the characters listed are temporally locked, which means you may not play as them until they enter the public domain in the year listed next to their name. Additionally, keep in mind that copyright law varies from country to country. If you are playing this game in Europe, you may have access to a greatly expanded list of public domain characters.

1. Dracula
2. Mrs. Claus
3. Sherlock Holmes (empathy-free)
4. Dr. Jekyll and Mr. Hyde
5. Dr. Frankenstein (not the monster)
6. Feral child raised by apes (see below)
7. Bambi (the novel character) (2022)
8. Sherlock Holmes (with empathy) (2023)
9. Walt Disney’s mouse OC (2024)
10. Peter Pan (UK only: the destruction of a specific children’s hospital in London)

Please note that if you are playing as the feral child raised by apes, the trademark to that character's name is owned by Edgar Rice Burroughs, Inc., a company located in Tarzana, California. They are extremely protective of their trademark, so you may not refer to this character by name, despite the fact that the character himself is in the public domain. Additionally, please note that if you are playing this game in the UK, you may not play as Peter Pan as long as Great Ormond Street Hospital continues to exist. Elsewhere, he’s free game.

For those not in the know, those are some excellent references that highlight absurd minutiae of copyright. Sherlock Holmes has entered the public domain via earlier stories, but the Doyle estate is trying to assert that portraying him with emotions and empathy is still copyright infringement because he gained those qualities in later stories. Tarzan is a prime example of a recurring problem: the use of trademark law as a backdoor to perpetual copyright. And the situation with the rights to Peter Pan, a character that is nearly 120 years old but still under copyright in the UK, is just plain weird.

As you can imagine, a lot of our judges got a huge kick out of this, as did we. The copyright themes continue into the gameplay, with the difficulty of player actions being partly based on whether they are invoking something from a public domain work or one that is still covered by copyright, and it's just masterful how the game weaves together these themes, and the wackiness of combining all these public domain characters, with a genuine exploration of the original novel. For all those reasons and more, it's this year's Best Adaptation.

Get the rules for The Great Gatsby: The Tabletop Roleplaying Game on Itch, and check out the other jam entries too. Congratulations to Segoli for the win! We'll be back next week with another game jam winner spotlight.

Filed Under: game jam, games, gaming like its 1925, great gatsby, public domain, winner spotlight

Game Jam Winner Spotlight: ~THE GREAT GATSBY~

from the gaming-like-it's-1925 dept

This week, we announced the winners of Gaming Like It's 1925, our third annual game jam celebrating works that entered the public domain in the US this year. Over the next few weeks, we'll be taking a closer look at each of the winning games from the six categories (in no particular order), starting today with the winner of Best Visuals: ~THE GREAT GATSBY~ by Floatingtable Games.

The first thing that strikes you about ~THE GREAT GATSBY~ is just how robust the graphics are for a game jam entry. It's a platformer presented in a retro pixel-art style — the designer explains that it has the same screen resolution as a Nintendo Game Boy, but one more color in its palette. The player is immediately presented with a beautiful title screen depicting one of the most iconic pieces of imagery from the novel:

From there, the game reveals itself to be more than just the mechanical prototype one might expect from a platformer in a game jam — rather, it's a fully-formed (albeit very short) experience that includes an opening "cinematic", some RPG-style interactions with NPC characters including simple dialogue choices, two main platforming levels (the first of which requires you to retrace your steps, finding the path more challenging in reverse — a classic level design technique — and the second of which feels distinctly different and introduces a new kind of obstacle), and a clear conclusion. In other words, there's some genuine thought put into the game design here, and an effort to make the game "complete" that really paid off. But it's still the graphics that stand out the most, from the detailed cityscapes with parallax-animated skylines in the background and pixelated haze drifting through the air...

...to the interior scene with its own set of unique sprites, the stylish character portraits, and the simple, easily-understood interface elements:

Note the attention to detail — it would have been easy and perfectly acceptable to slap the same simple window graphic from the outdoor scenes onto the interior wall, but instead we get a brand new custom sprite that includes the skyline visible outside in the distance. That kind of extra effort is apparent all throughout the graphics of the game, and that's why it was an easy pick for the Best Visuals award.

Play ~THE GREAT GATSBY~ in your browser on Itch, and check out the other jam entries too. Congratulations to Floatingtable Games for the win! We'll be back next week with another game jam winner spotlight.

Filed Under: game jam, games, gaming like its 1925, great gatsby, public domain, winner spotlight