UK Comedy Writer Takes The Digital Economy Bill Seriously... As A Threat To His Livelihood

from the hopefully-it's-not-too-late dept

Nathaniel Tapley, an award-winning comedy writer, writes "Yesterday, I wrote a blog post disagreeing with [Bernie Corbett,] the General Secretary of my union, the Writers' Guild of Great Britain, who was defending the Digital Economy Bill. Surprisingly, he emailed me with a full response, which I have now posted at the link above, and I've answered a couple of his points in the comments section. Anyway, I thought it might be of interest to some of your readers, as it's a detailed response from a supporter of the Digital Economy Bill."

Tapley joins the many creatives that oppose the Digital Economy Bill. His original post that spurred Bernie Corbett's response is a worthwhile read, as is his response to Corbett's email. Tapley's main point of contention is that it is stupid to disconnect anyone if they are suspected of violating copyright:

Internet disconnection works directly against writers, musicians and artists being able to get their works in front of audiences, and paying audiences. In the last five years a number of models have emerged for 'monetising content' (ugh!) At present, the residuals and tips and ad revenues make up a small but growing part of many creators' incomes, and more sophisticated models are being developed.

Reducing the number of people who have access to my work is not the same as working on my behalf, Bernie.

It's great to see more people come out of the woodwork who seem to understand how to approach new challenges as opportunities and not threats. That said, while it's great that there is this discussion between people who disagree about the bill, it's very unfortunate that the bill was rushed through Parliament with such haste.

After all, soon, for anyone suspected of copyright infringement, Techdirt will look like this. At that point, continuing such discussions online will be slightly more difficult.

Filed Under: digital economy bill, united kingdom, writer

The Rise Of The Writer-Entrepreneur

from the ch-ch-ch-changes dept

Marc Andreessen points us to a great article by the LA Times's Patrick Goldstein exploring the rise of alternative business models in Hollywood. Rupp points out that the most successful filmmakers in Hollywood—Steven Spielberg, Peter Jackson, John Lasseter, George Lucas—have worked outside the traditional studio system, starting their own companies and producing great movies without constant meddling from studio bosses. He notes that venture capital has begun flooding into Hollywood, allowing more and more creative types to bypass the studios and get financing for their creative projects directly. And, of course, the Internet will soon make it radically easier to market and distribute independent films. Probably the most important point Goldstein makes is that going outside the studio system isn't just about making more money. An even more important consideration for many writers is maintaining creative control. Those big studio budgets can come with a lot of studio meddling in the finished products, and studio executives are often bad judges of what makes a good movie. Here, too, there are parallels to Silicon Valley's startup culture. Larry and Sergey famously tried to sell their search technology in the late 1990s, only to find that the incumbents thought that nobody would be interested in a better search engine. Luckily, they had no trouble raising venture capital and launching their own company. By the same token, the next time a writer gets fed up with the studios mangling his scripts, perhaps he'll have the opportunity to prove he can do it better by raising some venture capital and producing the movie himself.

Filed Under: entrepreneur, hollywood, writer, writers' strike