Dismissing The Freeloading Myth
from the please,-let-this-go-away dept
A bunch of folks have sent in this column by freelance writer Anne Wollenberg claiming that there is no defense for file sharing and that free riders and freeloaders are simply bad, stop, end sentence. Oddly, looking over Ms. Wollenberg's own website, we find links to many of her works, including PDF files and jpg image files of writeups done for publications that don't have those writeups on the web. Some of those appear to be written up in magazines that require a subscription or a newsstand fee to view normally. Now perhaps she has permission to post these (or perhaps not), but even if she does, it certainly seems that she sees the value in having her works shared freely for the promotional value of her ability to write (not particularly well, mind you, but that's a separate issue). Yet, oddly, her writeup seems to ignore the concept of promotional value of works shared freely online. Update: In the comments, Ms. Wollenberg was kind enough to let us know that she has permission for all of those works on her website. That's great, even though we made it clear in the post that even if she does (in fact, we assumed she did), it does not change the fact that it negates much of the point she tried to make with her column.Instead, she tries to lump all who file share into a single camp of people who are pure freeloaders. Of course, she even gets the basics of freeloading wrong, focusing on the sociological issues, but ignoring the economic research on freeloading and the value of commons and sharing. That's doubly odd considering that our recent Nobel Prize winning economist won that prize for her groundbreaking work showing that the simplistic thinking on "sharing" and "commons" simply isn't accurate, and that communities will quite frequently create models where sharing is seen as beneficial and other structures make sure that fair compensation occurs.
Now, I'm not one who believes that people should be sharing the files of those who don't allow it (and I don't participate in any unauthorized file sharing myself), but to write off the entire community as "freeloaders" without understanding what's actually happening and without actually understanding the economic research on freeloading seems like a pretty weak argument.
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Filed Under: anne wollenberg, copyright, freeloaders, freeloading
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The writer chooses to make work available online, that is the writers choice. It would be different is someone was just ripping their work, and spreading it over torrents without permission.
Mike, I thought you were smart enough to know the difference.
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That's rather besides the point. The benefit is the same either way.
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To clarify, one is authorized and one is not. That's it. Nothing else.
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Mike, I thought you were smart enough to know the difference.
I think one of the points that Mike is trying to make is that Wollenberg herself doesn't understand the difference between illegal downloaders and filesharers. The term "illegal downloaders" is mentioned in the headline, but in the actual article, she incorrectly uses "filesharers" as a synonym for "illegal downloaders".
Mike understands perfectly well that there's a difference between an author/rightsholder publishing digital material and someone else doing the same thing illegally. What he's pointing out is the irony of someone saying that all filesharing is bad when she herself is sharing files.
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freeloaders
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Beautiful typo, directly after (parenthetically) criticizing her skills.
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another Freeloading myth
"...free licensed works might make more on average, due to the elimination of middlemen and other friction....In other words...fat cats cost more than free riders." -- Terry Hancock (of Free Software magazine, who wrote that in a conversation on facebook)
Fat cats cost more than free riders. So true.
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Faulty logic
Saying that free content means no professional art is like denying the existence of parachutes. Having no professional art is ONE outcome, but it doesn't have to be the only one. People writing articles like hers aren't protecting the arts, they're whining about gravity.
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Re: Faulty logic
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I'm the writer in question. First off, Anonymous Coward sums the point up entirely. It is about choice. The second commenter is wrong to say that this is beside the point and the benefit is the same either way because that is the copyright-holder's decision to make.
Secondly, I do indeed have the right to post the work on my site. In some cases, it's not online so I have posted a PDF - with the relevant publication's consent. Either I hold the copyright, or I have been granted a license by the copyrightholder. And I haven't just taken it and handed out loads of copies for free so it's a really daft, invalid comparison to make.
You say I get the basics of freeloading wrong by focusing on the sociological issues. Actually I am specifically talking about the sociological concept of the free-rider: someone who engages in behaviour that doesn't benefit everyone else and gets away with it because the majority are not engaging in that behaviour. An example would be a few people failing to get a vaccination - they are free-riding on the fact that most other people have been vaccinated. I was referring to a specific sociological concept.
You say I don't understand what is really going on. Take the music industry as an example: there has been a 60% decline in jobs over the last five years, bands are being dropped as there's no money to promote them, some of the biggest labels are hanging on by a thread and people sit in pubs moaning about the price of albums when they have just spent more on beer and crisps.
The point I was making is that it is one thing for people to decide to supply their content for free and allow it to be shared. It is not okay for people to take it and do so without the copyright owner's consent - then, as many commenters did on my original piece, complain about how much you hate the industry (fine, don't use the product then) and how all music is crap (fine, don't use the product then). The value of sharing to which you refer is not in itself enough to sustain entire creative industries.
If you read the column you will see I have referred to the way some people indignantly assert their right to access culture because... well, because they want to.
Anyhow, I would appreciate it if you would amend the above because it implies I have posted work on my site without having the right to do so - this is not true.
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You keep conflating two different things. A benefit is simply a benefit. The wishes or acknowledgement of the monopoly-holder have nothing to do with it.
If I give an exsanguinating Christian Scientist a transfusion they may be pissed, but they still have benefited.
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Do you have a source for those claims? Everything I've read recently suggests that there are more opportunities in the music industry. Just not with major record labels. I'm not saying you're wrong, I just wonder which jobs you're talking about and whether you've considered the new jobs being created by new media.
As for the majors losing money, it might be worth checking out this link I saw today through BoingBoing. There seem to be a lot of articles around about how badly major labels rip off their artists...
http://www.toomuchjoy.com/?p=1397
"The value of sharing to which you refer is not in itself enough to sustain entire creative industries."
You are aware that file sharing has been prevalent throughout the history of media, right? Maybe it's never been as easy as it is now, but don't fool yourself into thinking this is either a new phenomenon or doesn't have hidden benefits. I remember photocopied pages and cassettes being passed around the playground when I was a kid, and the promised death of music due to home taping did not materialise... To support this argument, you have to assume that nobody who file shares will ever buy anything related to music - a demonstrably untrue position.
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Cause is followed by effect, it doesn't matter if you want the cause to happen the effect will follow. If your works are out there for free you will get the benefits from it whether you wanted them out there or not.
"And I haven't just taken it and handed out loads of copies for free so it's a really daft, invalid comparison to make."
It's not our fault that no one wants to take your work. You put it up there for free so anyone who comes can take it. The number of people who take it is irrelevant to the article.
"they are free-riding on the fact that most other people have been vaccinated."
So, I'm a free-riding low life because I refuse to get the flu shot?
"You say I don't understand what is really going on. Take the music industry as an example: there has been a 60% decline in jobs over the last five years, bands are being dropped as there's no money to promote them, some of the biggest labels are hanging on by a thread and people sit in pubs moaning about the price of albums when they have just spent more on beer and crisps." [citation needed]
"Anyhow, I would appreciate it if you would amend the above because it implies I have posted work on my site without having the right to do so - this is not true."
"Now perhaps she has permission to post these (or perhaps not), but even if she does..."
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I'm the writer in question. First off, Anonymous Coward sums the point up entirely. It is about choice. The second commenter is wrong to say that this is beside the point and the benefit is the same either way because that is the copyright-holder's decision to make.
That's not what you say in your article. You say that there is simply no defense at all for file sharing, even as many content creators are embracing it and using it to their advantage.
Secondly, I do indeed have the right to post the work on my site. In some cases, it's not online so I have posted a PDF - with the relevant publication's consent. Either I hold the copyright, or I have been granted a license by the copyrightholder. And I haven't just taken it and handed out loads of copies for free so it's a really daft, invalid comparison to make.
Right. As I said. Even if you do have the right, you seem to implicitly understand the value of giving away your works for free, even as you insist there's "no defense." Odd.
It's an entirely apt comparison to make. You are giving away your works for free -- even works that are in magazines that people would need to pay for otherwise. Obviously, you recognize some promotional benefit to doing so. Yet, your article insists there is no defense for distributing information for free that otherwise would cost.
You say I get the basics of freeloading wrong by focusing on the sociological issues. Actually I am specifically talking about the sociological concept of the free-rider: someone who engages in behaviour that doesn't benefit everyone else and gets away with it because the majority are not engaging in that behaviour.
Right. And I was correct in saying that you do not seem to understand it, from either a sociological or economic perspective.
You insist in your article that there are no benefits from freeloading, but that's simply not true -- as we discussed...
You say I don't understand what is really going on. Take the music industry as an example: there has been a 60% decline in jobs over the last five years, bands are being dropped as there's no money to promote them, some of the biggest labels are hanging on by a thread and people sit in pubs moaning about the price of albums when they have just spent more on beer and crisps.
Yes, let's take the music industry as an example. You seem to be confusing the *recording industry* for the music industry. The actual music industry is going through a massive success story. More money is being spent on music than ever before in history. More music is being created than ever before in history. More people are creating music than ever before in history and more people are making money due to their music than ever before in history. From the industry's own numbers in the UK (where I believe you are based) the industry itself is growing.
The only thing that's not growing are the sales of plastic discs. So, yes, perhaps the labels, who rely on the sales of plastic discs are struggling and laying off people, but the makers of horse carriages laid off lots of folks too when the automobile showed up. But I think that we're all happy that the transportation market improved and created tons of new jobs. Same thing is happening in the music industry. It's just not coming from a small group of confused middlemen.
The point I was making is that it is one thing for people to decide to supply their content for free and allow it to be shared.
Except, you never made that point. You said there was no defense for file sharing.
. It is not okay for people to take it and do so without the copyright owner's consent - then, as many commenters did on my original piece, complain about how much you hate the industry (fine, don't use the product then) and how all music is crap (fine, don't use the product then).
I didn't make those arguments.
The value of sharing to which you refer is not in itself enough to sustain entire creative industries.
Heh. If you actually understand how to realize that value in a business model, sure it is. That's why those who are embracing file sharing are doing quite well.
Anyhow, I would appreciate it if you would amend the above because it implies I have posted work on my site without having the right to do so - this is not true.
I made it quite clear in my article that you likely had permission -- but that it made no difference to the point.
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Oh my! Are you supporting those damn freeloaders? Cause they can now read those articles for FREE! And yes, it's exactly what you do: you have just taken it and handed out loads of copies for free. They are soft copies, but that is no different, right?
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Since the way a browser works is that it downloads information to your computer, stores it in a temporary file, then displays it, you have, in fact, handed out "loads of copies for free".
Thanks, have a nice day.
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Actually, the decision is society's. Copyright was intended as a social contract to provide a limited monopoly to encourage the creation of copyable works, not as protection for a natural right. Though it may not be so in practice, your decision on copyright issues is supposed to be at the sufferance of society in general.. file sharers included.
"You say I get the basics of freeloading wrong by focusing on the sociological issues. "
Yes, that pesky individualism. Let's first address this gem:
"someone who engages in behaviour that doesn't benefit everyone else and gets away with it because the majority are not engaging in that behaviour. An example would be a few people failing to get a vaccination"
I notice how you say does not benefit everyone as oppose to harms anybody, those scoundrels! With that logic I should be careful about writing if I was you, I'd hate for you to get penalised for writing something that didn't benefit everybody. Moving on from your poor choice of words, if those who are refusing to be vaccinated have isolated themselves anyway and pose no threat to anyone then you might have a closer analogy to file sharing.
"You say I don't understand what is really going on. Take the music industry as an example: there has been a 60% decline in jobs over the last five years, bands are being dropped as there's no money to promote them, some of the biggest labels are hanging on by a thread and people sit in pubs moaning about the price of albums when they have just spent more on beer and crisps."
Which could be to do with file sharing. Or not. Or puppies may be eating all the merchandise. None of it really detracts from the laws of economics which show that any artist who is genuinely in demand can benefit from the efficiency of file sharing. If they make the effort to adapt. If they don't then they will lose money because that is what happens when you refuse to meet demand.
File sharers are potential customers, potentially better customers than neo-conventional ones. I think buying CD's are a waste but won't buy mp3's, why should I settle for either when artists can reduce waste by offering uncompressed files as an alternative to CD's.
The irony of the situation is that the biggest harm to getting people to pay what they actually value something at has been the copy as a commodity model with its artificially high prices. Few people see value in artists now because the record companies have been teaching them for the last 50 or so years that the value is in the medium not the artist, they did this partly through the absurd artificial pricing models for their CD's.
To sum it up, economics. Read Mike's book.
"The point I was making is that it is one thing for people to decide to supply their content for free and allow it to be shared. It is not okay for people to take it and do so without the copyright owner's consent - then, as many commenters did on my original piece, complain about how much you hate the industry (fine, don't use the product then) and how all music is crap (fine, don't use the product then). The value of sharing to which you refer is not in itself enough to sustain entire creative industries.
If you read the column you will see I have referred to the way some people indignantly assert their right to access culture because... well, because they want to."
When I have a contract with you or some sort of reciprocal relationship with you then I may be obliged in some way to respect your wishes. Having neither of these things, and reading a book not being any sort of relationship let alone a contract I do not feel any obligation towards you or any other writer.
There are two possible reasons I could consider for your position. The first is the law, I dismiss this because frankly the law is a joke and I'm the sort of person who makes choices and then weighs up the lawful consequences rather than putting the law first. The second is moral choice, I have no problem applying the principle of universality to my decisions and thus hypocrisy is avoided.
Lastly, I shall exercise my liberty with one of your statements: "If you read the column you will see I defend the way some people indignantly assert their right to restrict culture because... well, because they want to."
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Heh. And all the "freeloaders" you complain about pay for internet access.
Do you really not understand the difference?
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I am pretty sure that 'says' you might have permission to post them and then since its specualtion, offers the logical counter of....maybe not.
It implies that you would enjoy a dinner with Mandleson.
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"Illegal copyright infringement"
"I wish you filesharers would just admit the truth: you don't want to pay. Instead, you bang on about how it's fine to pass copies around because you haven't removed the original, even though the basic tenets of copyright law are founded on the idea that infringement occurs if you copy the most important part of the work (copying all of it definitely qualifies)."
Can you still call it a strawman argument if the arguer is blatantly ignorant of the actual facts instead of just purposefully setting up a premise based on facts they know to be false? Nobody is saying that illegal copyright infringement is "fine" because it doesn't remove the original. What people say and in fact the law says, is that illegal copyright infringement is not theft.
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Get a better comparison, not knowing the ups and downs of the flu shot makes you look like you don't know what your talking about.
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I am not giving away work from magazines people would need to pay for otherwise. I am either linking to newspaper websites or providing PDFs of free customer magazines.
And I know a lot of people who earn modest incomes from working in the music industry. Not overpaid stars, but roadies and sound engineers and managers. Guess what. They agree with me. So I will leave you all to your little deluded filesharing party.
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Yes it is. Heck, even the article in question is available free of charge. The Guardian simply has a business model that takes that into account.
By your logic, all your readers are parasitic freeloaders.
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Funny thing is, nobody's defending file sharing here. Just pointing out the flaws in the black-and-white picture you've posted here. Yet, instead of defending your position, you give up and insult everyone. You're not winning anyone over, except from the original AC poster who I assume is the contrary troll who just hangs around and tries to contradict all of the articles here.
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""If illegal downloaders had their way, people in the creative industries would be forced into boring jobs and amateur art"
Y'know, that's possibly the best justification for filesharing I've seen."
Brilliant!
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Ah, so this is a case where the freeloading benefits you. That is interesting. Where the copyright owner thinks that freeloading and sharing files benefits themselves it is called promotion. But when one believes illegal file sharing is freeloading and a substitute for a scares good, it is immoral.
The point of Techdirt is to tell the world that trying to exclusively monetize non-scarce goods is a fools errand. Anne, you see this by sharing your works for free so you can get hired. We want the content industry to stop policing and prosecuting what right now is referred to as infringement, and spend their time developing scarce goods that are better free non-scarce goods: Immediacy, Personalization, Interpretation, Authenticity, Accessibility, Embodiment, Patronage, and Findability.
Just because soemthing is illegal does not mean one automatically needs to attach morals to it or believe it is sound economically. Laws are man-made constructs that can be changed.
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In addition, you criticize those who complain about prices, stating that they are spending just as much on beer and chips. People have limited amounts of money to spend and they have to choose how to spend it. If they spend it all on beer and then download the music they aren't taking money from the music industry, they just aren't giving it any money either.
As an example, say I am a fan of books and music, a new CD and a new book come out at the same time. I want both of these products but can only afford one. After hearing a couple songs from the CD on the radio I decide it's not worth my money so I buy the book. Then proceed home and download some of the songs from the CD that I do like.
I didn't take money away from them because I had no intention to buy it anyway. The difference is making the product valuable. If the product is valuable people will buy it. Creating a connection to the consumer is also important. I have frequently bought things that I have gotten little use out of to support the makers.
The common argument is that music downloading doesn't equate to stealing in the same sense as, say, shoplifting because I didn't remove the product from the market. This is one (admittedly feeble) defense, but in addition to this is the difference between stealing and just not buying.
Infringing on the copyright of musicians and then distributing that material is (in my opinion) morally wrong but it is in no way the same thing as stealing. In some cases you're using something you wouldn't have bought. Then, as a result, you may even decide to buy the next CD, or go back and buy it to support the musician. The positives outweigh the negatives.
I understand that this is just based on one example and there are many other types of cases and reasons for taking the music. Many of the people may just be downloading as much music as possible, entire discographies, or even downloading things they would have otherwise bought. I am also aware that this isn't the rock solid argument (or a rock solid argument at all) that will change your mind about filesharing. However, I hope you will stop making generalizations and grouping everyone who downloads a song together as the same kind of low-life destroying the music business, because it is a fallacy.
This is getting lengthy (I'm aware of my wordiness) but I promise this is my last point. We are not some "deluded filesharing party." We are a community who discusses laws, economics and business models. Another poster said "They don't respect your rights as an author to do business in your way" (speaking to Anne Wollenberg). We are open to people using many business models, it is merely discussion towards the goal of building better business models that can be more beneficial for everyone involved. It is Anne Wollenberg who denounces alternate business models when she claims that there is no defense for filesharing, failing to exclude legal filesharing used as a legitimate business model.
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Except, you do. The Guardian presumably paid for your article to be written, yet you get free promotion on their site. Mike presumably found your site through this article, which he then linked to on Techdirt, driving traffic to your site. Being a popular site, Google and other search engine will probably pick up on the article here, driving further traffic through your site.
This promotion is unsolicited, yet you stand to benefit without spending a penny on anything but the relatively meagre cost of hosting your site. I presume you'll reject any advantage that comes your way, since you're so dead set against the idea of being able to profit through "freeloading"?
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Do you charge people to access your website? No. It's free. You are promoting yourself for free, and unlike file sharing it's costing you money to do so. So either you understand that there's some benefit to you in doing so, or you just made a very curious decision.
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whoop-de-doo
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Can I get a refund?
And another thing.....on many occasions I have paid for music, movies or software only to find that they really weren't worth the high prices, perhaps if we were able to get a refund on such merchandise there would be less of a market for file sharing.
Many use file sharing as a way of first filtering this expensive, low quality rubbish from the content that it is indeed worthy of our money. Having said that I think the cost of music, movies and software is still way too high and that's why some people don't buy them.
Another thing that should be considered when spouting off spurious percentages about music industry decline is that there's the small matter of demand and supply. There are so many more 'artists' producing content now that there's bound to be less of a demand for some and more competition for all.
All of these factors and many many more need to be considered before making any kind of definitive statement on the wickedness of file sharing.
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Does it really need to be repeated?
The term "file sharing" is misued so often that it is now meaningless without context and many times there is little to no context from which to infer its intended meaning. There are many different things this term could be referring to. For example, your browser shares files with hosts and you are presented with a web page. Certainly this is can be called file sharing and as far as I know, it is not illegal, nor is it infringement. Also, getting your email from a server could be called file sharing. Etc ... Even bit torrent sites host non infringing material, so just the act of joining a swarm does not imply infringement.
So, referring to those who share files as free loaders is being a bit simplistic is it not? Certainly the discussion was about those who infringe upon copyright, but that was not the terminology used. These days, almost everyone shares files and it is not infringement to do so because that is how the internet works.
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Don't let the people here depress you. If you spend a little time reading the site, you will discover a significant number of the posters here expect everything for nothing, they want to tell you how you should run your business, and they want to tear down everything existing and replace it with, well, nothing but t-shirt stands.
They don't respect your rights as an author to do business in your way. It comes down to the type of post Mike often makes here, "smart-dumb", where he looks at your business model and calls you dumb, and looks at the people giving into the freeloaders and pirates as "smart". Don't let it get to you, it's an attack mentality that makes this place into Masnick-land, which has little connection to reality.
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Maybr for some people here. But how about all the distributors who expect to be granted monopolies? Do you really not see the sense of entitlement coming from copyright maximists?
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That's like saying you shouldn't have a monopoly on your kidneys. Share them around with everyone now!
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Because it starves the public domain, the enrichment of which is the nominal reason for granting that monopoly in the first place.
But that's really a different argument.
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A book is property, an object you have.
Copyright allows you to prevent other from making their own copies if you made the first one, thus making it regulatory in nature.
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You really don't see the difference between retaining objects in your possession and preventing others from making more of the object?
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Scarcity(or lack thereof) is not a valid reason to grant a monopoly. Having your entire business model being sustained by having people pretend an object is scarce is not something to be proud of.
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Don't listen to this guy, read the sight for yourself. You will see that he's full of shit. But you don't have to take my word for it, I actually have the history of this sight at my back (and history in general).
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Heil grammer!
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Heil spelling!
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Heil Godwin!
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To those complaining about the price of music and film: don't be ridiculous. You probably spend more on beer and crisps, or printer cartridges, than you do on music. I don't think the price of a cinema ticket, for example, is very much given it will buy one lunch for one person one day on the film set.
To the person who wrote this piece: if you could remove the defamatory comments, that would be grand.
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On a side note, I feel like stating the obvious. Piracy != Lost sales. For example, in my junior year in high school, me and my classmates all played a pirated copy of Halo a lot. Consequently, when I had some spare cash I went out and BOUGHT a copy. Had I not already loved the game from playing it so much, I would not have bought it. I'm sure I'm not the only one. Just think about it.
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Even if you hadn't loved the game, you still would have played it to find out you didn't love it, which means you benefited from it for free. That isn't advertising, that is just piracy.
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Just so you know, I don't drink, eat crisps, or own a printer and I still end up paying more for music this year anyway: $36 to Pandora.
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those unable to adapt to new, bigger, more dynamic markets either die or shrink to the point of being a non-player...
And for each that is unable to adapt, that creates another position for the rest of us to fill and monetize...
we just have to keep an eye on them from passing stupidity at the law level, eventually they will go away...
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And those vaccinations? Keep in mind that some of us either cannot afford them (they aren't free) or cannot have them for reasons medical. Not free-loaders or free-riders or whatever you wish to call them.
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In case you wish to answer a few serious points, please answer these:
1. You use free software on your site. Does that not make you a hypocrite when complaining about "freeloaders".
2. In the same way, you are using free marketing techniques such as linking to 3rd party copies of your articles, Google, links from sites you have written for and other things you have not paid for. The fact that you pay for webhosting does not mean that this is not "freeloading" by your definition, just as the fact that a "pirate" has paid for an ADSL connection does not absolve them of their "freeloading". How do you reconcile this with your claims?
3. You use free content (i.e. articles you have written that you do not personally charge the end user to read) to advertise your work. How do you consider this a positive, yet claim that similar copies that appear in places you haven't authorised are damaging? How does your implicit approval affect whether or not you gain a positive result from free content?
4. You attack people who claim price as their motive for "freeloading", by making some silly assumptions about what they do with their personal life.
So, I'll give you a different reason and let's see if you can answer this: there are several DVDs I wish to buy that have never been released in region 2. I can easily import the DVDs from the US, but my primary DVD player (an XBox 360) will not accept region 1 DVDs. I can hack the device to play said legally purchased content, but doing so will result in me being removed from XBox Live. Yet, the "pirates" will allow me to obtain copies of said movies that will play on my legal devices with no alteration. If I choose to "freeload", it's because the entertainment industry have left me with no legal choice.
Can you not see why this is a problem? Forgetting the pricing argument, can you see how windowed releases, region coding, artifical device restrictions through DRM and the like are causing many of the industry's problems? If not, please explain how they can possibly be beneficial and not directly encourage the behaviour you're railing against. As I've mentioned on this site many times before, I am constantly prevented from legally buying content because I'm in the "wrong" country for the content I wish to obtain (I'm English, currently in Spain). The entertainment industry gets little sympathy from me when I've constantly having my money refused for arbitrary and unecessary reasons.
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"I don't think the price of a cinema ticket, for example, is very much given it will buy one lunch for one person one day on the film set."
A cinema ticket plus transport to and from the cinema costs more than half of my weekly spare budget. I use filesharing to check out a product before buying, as I am on a small budget, and I want to waste as little money as possible. Some of these I can trace back to a leak. Some of these ARE ACTUALLY PUBLISHED BY THE RIGHTS HOLDERS. Are these rights holders free-riding?
"Take the music industry as an example: there has been a 60% decline in jobs over the last five years, bands are being dropped as there's no money to promote them, some of the biggest labels are hanging on by a thread"
Please bear in mind that approximately 4/5ths of all statistics are false in some manner. I would expect that someone using a sociological argument would not simply parrot some lobbyist's false statistic. Yes, the recording industry has lost the majority of its workforce, but that's because people are willing to publish, and it is easier now to publish than ever before.
"An example would be a few people failing to get a vaccination - they are free-riding on the fact that most other people have been vaccinated."
You claim that not taking the flu shot is akin to illegal downloading. How is this? There can be deadly side effects in rare cases from any vaccination.
And technically, a free-rider is someone who rode on the bus into Alabama in the late 50s/Early 60's in the old 'Jim Crow' section, not someone who is sharing files.
You ARE, however, right on something: sharing alone will not sustain the creative industries. However, creative use of that sharing will.
"Oh, and people do "want to take my work" - but if they want to syndicate it, or hire me to do something else, they need to pay me. It is not there to be taken for free."
What is with this entitlement kick people have? Are you going to connect with your fans? Are you giving them a reason to buy your works?
You are aware that by publishing YOUR work in an unsecure environment, that information can be shared with a large number of people, if A.N.Other chooses.
"Also: I said I pay for web hosting. I do not promote myself for free on the internet; I pay for my website. Hosting, not access. Do YOU not understand the difference?"
Logical fallacy #697: Paying for web hosting and letting people access your works for no cost does not entitle you to bitch at us for looking at your works. We, as consumers, pay for access to the Web. WE see your article, that costs a few minutes of time. That's a minimal cost-effect transaction. What about that is so hard to grasp? It's almost as though your brain froze up at Cost=0.
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The fact is that copyright maximists expect to control even copies they didn't create simply because they made the first one. They clearly feel entitled to a monopoly.
It's like finding a spoon's worth of gold and then claiming ownership of all gold.
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"If you don't want me to read your book, don't write it."
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You assume I need some sort of "product", which I do not. Do I still have to pay?
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typo
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Fortunately, I can 'make another one' pretty easily these days.
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It is misleading and wraps up P2P is a nice, warm, and fuzzy blanket.
"Share" is something one does when one has the right to do so. "Illegally distribute" is something one does when one does not have the right to do so.
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Example: It was once illegal for women to vote in America, but no one today would argue that women voting is wrong.
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Why not focus on what she's trying to say instead of the specific way she (admittedly incorrectly) said it?
Such as, what the hell is all that about vaccination? Not taking the prick is stealing! =P
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Saying 'infringement is wrong' tries to sway people away from sharing unauthorized files and would send the message she's trying to convey, but 'file sharing is wrong' sends the message that it is wrong to use file sharing apps even if you are the original author.(which was the original stance on copying when printing devices were first invented)
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It IS a REAL job for a lot of people although for a hobbyist like yourself, I do see how that could be an uncomfortable fact to deal with.
Why not just be honest and admit that your talents are either too insufficient or unmarketable to sustain you professionally?
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Works Made For Hire
It would be interesting if this could be an IP norm- where works made for hire, allowed creators the ability to use their works in a way that allows for self promotion. The problem as I see it, is that a creator currently has to fight for this right.
This should be an explicit right for the creator, not seen as a "nice to have" that has to be explicitly negotiated in a contract somewhere.
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Look whois talking
Rich people are also free loading. Most don't contribute near enough for how much they make.
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First, file-sharing isn't necessarily unauthorized distribution. There's so much stuff being traded online for free that by pointing the finger at every person sharing files and calling them a criminal (or saying there is no defense for it) is ludicrous.
For the illegal activities that ARE going on, there are PLENTY of defenses for it. Just as the recording and movie industries have defenses for their own crimes. There's always a defense for crimes. Whether you accept them or not is your business.
As a file-sharer, let me inform you that I *do* go to movies, I *do* buy music online, I *do* rent and buy DVD/Blue-ray movies, and I do buy computer games on- and off-line. I am a customer. To be honest, I am a vexed, abused, irritated, and displeased customer, and when people like Anne (and the recording industries) refer to me as a criminal, it really pisses me off.
We pay to see the movie in the theater, we pay to see it again on PPV, and again to see it on our supposedly-premium cable channels, or to rent the title on DVD/Blue-ray. We pay to own our own copy, and even then, they're trying to restrict us from recording images to watch at our leisure.
Some people wonder why I'm so passionate about this topic. I myself wonder why so many people are not.
The part about all of this that really saddens me is that with each post here, including my own, we only further garner Anne's utter garbage mentalities more attention.
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What is "the business"
Don't know about the US, but in the UK more money is being spent on music this year than in ANY previous year.
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Dismissing The Freeloading Myth
I love the title. It's another one of those "smart-dumb" things, because in only 4 words, Mike manages to completely ignore reality and attempt to change the world in his (mental) image.
Anyone who has ever looked at a torrent site knows that there are very few seeders, and many more peers. What are peers? FREELOADERS. They aren't going to see, they are just going to let people take a little from them while they download the thing, and then they turn off the file so it isn't re-seeded or peered.
Mike might also want to mention the ad click through rates on Techdirt, which are net for a page about 1 - 2% typically. That means 98% of the visitors are some sort of freeloaders.
Heck, I never clicked on an ad here, so that makes me a big freeloader.
So freeloaders aren't a myth, they are real. It's just that they are an inconvenient truth that lowers dramatically the value of "FREE!" marketing.
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I must hand it to you, you make it very easy to dissolve your arguments.
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If it wasn't for the force, they would be absolute freeloaders.
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And I know you're wrong because while downloading ubuntu 9.10 there were somewhere around 30,000 seeders and about 15,000 leachers(peers as you called them)
Sure it is a legally redistributable ISO but it is still an example of the file sharing community contributing back to the network.
Also, if no one reseeded then the peer networks would never have became as successful as they are today.(no seeders = no download)
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The no-share option, if it exists, often leads to capped downloads or other slow service.
As for the numbers that the AC quotes for Ubuntu, look at it this way: That is 45,000 people out of how many billion on the planet? How many total Ubuntu installations? Those numbers are depressingly low. That would barely cover the community of rabid fans.
With the crashing price of bandwidth, it would seem foolish to use slower distributed file transfers anyway.
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What garbage. The only non technical justification they have for such a lousy upload speed is the potential for abuse with DDoS attacks and the like, which if they did their job properly would be rather easy to police against in the first place. You seem to be saying 'it's like that because that's how it is', which is a great way to not progress.
"With the crashing price of bandwidth, it would seem foolish to use slower distributed file transfers anyway."
Uh, you seem to have that the wrong way around. With the crashing price of bandwidth it would be foolish NOT to use distributed file transfers, the more bandwidth available to each individual connection increases the effectiveness of file sharing exponentially. With all the complaints about server bandwidth and having to fund things through ads, that can almost entirely solved through peer to peer. In fact the technology is there to have an entirely distributed web thus moving the hosting costs away from the content providers to the consumers.
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Wow. You really don't understand how torrents scale, do you? Although, I must admit, I'm amused at your choice of examples.
"So freeloaders aren't a myth, they are real."
I don't believe the *existence* of freeloaders was in question.
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George Lucas tends to ignore Star Wars most fan generated sites and content. He knows this is a futile and would offend his fans. Are they freeloaders or just consumers of culture? They pay money for VHS, and then DVD, and then Bluray special editions, toys, new film experiences, etc. Sure, some may download illegally, but they are not the target market at the time they felt motivated to download, so no lost sale.
Sometimes you need to share files in order to further disperse culture.
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Here's a free load
Next thing you'll be bitching about is the multitude of homeless eating at soup kitchens.
Give it up and join the real world.
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Problem Solved
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