How Neil Gaiman Went From Fearing 'Piracy' To Believing It's 'An Incredibly Good Thing'
from the epiphanies dept
Public Knowledge points us to a wonderful short clip of Neil Gaiman, being interviewed by the Open Rights Group, explaining how he has completely changed his mind about "piracy" and copyright:"Then I started to notice that two things that seemed much more significant. One of which was that places where I was being pirated -- particularly Russia (where people were translating my stuff into Russian and spreading it out into the world) I was selling more and more books. People were discovering me through being pirated. And then they were going out and buying the real books, and when a new book would come out in Russia it would sell more and more copies."He then mentions that after a lot of persuading, he got his publisher to release a free digital copy of American Gods, and sales went up by 300%, even though it had already been selling quite well before that. And that was his epiphany moment that you're "not losing sales" by having stuff out there. And he explains how "piracy" is just a giant way of lending books, and points out that, when asked this question at talks, he asks how many people in the audience found their favorite author because someone lent them a book vs. going into a book store and buying it. And only 5 to 10% of people found their favorite authors first by buying the books.
"That's really all this is. It's people lending books. And you can't look on that as a lost sale.... What you're actually doing is advertising. You're reaching more people. You're raising awareness. And understanding that gave me a whole new idea of the shape of copyright and what the web was doing. Because the biggest thing the web was doing is allowing people to hear things, allowing people to read things, allowing people to see things they might never have otherwise seen. And I think, basically, that's an incredibly good thing."
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Filed Under: copyright, neil gaiman, piracy, sharing
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What you're actually doing is advertising
If I had never been lent that book, the odds of me ever discovering Neil's works would have been incredibly slim. In truth, while I did not spend any money on the first book (I "pirated" it by borrowing it from a friend), I so enjoyed his works that I went and purchased several more of his books (and I've lent them out to others / recommended him to others).
All of this to say, I am pleased to see that Neil discovered that "pirating" (people utilizing your artistic works without paying for them) is actually a platform for advertising yourself. In fact, not only is a method of advertising, but it is a method of crowd sourcing the advertising for you. Essentially, what Neil discovered was that by giving away his work for free, he was able to leverage an incredible platform for advertising that no other method of advertising could provide to him!
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Books are an interesting place, because people still value the dead tree editions enough that an electronic version won't hurt sales so much. I suspect some people read a sample, decided they like his work, and purchase the book to actually read it.
That of course will change as the dead tree editions stop being produced in the next few years. Then, just like moving from cassette tapes to perfect copies, the writing world will get to face the true effects of piracy.
I am looking forward to him changing his mind again.
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5 years between albums. Seems piracy may have removed some of their motivation to "innovate".
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Their actions speak louder than words. Only 2 albums since the Napster deal, 11 years ago. Lars may say nice things about piracy, but it certainly appears to have contributed to their lack of productivity.
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If it's such a difficult thing to do, then why are you wondering why they aren't making a new album? Apparently they are busy touring. They can busy themselves with touring for years and you wonder why they aren't making an album? People are willing to pay to see them years after their last album was released and you're wondering why they aren't making a new album?
It seems like becoming popular and rich stops creativity more than piracy. I say we outlaw wealth and becoming popular.
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There is less and less choice in new music every year.
This is all due to piracy.
Wait... What?
There is more and more music available to the public??
Hang on a minute. I will figure this out somehow.
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More garage bands playing stuff nobody wants to hear.
More remixes.
More DJ's claiming to be "musicians".
Less signal, more noise.
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Lady Gaga makes me puke, because she clearly has no talent. But she has a great ONLINE marketing team that has promoted her endlessly through all the great places that get pushed around here, and now she is top of the charts all over, with absolutely no talent required. She is actually the completely proof that the internet age stars suck worse than what was there before.
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If you like jazz then I would recommend Elizabeth Shepherd, Sola Rosa, Marie Fleurand Jill Tracy. Bonus, metal jazz: Diablo Swing Orchestra.
"Lady Gaga makes me puke, because she clearly has no talent."
While I'm not a great fan of her style of music, to claim that she has no talent is funny. She started playing piano at four and was performing at open mike nights at fourteen. 'Oh, well that doesn't mean she was any good' I imagine you will say, but then she was admitted to the Tisch School of the Arts when she was seventeen. If you're still not convinced then here's an early clip, which I like a lot more than her famous stuff.
"But she has a great ONLINE marketing team that has promoted her endlessly through all the great places that get pushed around here, and now she is top of the charts all over, with absolutely no talent required. She is actually the completely proof that the internet age stars suck worse than what was there before."
Great, pop music gets an actual musician and you use her to 'prove' that the internet is bad.
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Jazz? I am all over the road. Oscar Peterson and Oliver Jones, as example, and then Frank Zappa or Vernon Reid. I don't tend to look at Jazz as just a style of music, as much as a musical attitude. On the other end of the non jazz scale, I am as likely to enjoy Rancid as I am to enjoy Suicidal Tendancies, Bad Brains, motorhead, or the Long Beach Dub All Stars / Sublime. Attitude is a wonderful thing, no matter what.
Some of your suggestions are interesting, I will have a look :)
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You mention Madonna, whose natural talent seems to be regarded as all round mediocre, yet seem to rate her above Lady Gaga on substance. I still like both of them better than Elton John (despite him having a whole lot more talent than Madonna), because I just don't like his style. Lady Gaga obviously concentrates more on fashion than music, as did Madonna, but I don't have a problem with that because there are plenty of dedicated musicians out there.
"Jazz? I am all over the road."
Elizabeth Shepherd is probably the most traditionally jazzy in my collection, but in terms of genre jazz is probably as broad a label as rock.
"Attitude is a wonderful thing, no matter what."
If you're interested in attitude then Mindless Self Indulgence are a gem.
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Or maybe being rich causes people to stop "innovating".
Or maybe they're just plum out of creative ideas.
Or maybe they like piracy so much they'll just release all new music while touring and let the bootleggers do it.
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Maybe Metallica is trying to irritate their label, or protest some horrible contract or something by touring (where they keep the money) rather than doing a studio record (where the label keeps much of the money.
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When a band can't be bothered to write new material, you have to wonder. It is clear that since the Napster thing, they have only turned out 2 albums... in 11 years. Someone suggested they "embraced piracy", but the results seem to suggest they are just not bothering to record anymore, because there is little motivation and little desire.
Side note: Comparatively "washed up" classic metal band The Scorpions have toured more extensively than Metallica in the last 11 years, and have released 3 albums in the same time period. Hmm!
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Seems to me, this is exactly what any musician wants to be making a living doing. They get to play music and make tons of money for doing it. Who needs to release a new album when you're booked solid on performances?
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It's hard to see from here, but it's coming.
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Totally
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Agreed
Books and music are certainly part of that phenomena, at least for me.
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Neil Gaiman by the way fantastic author - Neverwhere, Watchmen, Sandman, American Gods, Good Omens with Terry Pratchett. All fantastic.
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Welcome to the 21st Century, Mr. Gaiman.
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Wait a minute...
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Availability isn't the only factor in buy vs. pirate, though.
I asked her what she'd done. The reply was interesting. The Caine book was by a publisher which had stripped all of Rachael's work from fictionwise during the great Amazon-Publisher War. So she kept the pirate edition.
I asked her about the Harlequins. Her reply was "They've never f***ed me over for either price or availability. I bought those, of course.
How publishers and other "content providers" are perceived is clearly also important.
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This Is Why Artists Should Leave Accountancy To The Experts
The problem is, he’s counting his sales as though they were actual property. But they’re not—they’re intellectual property. So you’ve got to account for them in an intellectual way. And once he includes all that intellectual property theft due to piracy, he will realize he is making an intellectual loss on his business. And once he realizes that, he will no longer be so sanguine about piracy.
What Mr Gaiman should do is consult a proper qualified Intellectual Property expert, like myself, rather than just listening to the uninformed ramblings of those who don’t even grasp basic economics. Intellectual property isn’t something special, it’s no different from real property, and should be treated exactly the same as real property. Therefore, intellectual stealing is still stealing. QED.
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You didn't read the name?
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(Through no fault of "Rinald J Roley," of course.)
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Note that publishers didn't freak about libraries because they believed in the multiplier effect of one (sometimes discounted) copy in a community.
My experience is that piracy goodness maps best to book sales, less to music, and even less to video, esp TV - just from observing the bad habits of friends.
And this worries me, because a book can bewritten by one person, but a movie or opera, say, needs broader funding, to support hundreds of artists.
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History is currently repeating itself, and publishers and authors are again freaking out about second-hand sales and lending, especially in the realm of computer software and digital book/music/movie downloads. But at the moment said publishers and authors are having better luck (in suppression) than last time.
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Piracy markets based upon quality over reputation
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