More Anti-Youtube Whining: 'YouTube Complies With Our Takedown Requests Just To Make Us Look Bad'
from the youtube-doesn't-apologize-to-infringers,-you-whingeing-buffoons dept
Every so often you come across a conclusion so badly drawn it makes you wonder how the person got from point A to... well, not exactly point B but somewhere well past point B, off in an ethereal realm inhabited by the denizens of overly-complicated word problems and their constantly variable forms of transportation. ("If a premise leaves the train station [Point A] at 10AM riding a bicycle at 3 mph for the first hour and increasing speed by .25 mph every hour for the first four hours before decelerating at a rate inversely proportionate to the incline of the grade [17%], at what time will the bicyclist's speed be exactly 1/4 the average flight speed of the Africanized honey bee? Show your work.)On even rarer occasions, you'll find this counterintuitive "conclusion" not only applauded for its immaculate "logic," but expounded upon as though it were the genesis of a world-breaking thesis. The obliqueness (and obtuseness) begins with a simple bit of rhetorical questioning by Larry Crane of Tape Op Magazine: "Why does Youtube apologize to people who have illegally uploaded my content?"
I politely asked Youtube to remove a song by my old band that someone had posted without permission. They took it down but then apologized "sorry about that" and ran my business name as if "blaming me" for removing content. Really? Wow. Pretty damn impartial, huh?
They also had the temerity to name the business that requested the takedown. What did you expect them to do? Just simply write "This video is no longer available" and be done with it? Of course they named who did it. Do you know why? It's not to "blame" you, which, as the party responsible for the takedown, the "blame" is wholly yours. No, it's to inform viewers and uploaders and other interested parties that this video was taken down to comply with a takedown request, which is something YouTube needs to do to retain its DMCA safe harbors.
The other reason the takedown party is listed is because, sometimes, in rare cases, the takedown isn't legit. Sometimes it's just a clerical error. Or maliciousness. Or a faulty algorithm. This way interested parties can contact the party listed if they feel the takedown is in error. Again, this is a rare occurrence, one that has only happened a handful of times. Like here, for example. And here. And here. And here. Oh, there's also this one. And this other time. Another rarity. Once-in-a-lifetime experience. Well below the expected margin of error. Nothing to see here either. Anomaly. Freak accident. Outlier. In short, it's a handy way to tell at a glance who took the video down and decide whether or not the takedown might be in error.
But, back to the big question: Why does YouTube apologize to the infringing uploader? Good question. But you'll never get an answer because that apology isn't for them. It's not for you, either. It's for the viewer who clicked play and got a dry slab of info rather than the tune/video he or she was expecting. YouTube doesn't apologize to infringing uploaders. They send notices to their account inboxes and email addresses informing them that a video is being removed by request of the rights holders and gently reminding them that if they don't knock this shit off, their account could be deleted.
I'm really not sure how anyone could read that screen and decide that YouTube is oh-so-sorry for being forced to end the uploader's infringement party because of a few rights-holding killjoys. This apology is for fans and potential fans -- the viewers who came here expecting to be entertained and instead got a face full of "NOTHING TO SEE HERE."
Let me ask you a question, Larry. What wording would you use? "YouTube is robbing this artist no longer. Praise Jeebus." "Sorry about all of our infringement, but we're really just a pirate site in corporate clothing." "Enjoy the silence." "'Enjoy the Silence has been removed due to a copyright claim by Warner Bros. Records."
This [waves black and white avatarial arms in the general direction of above] is ridiculous enough. It's just Google-hating in search of a point. But then, someone else decides "ridiculous enough" isn't ridiculous enough. Chris Castle adds some invaluable commentary:
Larry Crane of Tape OP Magazine highlights what must seem like a curious practice by YouTube. First thing--it's Google, so understand that they don't care at all what artists think. Having said that, it will not be surprising to know that YouTube has long employed a tactic that can be thought of as Chilling Effects Lite. acting out of enthusiasm for the artist's music.Google hate? Check. Moving on.
YouTube leverages the fact that most YouTube videos are embedded in a variety of places, including the artist’s own home page.Why would an artist embed an infringing video on their own site, especially if they're considering sending a takedown notice? Do they just want their media page to have a sort of "going out of business look?"
This distribution was accomplished by the efforts of the artist or the artist's manager, or the artist's record company or by fans of the artist.So: if the person who uploaded the infringing video is a fan, you'll reinstate the video? Because the funny thing about uploaders, they don't tend to upload stuff they hate. They're usually fans and they upload songs that aren't on Youtube yet, not to violate copyright laws, but to share music they like. In this example, Chris lists fans as victims of Google's evil "name-and-shame" policy which leaves dead-end embedded videos littering their site but simultaneously wants to chastise fans for uploading the videos without permission, possibly to place on their fan sites. Which is it? Fans = victims? Or fans = infringers who don't deserve the apologies they're not actually getting?
Now, I really didn't want to include this much text, but I'm afraid that if I edited it in any way, I'd be accused of cherry-picking in order to obscure Castle's point. So, here's the whole thing and I welcome you to figure out the point on your own.
When YouTube gets a take down notice that actually results in YouTube removing the video–usually because the poster hasn’t filed a counternotice (which in YouTube’s case can be essentially anything from the poster indicating a pulse)–YouTube isn’t satisfied to just remove the video. (This would cause the video to go dark everywhere it's embedded. Instead, YouTube takes it upon itself to post a notice to the World of Free that campitalizes on the efforts made by the artist and those working with the artist (including fans) to use those efforts to YouTube's benefit. How? YouTube uses the same embed codes to post a notice that YouTube had to actually comply with the law. If that notice comes from an artist’s record company or the music publisher of the recorded song, then everyone who has the video embedded suddenly has a messge “apologizing” due to the fact that YouTube controls what replaces the embeded video that was removed. That “apology” is then flashed across the Internet including the band’s own webpage if they have embedded any YouTube videos. YouTube then feeds that “story” to the Google press who dutifully report on the incident as manufactured news.The gist of it, if it even contains a "gist," seems to be that YouTube complies with the law in a way that is most advantageous to it, PR-wise. That's what I'm picking up and I had to cross out nearly every other word to do it. The specifics, all strung together, add up to nothing at all, other than a whole lot of words being wasted in order to state: "I greatly dislike Google and its subsidiaries."
"The video goes dark at every location it's embedded" because... it's embedded. Castle even states as much. But somehow, this devious code trickery adds up to something evil. And why is it evil? Because sometimes these videos are embedded at the artists' own sites. And when the artist (or their representation) issues a takedown, it causes videos on the artists' sites to go dark. Leading us back to one of our original questions: what the hell is this hypothetical band (let's call them "The Victims") doing embedding videos if it's just going issue a takedown anyway? It's like some bizarre copyright-infected murder-suicide, only with the murderer pointing the gun at his own head first.
And as for all the other verbiage about Google feeding the press reports about nefarious takedowns by evil labels, etc. etc. etc.? You know who usually alerts bloggers and musos and "the press" about overreaching or ill-advised takedowns? The fans. The same fans who are "victimized" by YouTube's takedown policy and the same fans who are being denied an apology by your insistence on playing the victim after YouTube did EXACTLY WHAT YOU ASKED THEM TO and COMPLIED WITH THE LAW.
Larry, Chris: You two deserve each other. Even when YouTube does everything right, it's still somehow a screw job.
Thank you for reading this Techdirt post. With so many things competing for everyone’s attention these days, we really appreciate you giving us your time. We work hard every day to put quality content out there for our community.
Techdirt is one of the few remaining truly independent media outlets. We do not have a giant corporation behind us, and we rely heavily on our community to support us, in an age when advertisers are increasingly uninterested in sponsoring small, independent sites — especially a site like ours that is unwilling to pull punches in its reporting and analysis.
While other websites have resorted to paywalls, registration requirements, and increasingly annoying/intrusive advertising, we have always kept Techdirt open and available to anyone. But in order to continue doing so, we need your support. We offer a variety of ways for our readers to support us, from direct donations to special subscriptions and cool merchandise — and every little bit helps. Thank you.
–The Techdirt Team
Reader Comments
Subscribe: RSS
View by: Time | Thread
What they want
[ link to this | view in chronology ]
Re: What they want
[ link to this | view in chronology ]
Re: What they want
[ link to this | view in chronology ]
Re: Re: What they want
Sometimes, but not in this case.
This time, it's driven by media companies who are used to demanding money from everyone who has any connection to content whatsoever. The whole "anti-Google" sentiment is merely a smokescreen designed to force Google to pay them money.
Whether they actually deserve money for anything Google is doing is completely immaterial to them.
The sad part is when artists actually buy this bullshit. Fortunately most artists don't.
[ link to this | view in chronology ]
It's phrasing that support's YouTube's view of the universe that users don't really do wrong, they just didn't know. You know, the guys who post stuff with "not mine, belongs to these people" but post it anyway - like that like fixes everything.
It's a subtle suckup to Generation-free.
[ link to this | view in chronology ]
Re:
How about "This content was taken down at the request of UMG. Don't bother looking for it elsewhere they will not replace it here is some good free music LINK."
[ link to this | view in chronology ]
Re: Re:
Why name the rights holder? They want the thing down, they don't want their name in lights.
[ link to this | view in chronology ]
Re: Re: Re:
[ link to this | view in chronology ]
Re: Re: Re: Re:
[ link to this | view in chronology ]
Re: Re: Re:
The other reason the takedown party is listed is because, sometimes, in rare cases, the takedown isn't legit. Sometimes it's just a clerical error. Or maliciousness. Or a faulty algorithm. This way interested parties can contact the party listed if they feel the takedown is in error. Again, this is a rare occurrence, one that has only happened a handful of times. Like here, for example. And here. And here. And here. Oh, there's also this one. And this other time. Another rarity. Once-in-a-lifetime experience. Well below the expected margin of error. Nothing to see here either. Anomaly. Freak accident. Outlier. In short, it's a handy way to tell at a glance who took the video down and decide whether or not the takedown might be in error.
[ link to this | view in chronology ]
Re: Re: Re: Re:
Also, all of that paragraph explains a very small percentage of DMCA complaints received. Do you think we should stop things for a 1 or 2% error rate? We can ask surgeons to stop operating too on that basis. Stop driving your car too!
[ link to this | view in chronology ]
Re: Re: Re: Re: Re:
Care to back up that "1 or 2% error rate"? Just because someone takes down content doesn't mean the content was infringing to begin with; it just means someone was scared enough to take something down without the risk of a lawsuit.
[ link to this | view in chronology ]
Re: Re: Re: Re: Re:
According to Google's own reports more than half of all DMCA's are either faulty or downright improper.
How about terminating a system that doesn't work the majority of the time?
[ link to this | view in chronology ]
Re: Re: Re: Re: Re:
Have a read of that wonderful comment. DMCA is being abused so much that it's possible to argue based on studies of the data (not just your made up number) that correct usage of DMCA take down requests is actually in the minority.
At which do you stop asking a doctor to operate or demand a recall of cars due to faults?
[ link to this | view in chronology ]
But you think accusing people of illegal activities without any proof at all is a good thing???
The statement that the video was removed because of a request by XXXXX is fully factual. Why do you think that's a bad thing? Why would XXXXX be ashamed of "protecting his or her precious IP???
I think you have the whole concept here backwards.
[ link to this | view in chronology ]
Re: Re: Re:
[ link to this | view in chronology ]
Re: Re: Re:
[ link to this | view in chronology ]
Who did what?
It has not been proven that user XXXXXX was the one who uploaded anything and, obviously, it isn't proven that they did anything wrong, so posting their name is just a bad idea.
Also, unless they were the author of the takedown request, the copyright holder hasn't done anything. Why include their name at all?
I don't see anything wrong with exactly what YouTube is doing, stating specifically what happened -- and not including anything unproven.
[ link to this | view in chronology ]
Re: Re: Re:
Just because a takedown was issued doesn't mean it's legitimate. There are many many cases where the promotions department and the legal department apparently weren't comparing notes.
[ link to this | view in chronology ]
Re: Re: Re: Re:
[ link to this | view in chronology ]
Re: Re: Re: Re: Re:
[ link to this | view in chronology ]
Re: Re: Re: Re: Re: Re:
[ link to this | view in chronology ]
Re: Re: Re:
You can argue all you want about semantics, because your post is nothing but bullshit. If they could get the license to upload it, it doesn't matter, because you can't check that sort of inane thing, or at least Youtube cannot. If it tried, it would cost even more money than it earns, just due to how railroaded the permission system is and how impossible it is to even get al icense to parody something.
They want it down, so be it, but they're going to get their name on it because it's required, by law and by common sense. Otherwise, users have no way to counter-claim, and surprise, they have rights too.
Why are you complaining about this? No really, why? They're not apologizing. They're saying 'sorry' to anyone who wanted to view the content but didn't get to because of a copyright takedown. All it does is hurt the consumers; do you think it actually hurts the companies issuing the takedown? Lord no. It doesn't hurt the artists, either.
So again, I ask: why do you care about the wording? Why does anyone care about the bloody wording?
[ link to this | view in chronology ]
Re: Re: Re: Re:
I think that's the problem there. Lots of people equate saying sorry to apologizing, even though the word sorry isn't exclusive or restricted to that.
As an FYI to others: sorry is also used to denote sadness over something. It just depends on context.
Ah, the age of political correctness we live in...
[ link to this | view in chronology ]
Re: Re: Re:
A simple "This video is no longer available" is entirely sufficient.
[ link to this | view in chronology ]
Re: Re: Re: Re:
Because the supposed "rights holder" may not be the rights holder, as in this case of Scripps News Service forcing removal of NASA's Mars probe footage...
http://www.techdirt.com/articles/20120806/11053019945/curiositys-mars-landing-video-disa ppears-youtube-due-to-bogus-copyright-claim.shtml
[ link to this | view in chronology ]
Re: Re: Re: Re: Re:
[ link to this | view in chronology ]
Re: Re: Re: Re: Re: Re:
[ link to this | view in chronology ]
Re: Re: Re: Re: Re: Re: Re:
[ link to this | view in chronology ]
Re: Re: Re: Re: Re: Re: Re: Re:
[ link to this | view in chronology ]
Re: Re: Re: Re: Re: Re: Re: Re:
[ link to this | view in chronology ]
Re: Re: Re: Re: Re: Re: Re: Re: Re:
[ link to this | view in chronology ]
Re: Re: Re: Re: Re: Re: Re: Re: Re: Re:
[ link to this | view in chronology ]
Re: Re: Re: Re: Re: Re:
[ link to this | view in chronology ]
Re: Re: Re:
[ link to this | view in chronology ]
Re: Re: Re:
[ link to this | view in chronology ]
Re: Re: Re: Re:
[ link to this | view in chronology ]
Re: Re: Re: Re:
The "stealing' meme has become a weird badge of honor, like posting the N word or "porch money" etc. etc. on an Obama thread. This guy is proud he doesn't understand or care about the topic. His only goal is to be hateful and creepy.
Which is fine, but ...
... how does it sell mp3s?
[ link to this | view in chronology ]
Re: Re: Re:
[ link to this | view in chronology ]
Re: Re: Re: Re:
Yes, on purpose. He didn't come here to read or even debate.
[ link to this | view in chronology ]
Re: Re: Re: Re:
[ link to this | view in chronology ]
Re: Re: Re:
Why would they say that when they don't even know if that's true? What they do say is at least factually accurate.
[ link to this | view in chronology ]
Re: Re: Re:
IP is not a right, it's a privilege.
" They want the thing down, they don't want their name in lights."
I want the government to give me a billion dollars!!! WAH WAH WAH!!!
Too bad.
Your comment is more reason to abolish IP laws. You keep making these laws about the interests of privilege holders and not about the public interest. ABOLISH IP!!! GET RID OF IT!!!!
IP shouldn't exist to serve the interests of the privilege holder, it should only exist to serve the public interest. Consequently, the public has an interest in knowing who is responsible for removing content.
[ link to this | view in chronology ]
Re: Re: Re: Re:
IP should not be about what the IP holder wants. It should only consider the public interest and what the public wants. Stop making IP about what the IP holder wants because doing so gives more reason to abolish these laws.
[ link to this | view in chronology ]
Re: Re: Re:
Because they don't want to grant permission?
[ link to this | view in chronology ]
Re: Re:
[ link to this | view in chronology ]
Re: WTF?
You can read whatever intention you want into a few words on a screen. That doesn't mean that was the actual intention behind those words.
You can believe in your amazing "mind reading" abilities but those words don't "mean" what you pretend they mean.
The message, "Sorry, the content you asked for isn't available because..." is not some secret, coded message to pirates.
[ link to this | view in chronology ]
Re:
Just because some loony can write a takedown notice, that doesn't mean that he is right. Also, just because some Nutcase had his video taken down by said takedown notice, that doesn't mean that he is wrong.
These are things that is not up to Youtube to decide. Only a judge can determine who is right or wrong.
What Youtube can do (and does) is simply state the facts: Loony A has requested a take down of a video uploaded by Nutcase B, and we complied, under the terms of the DMCA. No more, no less.
It takes someone who is both a Nutcase and a Loony to misinterpret that as some sort of evil game being played by Youtube.
[ link to this | view in chronology ]
Re:
As for the users, the uploaders might be violating copyright law but the viewers are not. So, they get the apology. Making a copy of a copyrighted work may be a civil offense but receiving or viewing one is as legal as breathing.
[ link to this | view in chronology ]
Re:
[ link to this | view in chronology ]
Re:
Actually, boy, they do it so that those who indulge in copyfraud (and there's a LOT of those) or honestly request a vid that doesn't belong to them (because of a similar title or someesuch) can be contacted.
Do you look under the bed for muggers before going to sleep?
[ link to this | view in chronology ]
Re:
[ link to this | view in chronology ]
Re:
[ link to this | view in chronology ]
Re:
No, it's phrasing that support's YouTube's view of the universe that users should benefit from the presumption of innocence. Until there's a guilty party the content is being taken down at the request of 'big bad bully' sorry about that.
[ link to this | view in chronology ]
Re:
And how is it that you don't understand that that is EXACTLY what has happened?
[ link to this | view in chronology ]
Re:
Then who's fault is it that the video was taken down? Who's fault is it that the video is not freely allowed to be viewed on Youtube.
" but makes it sound like "big bad bully" made them take it down."
Those are your words, not Youtube's. If taking down a video isn't so wrong then why should the IP privilege holder not want to be named? Why is the privilege holder so afraid of being named if he or she is not doing anything wrong? He should man up and stand by his decisions. and if the public deems the takedown itself immoral then who are you to decide for the public what constitutes moral behavior. Nobody you dumb loser.
"It's a subtle suckup to Generation-free."
This comment is more reason for IP laws to be abolished. IP laws should not exist to counter the propagation of free content. It should only exist to serve a public interest. Abolish IP!!!!
[ link to this | view in chronology ]
Re: Re:
[ link to this | view in chronology ]
[ link to this | view in chronology ]
Re:
[ link to this | view in chronology ]
[ link to this | view in chronology ]
Re:
[ link to this | view in chronology ]
[ link to this | view in chronology ]
Malice or stupidity?
[ link to this | view in chronology ]
Re: Malice or stupidity?
[ link to this | view in chronology ]
Re: Re: Malice or stupidity?
[ link to this | view in chronology ]
Re: Re: Malice or stupidity?
"But that doesn't..."
THE GOOD ONES STAY UP OR YOU HATE THE ARTISTS!
[ link to this | view in chronology ]
Re: Malice or stupidity?
[ link to this | view in chronology ]
It's easy: Start with the conclusion you want, then work your way back to a premise. Sometimes, it's a long and winding road, but if you're sufficiently motivated, you'll get there eventually.
[ link to this | view in chronology ]
Re:
"Character A is bad! Thing B, which is bad, happened! Character A caused Thing B to happen just by existing! We'll figure out how to get there later!"
[ link to this | view in chronology ]
Re: Re:
[ link to this | view in chronology ]
Illegitimate requests
According to a 2009 study conducted by Google, 57% of DMCA takedown requests--which are supposed to be used only to fight piracy--are instead made by businesses directly targeting their competition, as a form of sabotage. And 37% of requests do not represent a valid copyright claim. Depending on how much overlap there may be between these two categories, that suggests that potentially as few as 6% of all takedown requests are legitimate attempts to stop piracy!
This is a horrifying statistic. We tolerate limited amounts of abuse from useful tools because they are generally useful. For example, some drivers in rare cases use their cars as a weapon to assault or murder people, but for the most part they are used to help improve people's lives by providing personal transportation, so we encourage automobile ownership and attempt to use the legal system to minimize vehicular assault. Now imagine a car that was used 94% of the time not for transportation, but for the sole purpose of running people down. We would say, quite rightfully, that this is not a useful tool at all, but a menace to our society, and we would be justified in using the full force of law and legislature to suppress it!
And yet no one is talking about this. The DMCA takedown process is thoroughly corrupt and evil, and no one is denouncing it. Why is that?
[ link to this | view in chronology ]
Re: Illegitimate requests
Small correction: Though Google quoted the study, it was neither conducted by them, nor funded by them. It was a study conducted by Jennifer Urban of USC, and Laura Quilter of UC Berkeley, called Efficient Process or “Chilling Effects”? (the link is to a PDF of the summary report).
[ link to this | view in chronology ]
Spread the word, people. Copy and paste this article as much as you can, on as many sites as you can. I love the concept of Youtube, but hate the fact that, as a defensive measure, it became a trigger happy censoring maniac. However, Youtube isn't to blame for that. They were in a way forced into it, through threats of lawsuits. At their own expense, they developed ContentID, which is something that goes far beyond the requirements of copyright law.
And yet, this is what they get in return. The very people who demand that Youtube police their site at Youtube's expense are now saying...that Youtube is evil.
bob...where are you? I'd love to see you spin this into yet another Big Search rant. Oh, and you never did answer my question of "Why are you so happy that Jammie Thomas faces lifelong economic slavery to the RIAA for sharing a few songs?"
[ link to this | view in chronology ]
Actually, all of this highlights why the anonymous or near anonymous postings on YouTube are a real problem, because it leaves nobody to answer DMCA complaints.
You cannot hide behind a law on one side, and then fail to do your part of the job. Anonymous postings should always be removed by even the weakest of DMCA complaints, as they still have way more standing than a disposable e-mail accounts upload.
[ link to this | view in chronology ]
Re:
[ link to this | view in chronology ]
Re: Re:
Um... OK AC.
[ link to this | view in chronology ]
Re: Re: Re:
Its less funny after explaining it. sadface
[ link to this | view in chronology ]
Re: Re: Re: Re:
[ link to this | view in chronology ]
Re: Re:
[ link to this | view in chronology ]
Re:
Says the anonymous poster. Face-palm.
[ link to this | view in chronology ]
Re:
[ link to this | view in chronology ]
Re:
Take Blizzard's RealID situation and turn it up to eleven in Youtube format. You see all those inane commentators? They can find out your place of residence and more just from a cursory glance at google or, if you're in the business of hating google so much you refuse to use google for some raison, blink or ask.com. Just like that and bam, they can find you.
In fact, one of the main reasons it was never implemented is because someone found out where another anonymous person lived just by his name, found out his phone number, all of it. It's real fucking easy. That's the benefit of anonymous posting; you don't have as much of a security worry with it, and there's literally nothing wrong with that system whatsoever.
The irony, of course, is that you're posting Anonymously and I'm not, yet I argue that Anonymous posting is the most beneficial. Either way, it's only a problem in how stupid people will be on youtube. Otherwise, it really really isn't and you overexagerate the problem -and- make a horrendous conclusion that no one with a thinking brain would use, because it's a real fucking stupid way of implementing the law.
[ link to this | view in chronology ]
Re: Re:
To be fair, you're just as anonymous as he is. You're just accountable for what you've said in the past.
Side note: I've "upgraded" by Youtube account to use my real name. I ain't skeerd.
[ link to this | view in chronology ]
Re:
/silly
[ link to this | view in chronology ]
Re:
All postings, both named and anonymous, are always removed by even the weakest of DMCA complaints by the way. In fact there's no conception or ability for a content host to judge the strength of a DMCA notice, they're all maximum strength according the law.
[ link to this | view in chronology ]
It's rare when Slashdot scoops Techdirt on this topic.
http://science.slashdot.org/story/12/08/06/1613211/nasas-own-video-of-curiosity-landin g-crashes-into-a-dmca-takedown
[ link to this | view in chronology ]
I'm with the firm belief the band didn't use their own name because they know people will get upset over the video taken down and it's always better to shield the hate with a faceless corporation.
Personally, I think YouTube should put down every copyright holder who owns the rights to the takedown.
This way, bands will think twice before allowing their corporations speak on their (supposed) behalf.
[ link to this | view in chronology ]
Re:
[ link to this | view in chronology ]
Re:
Silly you. The band has no say how their content gets used, the labels own them/it.
So even if the band, ya know the ppl the labels claim they care so much about, wanted the exposure the label still has it taken down.
[ link to this | view in chronology ]
[ link to this | view in chronology ]
Re:
[ link to this | view in chronology ]
DCMA bots take down NASA's own videos
NASA's own videos from NASA's own YouTube channel of the Curiosity were taken down from the DCMA bots.
Those that remove legitimate content should be HEAVILY fined out of existence.
[ link to this | view in chronology ]
Re: DCMA bots take down NASA's own videos
[ link to this | view in chronology ]
[ link to this | view in chronology ]
[ link to this | view in chronology ]
In search of...
[ link to this | view in chronology ]
Also
http://science.slashdot.org/story/12/08/06/1613211/nasas-own-video-of-curiosity-landing-cras hes-into-a-dmca-takedown
[ link to this | view in chronology ]
So the common sense reaction isn't going to be the for the users of youtube. It's all focused on the pirating minority. Who cares what the user experience is for the legit users.
[ link to this | view in chronology ]
Bee's average speed is between 12-15 mph
[ link to this | view in chronology ]
Nice strategy.
Certainly arrogance is quite becoming of them, real attractive feature right there. Let's just all start inconveniencing everybody and not apologize for it! I mean, nothing bad could possibly happen to anyone as a result of being a complete and total asshole.
[ link to this | view in chronology ]
[ link to this | view in chronology ]
Elementary.
Assuming top flight speed for a honey bee is 12 - 15 mi/h (www.houstonbeekeepers.org/ahbfaqs.htm) and the average may be represented as 13.5 mi/h;
Assuming the rate of deceleration is, literally as stated, inverse to the grade of 17%, and may be assumed to be in miles per hour squared;
We have:
10 AM - 11 AM: 3 mi/h
11 AM - 12 PM: 3.25 mi/h
12 PM - 1 PM: 3.5 mi/h
1 PM - 2 PM: 3.75 mi/h
2 PM - 3 PM: 4 mi/h
After 3 PM, the velocity in mi/h may be represented as v = 4 mi/h - (1/0.17) mi/h^2 * t, where t is the fraction of the hour since 3 PM.
Using v = 3.375 from (0.25 * 13.5 mi/h), we have:
3.375 = 4 mi/h - 5.882 mi/h^2 * t
t = (4 - 3.375) mi/h / 5.882 mi/h^2
t = 0.10625 h
This decimal is equal to 6 minutes, 22.5 seconds. Thus the answer is 3:06:22.5 PM.
[ link to this | view in chronology ]
Re: Elementary.
[ link to this | view in chronology ]
Re: Elementary.
I just made that thing up as I went along. There's no way there should actually be solution. And yet, there is.
When you go home tonight, there's going to be another story on your house. Use it to store all the internets you have just won.
[ link to this | view in chronology ]
Re: Elementary.
[ link to this | view in chronology ]
Re: Re: Elementary.
[ link to this | view in chronology ]
Re: Elementary.
From the ahem elementary physics formulae at:
wikipedia.org/wiki/Equations_of_motion
I remind myself of:
v=at+u
Final Velocity equals Acceleration multiplied-by Time plus Initial Velocity
so to re-arrange the formula to obtain t...
at=(v-u)
t=(v-u)/a
plug in the numbers...
t=(3.375-3)/0.25
t=0.375/0.25
t=1.5 or 1hr 30 mins
11am + 1hr 30 = 12.30 am
[ link to this | view in chronology ]
Re: Re: Elementary.
[ link to this | view in chronology ]
Re: Re: Elementary.
[ link to this | view in chronology ]
Re: Re: Re: Elementary.
[ link to this | view in chronology ]
Re: Re: Re: Re: Elementary.
With that said, in the natural world, your answer is, of course, correct.
[ link to this | view in chronology ]
[ link to this | view in chronology ]
I'm surprised no one else commented on this...
1. Band embeds YouTube video on its website.
2. Band visits their own site, sees video was taken down.
3. Band complains.
So either:
A. Band embedded an illegal video on their own site, or
B. Band issued a takedown notice on their own legitimate video!
Which it is, vomit launchers?
[ link to this | view in chronology ]
I assume you meant murder-suicide, too. Which reminds me something one of my friends used to say:
(pointing gun at his own head) What are you laughing at? You're next!
[ link to this | view in chronology ]
Re:
[ link to this | view in chronology ]
Well, I don't care what artists think either. And by "artists", we both mean "Chris Castle".
[ link to this | view in chronology ]
'Cause I don't know about you, but right now I feel like I want to track this guy down and choke the crap out of him.
[ link to this | view in chronology ]
I find it houmorous
I find it interesting that groups DONT USE locations like this to FIND there favorites/new people/others to enjoy their music.
Create a page and Gather up all the music into THEIR OWN page.
I hope you understand that bands/groups make more money at a LIVE performance then on most labels.
That MOST performances cant handle more then 10-14,000 people in the audience. Then(even before) you could add access to TV or recordings of the show. AND add Millions of watchers. but the DIE hards want to BE THERE.
TV dont really PAY the groups that Watch from the TV. they only Give access to an event. OVER and OVER and OVER, is how TV makes the money.
But there are FEW if any location you could get ALL the people that LIKE your group/band/event in 1 place.
So, why not use the NET. USe it for LIVE and later watching..but GATHER UP all the post, and SHOW them from your own group location on the net. You can gather TONS of info from it. You can even advert your NEXT gig and have MORE people show up. YOU CAN even direct sell your tickets. And jump over all the 2nd-3rd-4th party Charges ON THE TICKETS. Insted of a $200, without the OTHER charges you could Probably get it down to $50-100..
Yes, you have to do math. but WHY deal with all the MIDDLE men, when you can go DIRECT to the customer.
[ link to this | view in chronology ]
Re: I find it houmorous
Think of a video game with psychological Parameters.
To set up situations that require you to do certain things, certain ways to get Certain abilities.
What would a person DO??
you have the WORLD as a Genny pig..
think about it..
You have a GROUP where you can ask and SEE all the things you can create an event for.
You give them FREE play and make a Good game, and then you can get TONS of data.
WHY restrict things.
[ link to this | view in chronology ]
[ link to this | view in chronology ]
Sad news
Larry Crane produced Elliott Smith and other great Pacific Northwest artists back in the day. I would feel bad if he went the Adam Ant route in his middle age. But it happens to the best of us, I guess.
[ link to this | view in chronology ]
Sad news
Larry Crane produced Elliott Smith and other great Pacific Northwest artists back in the day. I would feel bad if he went the Adam Ant route in his middle age. But it happens to the best of us, I guess.
[ link to this | view in chronology ]
YouTube
My only regret is that YouTube doesn't have a time limit for how long the "takedown" message and linked video actually remains in their online graveyard.
As an independent artist, who has witnessed many "bootleg" videos of my songs, (you know the ones with the album cover representing the audio for easy downloading). I have in fact taken down quite a few myself, and have no problem with YouTube displaying the fact that myself, or my company Psyche Enterprises is responsible for removing the video. I just wish that after, say 3 months the videos of "non-Content" would just disappear. I also wish that the mentality of the general public could be educated in a better fashion as they must realize that posting such "fan videos" with a picture of my album cover and a song are not necessarily helping "promote" my music, as I have my own adequate videos that they could just as easily link to for this purpose. So that's my 0,00002 cents worth from my monetized videos for you all.
[ link to this | view in chronology ]
Re: YouTube
Further, I feel like some details are left out of your situation: Why would someone re-post a video you've already put up? Or, by "adequate videos", do you mean "videos of different songs than the one uploaded by the fan"?
The point I'm getting at is that these people are your fans, and clearly they want something that you're not giving them. Instead of treating them like criminals, why don't you just upload the songs they want to youtube?
[ link to this | view in chronology ]
Re: YouTube
[ link to this | view in chronology ]
Re: YouTube
To be honest the only reason I can only think of for you to want the notices to expire is that you don't want a list of songs your fans want to hear on youtube but which you are not providing on your account. I can see why from a image stand point that you don't want take down notices being only results for songs you provide. I am of course presuming that "adequate videos" does not include every song you've issued a take down for.
As for educating your fans that this not the best form of promotion for you make it seem to me that you are misunderstanding their motives. "What can I do to best promote the artist I like" is not what drives some one to upload a track. "I want to share this song and artists because I like them" seems more likely. That sharing does act as promotion for you but how efficient that promotion is or isn't in your view is not really a factor in their uploading. So telling them "this does not promote me in the best way" is unlikely to change anything except make your fans think that you see them and them sharing your music purely in terms of how it benefits you. Which is not really the best way to connect with your fan base.
Now to be fair I will explain that I'm some one who firmly believes that musicians are best off providing their music freely while selling it to those who want to support you. I'm following this advice with my own band and my own music and I've been actively trying to promote this idea to other bands and musicians I know who are far more successful than I am.
So I am coming at this from a bias point of view, I just think you are making the mistake of over estimating the damage these videos are doing to you. If fans are going to keep upload these videos why not provide exactly what they want on your own page? If it's going to happen anyway you may as well be collecting the ad money for it.
[ link to this | view in chronology ]
Re: YouTube
I find music on youtube and then get it from somewhere else in better quality (spare me the fallacies on "somewhere else"). If "somewhere else" is a internet store or even your own homepage with paypal option, by logic vested in me the music track on youtube is promotion. If I torrent some music from your label (If I found any) and I really like it - I'll send you money (well, I'd just try to buy it somewhere) and I'll promote your music through social media and my own social (non-digital) life.
Now lets go back to your "blacking out that bootleg video because people download music from youtube" argument - in the time this video was blacked out a lot of people did not hear your music and therefore did not care at all. There's a lot of good music to find and we (general public you'd like "educated") don't need yours.
And explain this to me - if you have your own video with identical music - what is stopping youtube audio rippers from ripping your video? Your writing kinda sounds like ye olde gatekeeper mentality of CONTROL.
[ link to this | view in chronology ]
[ link to this | view in chronology ]
Here is the likely chain of events that provoked this:
1. Artist makes video.
2. Artist uploads video to YouTube servers.
3. YouTube places an embedded link to the video on YouTube.com.
4. Artist embeds video on his own site.
5. Someone else places an embedded link (an embed) to the video on a site.
6. Artist sees this and mistakes the link for a copy.
7. Artist sends DMCA notice to YouTube.
8. All embedded links to the video, including the one on artists own site, displays the DMCA takedown notice.
So want did he want that he did not want to pay for? Well, YouTube is not a free service. You pay for storage and bandwidth by allowing YouTube to show the video to anyone, though embedded links, on YouTube.com and on other sites.
The artist in question wanted free hosting without paying the price for it. In essence, he wanted YouTube to forbid all linking to his video. Which they did. Oops.
[ link to this | view in chronology ]