How That Monkey Selfie Reveals The Dangerous Belief That Every Bit Of Culture Must Be 'Owned'
from the no-monkeying-around dept
As we wrote yesterday, the infamous monkey selfie has returned to the news, thanks mostly to Wikimedia's new transparency report, which discusses the supposed copyright claim over the following monkey selfie:However, since a major newspaper (falsely) wrote that Wikipedia had decided the monkey holds the copyright, the whole thing went viral all over again. All over Twitter I saw people claiming that the monkey held the copyright. Unfortunately, this is somewhat pernicious, starting with the Telegraph reporter, Matthew Sparkes, who made the false claim. As Sherwin Siy notes in a very good post, it's very troubling that people now come to automatically believe that someone has to hold the copyright on a photograph. That's just not true:
The claim isn’t that monkeys have IP rights—it’s that no one owns the copyright in the photo. A lot of people seem to take issue with this, insisting that, if the monkey doesn’t own the copyright, the photographer must—that someone has to own a copyright in the photo.I think a big part of the problem here is that we've been trained incorrectly to believe that everything new must be covered by copyright. This is part of the most pernicious aspects of copyright maximalism today -- the idea that everything is covered by copyright. Only a few decades ago, nearly all created works were not covered by copyright and were public domain, free to be shared. It was only with the 1976 Copyright Act that the US switched from an "opt-in" policy to a "nearly everything is covered" policy, leading many people to (wrongly) believe that with any photo someone must hold the copyright.
But that just isn’t true.
This is the definition of the public domain—things that are not protected by copyright. We’re used to thinking of the public domain as consisting of things that were in copyright and then aged out of it after a length of time, but that’s just a part of it. There’s also works created by the federal government, and things that simply can’t be protected—like ideas, methods of operation, or discoveries.
That's a dangerous assumption for culture, highlighted by the fact that so many people default to insisting that someone must hold the copyright over this photo.
Meanwhile, for an even more amusing take on all of this, don't miss Sarah Jeong's defense of monkey copyrights satirical post:
It’s hard enough to eke out a living as an artist without the Copyright Office butting in and claiming it is literally impossible for you to own copyrights, just because you’re a monkey. What on earth is this “Copyright Office”, anyways? What right do they have to say whether a monkey’s work is worthy of copyright or not?That's only a snippet. The whole thing is well worth a read.
According to Slater’s own account, the Indonesian macaques were “already posing for the camera” when one of them started taking photos. Not all of them were good – as it turns out, some monkeys are much better photographers than other monkeys. The “monkey selfie” in question is a diamond in the mud: a truly remarkable portrait, perfectly focused and strategically positioned to capture a mischievous yet vulnerable smile. If that macaque had an Instagram account she’d have, like, a million followers.
But she doesn’t, and the sorry state of our copyright law – as interpreted by the Copyright Office and exploited by Wikipedia – is to blame. Due to the backwards treatment of animal creators everywhere, monkey art (and monkey photography in particular) continues to languish. How is an aspiring monkey photographer supposed to make it if she can’t stop the rampant internet piracy of monkey works?
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Filed Under: copyright, monkey, ownership, public domain, selfie
Reader Comments
The First Word
“Re: And who owns the copyright on nature?
Now THERE'S a blast from the past.This statement really shows what has happened.
Once upon a time, England, France, Spain and the Netherlands decided to divvy up the world's real estate between them -- or at least the parts not settled by "civilized" people, as "somebody has to own the land."
They eventually stumbled upon North America, where for the most part, the land was considered a public resource, to be used by all. These countries set up treaties with peoples who had no concept of "real estate" and effectively claimed most of the land. Yet the peoples who already lived there continued to treat the land as a common resource and regularly "poached" and cut down fences.
Eventually these people were herded onto reserves, where they could use their "common resources" within the confines of defined boundaries. Or, they could leave the reserve and join the property maximalists who now owned most of the real estate.
Sound familiar?
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There's a tremendous difference between the two.
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This one worked just fine - and the copyright maximalists have been working on improving it ever since.
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Well, they don't - if the goal of those campaigns is to stop people from engaging in piracy.
It is true that such campaigns may work in indoctrinating people into believing in "ownership culture." (Especially if that campaign is target towards government officials.)
But the ultimate effect is not that people view piracy as "stealing" or "morally wrong." They may be coerced into believing in "ownership culture." They just don't care.
A belief in "ownership culture" that goes against human nature doesn't change human nature. It merely convinces people not to give a rat's ass about "ownership."
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And who owns the copyright on nature?
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Re: And who owns the copyright on nature?
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Re: Re: And who owns the copyright on nature?
If something is of value to human culture, it must be owned by the being that created it.
Therefore, there must be a God, otherwise the picture would be owned by nobody. QED.
It's called the "IP-leological Argument." I think it was first proposed by Thomas Aquinas in his "Summa IPologica" (c. 1274). It's been making a resurgence lately due to proponents of "Intelligent Design Patents."
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Re: And who owns the copyright on nature?
This statement really shows what has happened.
Once upon a time, England, France, Spain and the Netherlands decided to divvy up the world's real estate between them -- or at least the parts not settled by "civilized" people, as "somebody has to own the land."
They eventually stumbled upon North America, where for the most part, the land was considered a public resource, to be used by all. These countries set up treaties with peoples who had no concept of "real estate" and effectively claimed most of the land. Yet the peoples who already lived there continued to treat the land as a common resource and regularly "poached" and cut down fences.
Eventually these people were herded onto reserves, where they could use their "common resources" within the confines of defined boundaries. Or, they could leave the reserve and join the property maximalists who now owned most of the real estate.
Sound familiar?
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A very dangerous assumption, for sure.
We even had a commenter on the first story this week who proclaimed themselves a "former professional photographer" who claimed that "Everything of even theoretical value has to belong to SOMEONE...".
https://www.techdirt.com/articles/20140806/07044228126/photographer-still-insisting-he-h olds-copyright-photo-monkey-threatens-to-sue-wikimedia.shtml#c1499"
Apparently, in this person's head, everything in the Public Domain has no value, even theoretical.
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Of course!
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Here is that comment.
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Response to: Gwiz on Aug 7th, 2014 @ 11:32am
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Re: Response to: Gwiz on Aug 7th, 2014 @ 11:32am
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Nope. He quite literally said, “has”:
Even things that have no value can be owned.
No one said otherwise. Even if it were true that everything of value must be owned, it does not follow that items of no value cannot be owned.
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Who owns the Theorem of Pythagoras?
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Pure semantics. Logically, something that is owned by everyone is owned by no one.
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If there is no functional difference, then it is pure semantics.
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In contrast, "everyone owns it" is universally inclusive and everyone can use of it. Example: The park belongs to everyone. Content is an even stronger example of "everyone owns it", because not only is the ownership universally exclusive, it is universally accessible. Everyone possesses the whole without diminishing others from possessing it.
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I'll of course dedicate it to the public domain upon confirmation of my receipt of copyright. CC0 FTW.
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My apologies then.
Out of curiosity, which parts are the mostly sarcasm parts?
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The monkey trail
If news outlets are licensing the photo(s) for reporting on this controversy itself, I wouldn't be surprised if the photographer has made more money on the controversy than otherwise.
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Re: The monkey trail
The photographer is no doubt getting more attention, but I've see no evidence it was gotten him any money. That's kind of the point of all the hub bub.
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How about this?
If value is determined by ownership, then everyone owning something must be really damn valuable.
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Re: How about this?
But that's communism!
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Perhaps we should allow monkeys to hold copyrights...
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Re: Perhaps we should allow monkeys to hold copyrights...
I have no objections to monkeys holding each other.
But if you meant "more copyrights need to be held by monkeys", then you miss the entire point of the article, which is that just because there is a picture, it does not mean that there has to BE a copyright.
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Re: Re: Re: Re: Perhaps we should allow monkeys to hold copyrights...
How about being the brother of the natural parent of the monkey?
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Nicely played, Richard.
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Re: Re: Re: Perhaps we should allow monkeys to hold copyrights...
Oh wait. I just realized that I insulted the poor starving money.
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Re: Re: Re: Re: Perhaps we should allow monkeys to hold copyrights...
Spending a prolonged period with the monkey is less likely to leave you with the feeling that you've been doused in slime and just wasted your time talking to someone incapable of realizing that there are other people out there, and that they matter too.
The monkey is also much less likely to fling crap at people that anger and annoy them.
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Re: Perhaps we should allow monkeys to hold copyrights...
Can someone please upload this to redtube?
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Track Record
This is a no brainer guys. The photographer owns the photo. You can argue all you want about what you think will or should happen, but it won't change the fact that you're pulling opinions from the sky and seriously reaching for an outcome that won't happen.
Just in the first few comments alone are several simply incorrect statements written as fact. Someone saying that the photographer is getting licensing from news outlet for example show just how half informed many of you are.
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Re: Track Record
He owns the physical photo, but can he really be considered the author? He didn't have the idea for that particular photo (it was an accident) and he did not even originally fix it in a medium (the monkey did.)
So under what legal theory can he be considered the author? Because he cropped the photo (and would that imply he doesn't have a copyright on the uncropped photo?) Because he selected particular photos from the large number the monkey took (and would that imply that he doesn't have the copyright on any unselected photos?) Because he happened to set the camera down with no intent for the monkeys to take those pictures (and would that imply that if some other person had touched the camera in between, they would have the copyright instead?) Because he owns the camera (and would that imply that you don't have copyright on a photo you take if the camera is borrowed?) Please tell me, what makes him an author here?
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Re: Re: Track Record
It could be considered a work for hire... :)
The Aereo decision was 6-3. I don't think that you can discount a position that 3 Supreme Court justices took as frivolous and clearly wrong.
This is true, but in a democracy their objections are noted by over ruled by the majority, who interpret the law and the situation differently.
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Of course there is a threshold for authorship. I'm not sure why you think there isn't. The threshold has mostly been explored in cases involving co-authorship, but it's still there.
Authorship is not a matter of who did the most. There can be many authors for the same work, or one, or zero. In this case, the photographer's contribution to the photo was simply setting the camera down. That's not enough to be an author. Unless you think that an assistant who picks up the camera and hands it to a photographer should also be considered a co-author.
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Re: Re: Re: Re: Track Record
The problem with your last statement is that there is a threshold to prove authorship. Like thousands and thousands of hours of legal precedent jargon fun-time reading.
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There is no "chapter 2" of the 1976 Act itself, so far as I can determine.
There is, however, a chapter 2 of 17 USC, entitled Copyright Ownership and Transfer. It mentions nothing about a threshold of originality.
You are probably thinking of 17 USC 102, Subject matter of copyright: In general, which states that "Copyright protection subsists, in accordance with this title, in original works of authorship..."
The threshold for originality is mostly formed by case law. See e.g. Feist Publications v. Rural Telephone Service, Bridgeman Art Library v. Corel Corp, or Meshwerks v. Toyota Motor Sales.
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Re: Re: Re: Track Record
There's a saying, "What is popular is not always right, and what is right is not always popular."
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Re: Re: Track Record
Okay I'll make the argument for why the photographer owns the photo in three minutes.
In the world of content creation, the person who does the work (snaps the photos, designs the content, whatever) does not always automatically own the the copyright. Depending on who owns the equipment and who is paying the money often determines who has claim to copyright if it ever goes to court. For example, if I shoot a photo for TechDirt and TechDirt pays me and also owns the camera, they (generally) own the copyright. But (generally) I could still use it for self promotion.
If in some alternate universe a court ruled that an animal could claim copyright (which isn't going to happen), that doesn't necessarily mean that the animal automatically owns it. In this hypothetical situation, it would be argued that because the photographer provided the equipment, he or she is the true owner of the photo. This would actually be true if we were talking about two humans. The person or object who hit the button is irrelevant.
And EVEN IF in some magical land the monkey was able to get ownership, the monkey would have to give consent to have the photo licensed. So even then Wikimedia doesn't have a valid claim.
So again, you guys can sit here and hash out how you think the world should work, but this is coded into the law and it isn't that difficult. It's pretty clear cut actually. I mean there are random examples of when the stars all align and something strange happens, but it's all mostly predictable.
And for bonus points I'll tell you the argument that Wikimedia's lawyers should and probably will use. Ready...
"Wikimedia is an educational institution and therefore use of this photo falls under fair use." Boom.
Any claim that this belongs in the public domain or that the monkey owns the photo is just hogwash. Pick your battles better.
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Re: Re: Re: Track Record
Could you provide a single citation to back up your claim? I have yet to see a single copyright expert agree with you. So if it's "coded into the law and it isn't that difficult" then you should be able to cite where in the law it says what you claim and present some related case law to support it, no?
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Re: Re: Re: Re: Re: Re: Track Record
IF YOU WANT A SOURCE FOR THE LAW, THE SOURCE IS THE ACTUAL LAW.
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Re: Re: Re: Track Record
In those cases there is a contractual agreement (even if it isn't written) prior to the creation that supersedes the assignment of copyright under the Copyright Act of 1976 or similar laws in other countries so that example does not apply here.
"If in some alternate universe a court ruled that an animal could claim copyright (which isn't going to happen), that doesn't necessarily mean that the animal automatically owns it. In this hypothetical situation, it would be argued that because the photographer provided the equipment, he or she is the true owner of the photo. This would actually be true if we were talking about two humans. The person or object who hit the button is irrelevant."
This is just plain wrong. Ownership of the equipment has absolutely no bearing on copyright.
"And EVEN IF in some magical land the monkey was able to get ownership, the monkey would have to give consent to have the photo licensed. So even then Wikimedia doesn't have a valid claim."
Unless the DOJ wants to try to charge someone with criminal copyright infringement for infringing on a monkey's copyright (which is even a sillier concept than the idea of the monkey owning the copyright in the first place) the monkey would have to file a lawsuit seeking damages for the infringement for that to even matter and that is if the law allowed monkeys to file lawsuits. (I wouldn't be surprised if Prenda might be willing to file it for the monkey though.)
"Wikimedia is an educational institution and therefore use of this photo falls under fair use."
That would probably work in US courts but the photographer is British and if he chose to file his case in the UK under UK law, there is no fair use.
Care to try again?
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I will concede that different laws in different countries muddy the waters.
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I have to mark your comment as funny after you previous "citation" to back your claims.
Could you please quote the part of the Copyright Act of 1976 that says ownership of equipment has anything to do with ownership of copyright?
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Re: Re: Re: Re: Re: Re: Track Record
Ownership of equipment isn't mentioned in the Copyright Act. But it is relevant on whether an person is an independant contractor or employee.
The specific case regarding equipment is Community for Creative Non-Violence v. Reid.
"In determining whether a hired party is an employee under the general common law of agency, we consider the hiring party's right to control the manner and means by which the product is accomplished. Among the other factors relevant to this inquiry are the skill required; the source of the instrumentalities and tools; the location of the work; the duration of the relationship between the parties; whether the hiring party has the right to assign additional projects to the hired party; the extent of the hired party's discretion over when and how long to work; the method of payment; the hired party's role in hiring and paying assistants; whether the hiring party is in business; the provision of employee benefits; and the tax treatment of the hired party."
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But it's not just that he didn't hit the button, it's that he also didn't do anything else. He had to contribute some originality, and not just a camera.
That narrows it down a little. The relevant portion seems to be in section 201(a):
Which doesn't seem to help much... the entire argument here is who is the author.
I can't help but notice this passage in section 202:
(emphasis mine)
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Oh look, a citation!
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Re: Re: Re: Track Record
That is incorrect. Here are the words of a lawyer who specializes in copyright and photography:
And EVEN IF in some magical land the monkey was able to get ownership, the monkey would have to give consent to have the photo licensed. So even then Wikimedia doesn't have a valid claim.
Those who are claiming the monkey owns the copyright are also incorrect. No one owns the copyright - it's in the Public Domain.
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That distinction is meaningless to me. No matter whether everyone owns the copyright or no one owns the copyright, it still means that no single person or entity can control it.
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Forgot to log in.
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It shouldn't be.
If something is in the public domain, nobody "owns" the copyright, because it doesn't exist.
And it can't be the case that "everyone owns it," because the only thing left to "own" are copies - and those copies are private property.
What everyone holds are the rights that are made exclusive to authors (and their assigns) in 17 USC 106: the right to make copies, the right to public display or performance, etc.
But the reason everyone holds these rights is not because they were "granted" by copyright law. It is because they are private property rights and free speech rights. They hold those rights because they are human rights, and the government should not have the power to remove those rights from its citizenry.
The fact that copyright - a right that is entirely government-created - does in fact take those rights away, should be very meaningful to you.
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If it belongs to everyone, it's the total opposite of exclusive. And... I don't know, saying you "own" the copyright to something in the public domain is sort of like saying you "own" the right to sail a boat on the open sea or you "own" the right to breathe air. I don't think the simple fact that you're legally allowed to do something means you have ownership of anything.
And if something is owned, instead of a natural right, that implies that it can be taken away. Didn't pay your taxes? How about as partial payment we take away your rights to copy public domain works - that's got to be worth something, right? We'll credit you two dollars - after all, the rights are split between ten billion people or so.
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FTFY
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Fair enough and you're right, of course. It most certialy does matter in the overall debate whether copyright should exist or not.
Still, in purely practical terms with our copyright system as it currently exists, the distinction really is meaningless - permission to use however you choose is not required.
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In other words, if government did not exist then you could still "own" stuff. You'd just be on your own in terms of enforcing your ownership.
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Although maybe the suit would have to be dismissed because you wouldn't be able to find an impartial judge or jury - every judge in the country would have a conflict of interest since they'd be among the copyright holders.
We're better off just saying that nobody owns the copyright to the picture.
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Re: Re: Re: Re: Track Record
Not according to Community for Creative Non-Violence v. Reid.
"In determining whether a hired party is an employee under the general common law of agency, we consider the hiring party's right to control the manner and means by which the product is accomplished. Among the other factors relevant to this inquiry are the skill required; the source of the instrumentalities and tools; the location of the work; the duration of the relationship between the parties; whether the hiring party has the right to assign additional projects to the hired party; the extent of the hired party's discretion over when and how long to work; the method of payment; the hired party's role in hiring and paying assistants; whether the hiring party is in business; the provision of employee benefits; and the tax treatment of the hired party.
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No not at all. I'm trying to argue against the point that since the monkey hit the button, the photographer doesn't have ownership.
Who hits the button is irrelevant.
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That case dealt with whether the person was a subcontractor or an employee. This would determine if the work was a "work for hire" or not. The ownership of the equipment was only used to determine that relationship, and it was only one factor out of many. And, in fact, it was used as evidence against a "work for hire" relationship (since the subcontractor used his own equipment).
So, no, merely owning the equipment does not confer any sort of copyright ownership. It has absolutely no bearing on who would ultimately hold the copyright to the photo, unless Slater claims that the monkey was "an employee [working] within the scope of his or her employment" (17 USC 101).
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True, it's not the only factor, but I'm just trying to argue against this idea that since the monkey hit the button, the photog doesn't own it.
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Re: Re: Re: Re: Re: Re: Re: Track Record
You don't seem to have the slightest clue how copyright law actually works, do you?
As Karl told you, this *only* matters in works-for-hire situations, which (contrary to what many believe) is a very specific set of circumstances, not even remotely in play in this case with the monkey.
So, let's go back to the initial question: can you cite a single piece of case law or a *specific article in the law* that supports your position?
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The only way that Slater (who is not the photographer) would hold the copyright, is if the monkey was "an employee" of his.
Otherwise, he's just like any other owner of the camera used by a photographer. He doesn't hold the copyright.
Animals obviously cannot be employees, so this legally can't be a work for hire. Thus, he doesn't hold the copyright.
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Re: Re: Re: Re: Re: Re: Re: Track Record
and I'm just trying to argue that because we exist flying unicorns must also exist as well.
I suppose you can try to argue anything you want but shouldn't your efforts be directed at trying to do research and argue a position based on its merit instead of trying to argue something for the sake of 'just trying' to argue it. Or is it that you're just trying to argue something that supports your personal agenda and trying to find the best argument that you can come up with in favor of it. You want to argue against an idea regardless of its merit just because you don't like it.
So you tried to argue something. Your argument failed. What's the point of simply telling us what you were trying to argue? Why should we care? Does telling us what you were trying to argue support your argument any? I can try to argue for magic flying unicorns too.
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Re: Re: Re: Track Record
True, but they often ARE found to be the copyright owner, if they did anything creative (and the next block doesn't apply.) If the person is just transcribing a speech verbatim, then the person giving the speech would probably get the copyright and not the transcriber (and not the person who owns the pen or the microphone.)
Only if you are an actual TechDirt employee, or have a signed work-for-hire agreement, or a signed copyright transfer. Who owns the camera does not matter, except so far as it shows whether the photo was taken "for" TechDirt. (If, as their employee, I use one of their cameras, it would take a lot to show that I wasn't working for them while taking the photo; but if I was using my own camera, I could use that as evidence that I wasn't on the job at the time - but it's only evidence, not proof.) But that doesn't apply to a monkey, because the monkey is not an employee and presumably is legally and physically incapable of signing anything.
So if I film a movie using rented equipment, the equipment rental store gets the copyright? I think not. Anyway, the photographer does own the physical photo... he just doesn't own the copyright to the photo.
In that magical land, they'd get away with it because only the monkey could protest; but I agree that the monkey can't get the copyright.
If it ever got to the point of a lawsuit, I'm sure they would argue that as a backup. They'd win on some fair use factors and lose on others, and who knows how it would go if it came to that.
Citation needed. Seriously, if you're right I want to know where this is in the law.
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Re: Re: Re: Re: Track Record
Yep. Everything you said is right.
For sources it's the Copyright Act of 1976, but I'm getting mad hate for pointing that out from everyone else here.
Regarding the ownership of equipment (I had to look this one up) the court case you want to reference is Community for Creative Non-Violence v. Reid.
"In determining whether a hired party is an employee under the general common law of agency, we consider the hiring party's right to control the manner and means by which the product is accomplished. Among the other factors relevant to this inquiry are the skill required; the source of the instrumentalities and tools; the location of the work; the duration of the relationship between the parties; whether the hiring party has the right to assign additional projects to the hired party; the extent of the hired party's discretion over when and how long to work; the method of payment; the hired party's role in hiring and paying assistants; whether the hiring party is in business; the provision of employee benefits; and the tax treatment of the hired party."
In short it's not dissimilar from unemployment claims.
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Who hits the button is irrelevant.
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For that to apply to this case you would have to be arguing that the fact that he owned the camera indicated that the monkey was his employee and therefore he owns the copyright due to the work for hire definition provided in the Copyright Act of 1976. So again I ask is that really the argument you are trying to make?
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The only thing the equipment owner did was provide the camera, and possibly processed the raw image after retrieving it from the camera (this wasn't discussed, so it's hard to know how much post-processing of the image has occurred).
I'm assuming that rented or borrowed (or even stolen equipment) does not automatically assign copyright back to the original owner of the equipment - has that ever been tested in court that you can prove?
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Now you're just being a trollish idiot. Either quote the actual relevant text of the law, or admit you don't know what you're talking about.
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Re: Re: Re: Track Record
To determine if you are an employee or independent contractor you have to determine 3 things:
Behavioral: Does the company control or have the right to control what the worker does and how the worker does his or her job?
Financial: Are the business aspects of the worker’s job controlled by the payer? (these include things like how worker is paid, whether expenses are reimbursed, who provides tools/supplies, etc.)
Type of Relationship: Are there written contracts or employee type benefits (i.e. pension plan, insurance, vacation pay, etc.)? Will the relationship continue and is the work performed a key aspect of the business?
http://www.irs.gov/Businesses/Small-Businesses-&-Self-Employed/Independent-Contractor-S elf-Employed-or-Employee
Equipment ownership falls under the Financial category there.
Section 101 of the Copyright Act (title 17 of the U.S. Code) defines a “work made for hire” in two parts:
a work prepared by an employee within the scope of his or her employment
or
a work specially ordered or commissioned for use [list of 9 different ways here....] if the parties expressly agree in a written instrument signed by them that the work shall be considered a work made for hire.
http://www.copyright.gov/circs/circ09.pdf
Equipment ownership has literally nothing to do with copyright, and only to do with employment status. At best, in the situation of me asking someone to take my photo with my camera, at my request say on vacation, there is an implied verbal contract they are using the equipment in my service, and as a work for hire even though no compensation is exchanged. In that case, I would bet on the owner of the camera actually losing in court though as the person using the camera composed the shot and took it...they are the button pusher, the composer of the composition in question.
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Re: The photographer owns the photo
The photo in question is an image created through an organic automated process. No human input was used, no one composed or designed the shot, no one even initiated the shot. No Human (or other "legal" entity) was involved. How can there be ownership?
I am looking for an actual (factual) answer please.
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Re: Re: The photographer owns the photo
The most logical argument I can muster for the photographer (or camera owner) owning the copyright on this picture is that even though he was entirely uninvolved in it's creation, when he picked HIS camera up he was in physical possession of the only copy of that picture. He easily could have hoarded it in an attic or destroyed it completely. That wouldn't have furthered the arts or useful sciences at all! So instead he released it into the wild for all of us to bicker over. Is that a compelling legal argument? I am sure it is not. But like I said, it's the most logical argument I can make.
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Re: Re: Re: The photographer owns the photo
All I recall seeing is his complaints about how valuable the camera was, and how much the trip cost. Considering his comments on the high cost of his equipment, I rather doubt it.
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Re: Re: Re: Re: The photographer owns the photo
The entire reason the picture got so much attention is that he claimed the monkey took it him/herself, if the human had taken the picture it would have just been another picture of a monkey.
He had nothing to do with the situation other than showing atrocious decision making skills by leaving an expensive, and very breakable, piece of equipment next to a couple of monkeys.
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Re: Re: Re: Re: Re: The photographer owns the photo
Now, if he had deliberately set up the situation to encourage the monkeys to examine, handle or play with the camera, then he'd have a case, and I'd probably be inclined to give him the credit, and the copyright.
But I rather doubt whether "I made a stupid, careless mistake, quite by accident -- but by pure dumb luck my equipment survived, and by even purer dumb luck a usable photo came out of it," really qualifies.
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Re: Track Record
wow, i am impressed by your prognostication, do you have a newsletter i can subscribe to ? ? ?
1. that the supremes decided 'wrongly' ('wrongly' meaning against the wishes of the large majority, and violating the maxim of 'the greatest good for the greatest number') is probably a better than even bet on ANYTHING...
2. that they used flawed and specious 'reasoning' to pre-determine the conclusion they were hell-bent on reaching, is bidness-as-usual...
3. that they did so by stretching credulity and the meanings of words, is nothing new...
4. at this point, i look to NOTHING the supremes decide as being based on morality or law and the greatest good for the greatest numbers, but simple obeisance to the results Empire EXPECTS out of them...
5. EVERYONE could have predicted they would do *something* to twist the case to their will, but you just never know what bullshit rabbit they will pull out of their hats...
6. in short, they have -as is their wont- rendered 'The Law' meaningless by their tortured logic in reaching the conclusion they WANTED, not the one that was predicated on law, logic, and reasonableness...
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Re: Re: Track Record
Like I said, I won't waste (much) time arguing here. I'm trying to find a fact in your statement to dispute, but it's mostly just rambling.
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Re: Re: Re: Track Record
discuss...
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Re: Track Record
If it's such a "no brainer" care to include how you came by that conclusion? Lots of people who are very knowledgeable in copyright law claim otherwise.
You can argue all you want about what you think will or should happen, but it won't change the fact that you're pulling opinions from the sky and seriously reaching for an outcome that won't happen.
I'm not reaching for anything. I really couldn't care less who ultimately ends up (if anyone) with the copyright for a monkey picture. I'm more interested in the discussions that are developing around this issue.
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Sex tourism these days.
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Premise is faulty...
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Re: Premise is faulty...
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Re: Re: Premise is faulty...
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Slater's Income
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To take this on a bit of a tangent...
With that in mind, I can't think of any ideological** reason why copyright shouldn't act in much the same way as inheritance taxes. That's certainly a partisan issue.
Certain political groups believe that money shouldn't be pass down to the next generation at its current rate without the public getting its cut.
Yet many of those same people have no problem letting a different kind of "property" pass down multiple generations with no public benefit?
"Life plus XX years" copyright laws are just another way of enriching future generations for doing no work, in exactly the same way that gets railed against when we're talking about money!
**There are no ideological reasons, but there are monetary reasons. Hollywood lobbies hard for copyright laws, but not for other types of inheritance. This seems like a rather weak spot in which to call out politicians for their hypocrisy.
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Re: To take this on a bit of a tangent...
Indeed the Berne Convention explicitly says so - it requires copyright to provide an income for the authors' grandchildren. For that we can thank Victor Hugo, who was the public face of the campaign to get that rule, and of course the usual corruption, idiocy, and treason on the part of the world's politicians.
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RE: The photographer owns the photo.
The photo in question is an image created through an organic automated process. No human input was used, no one composed or designed the shot, no one even initiated the shot. No Human (or other "legal" entity) was involved. How can there be ownership?
I am looking for an actual (factual) answer please.
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Re: RE: The photographer owns the photo.
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Re: Re: RE: The photographer owns the photo.
Who owns the equipment actually matters a lot when you're determining the author when there are no contracts.
"The photo in question is an image created through an organic automated process. No human input was used..."
Yeah except there was human input used. The photographer walked his ass out into the jungle with a camera.
As I said to another commenter, in the world of content creation, the person who does the work (snaps the photos, designs the content, whatever) does not always automatically own the the copyright. Depending on who owns the equipment and who is paying the money often determines who has claim to copyright if it ever goes to court. For example, if I shoot a photo for TechDirt and TechDirt pays me and also owns the camera, they (generally) own the copyright. But (generally) I could still use it for self promotion.
If in some alternate universe a court ruled that an animal could claim copyright (which isn't going to happen), that doesn't necessarily mean that the animal automatically owns it. In this hypothetical situation, it would be argued that because the photographer provided the equipment, he or she is the true owner of the photo. This would actually be true if we were talking about two humans. The person or object who hit the button is irrelevant.
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Re: Re: Re: RE: The photographer owns the photo.
I don't think there's a real answer there, much less that it would ever have a scenario that it would matter.
Yeah, they guy OWNED the physical objects such as the camera, and the equipment. Until he shared it, he owned the only copy of the image too. Owning something you didn't create doesn't give you the copyright to it though. That's like someone digging up a fossil of a brand new creature and wanting money for anyone that depicts it in any image ever. The person dug it up, they used their tools, they picked the location. They didn't do anything artistic though.
Really, this guy doesn't have anyone to blame but theirself though for squandering an easy profit from a random picture that they found on their equipment. If they sold it for a decent amount to a big corporation they would have been fine. Not that the corporation would have any more rights over the image than an individual, but that no-one would want to have to fight an entitity with expendable money in court over such an issue.
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Re: Re: Re: RE: The photographer owns the photo.
No, they don't. You would own the photo. Techdirt would only own it if you signed a contract with them (before taking the photo) saying that it's a work for hire.
(You could, of course, assign the copyright to them at any time, but you would still be the original author under copyright law.)
See, for example, this interview with Carolyn E. Wright, LLC:
- http://blog.kenkaminesky.com/photography-copyright-and-the-law/
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Re: Re: Re: Re: RE: The photographer owns the photo.
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Re: Re: Re: RE: The photographer owns the photo.
In addition to Karl's comment you are also wrong about using it for promotion too. If Techdirt holds the copyright, then you have absolutely no rights to copy or distribute the photo unless Techdirt grants you a license or otherwise agrees to let you do so.
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Re: Re: Re: Re: RE: The photographer owns the photo.
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Re: Re: Re: Re: Re: RE: The photographer owns the photo.
Maybe a few years ago, sure. Portfolios of this type are more commonly published on the web these days and usually where anyone and everyone can view them. That does make a difference.
Seems like something fair use would cover if it wasn't huddled in the corner hoping not to get beat up again.
I'm not certain Fair Use would cover this usage myself. Most factors go against it. It's for profit (you're selling your services), non-transformative, use of the entire work, etc..
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Track Record (Later Guys)
I won't make the same mistake I made with the Aereo case though which was that I constantly came back for more debate. I was right about that and I'm right about this. It's so obvious it hurts. My second favorite part was people telling me why the supreme court was wrong. Okay have fun with that.
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Re: Track Record (Later Guys)
It wasn't that we don't accept your source as valid - the actual law is obviously a valid source for the law. It was that you wanted us to search all of Title 19 of the US Code to find some unspecified passage that you think supports your views. That's not reasonable. Saying "Chapter 2" is a bit better but still leaves us to guess what portion you meant. It's very difficult to get anywhere if I think you mean that the relevant part is in section 201(a) but you actually think it's in 204(b)(2) and don't say so.
The supreme court can be wrong. Sometimes it even reverses itself.
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Re: Track Record (Later Guys)
/s
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Re: Re: Track Record (Later Guys)
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Re: Track Record (Later Guys)
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Re: Track Record (Later Guys)
Well you certainly confirmed that you're a bit of a blowhard who makes unsubstantiated claims and then deflects when called out on it.
"My favorite part was when everyone started asking for sources and then got all mad when I provided one that didn't fit their personal views."
My favorite part was when you were asked repeatedly to point out exactly where in the Copyright Act it says what you claimed, but you were completely unable to do so. It's pretty hard to read that any way other than you knowing you're wrong.
"Here's a hint, if you're going to debate Copyright Law, the source is the current copyright law - not some random blogger."
And we should instead take the word of a random anonymous commenter who provides absolutely zero credible support for their claims? I must have missed the bit where you demonstrated how or why we should trust you more than this particular blogger.
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Re: Track Record (Later Guys)
Overall: 6/10. Believing what you're saying really hurt you there.
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Re: Track Record (Later Guys)
Here's a better hint: If you are going to debate copyright law, the source is current copyright law AND the caselaw surrounding it. How the courts have interpreted the statutes is just as important as the original laws.
Just pointing to 17 U.S.C. clarifies nothing. You need to be specific, including any relative caselaw that supports your argument. You haven't done so.
Also, if you actually read the article that was linked you'd know it was "some random blogger" quoting the words of an actual copyright attorney who works with photographers.
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The Great Impostor.
https://www.techdirt.com/articles/20110714/16440915097/photographer-david-slater-claims-that-b ecause-he-thought-monkeys-might-take-pictures-copyright-is-his.shtml#c1496
David Slater's real legal principle seems to be a kind of diluted form of Res Nullius.
http://en.wikipedia.org/wiki/Res_nullius
Of course, Res Nullius in its grand ancestral form meant that any Spanish Conquistador could rob, kidnap, torture, rape, murder, and enslave any Arawak Indian. This of course resulted in the substantial extermination of the Arawak Indians within fifty years or so, the first precedent for the Holocaust, and the resort to the Atlantic Slave Trade, with its premise of the Res Nullius right to rob, kidnap, torture, rape, murder, and enslave any African.
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