Recording Industry Has 'Virtually Eliminated Illegal File-Sharing' In Norway -- By Offering Better Products
from the they-said dept
Techdirt has written a number of times about growing evidence that good, reasonably-priced streaming services are reducing dramatically the number of illegal downloads in the regions where they are available. One of the countries where that was observed some years ago is Norway. Now, a new report in Music Business Worldwide indicates that things are looking even better for the recorded music business there:A countrywide survey in December 2014 showed that just 4% of Norwegians under 30 years still used illegal file-sharing platforms to get hold of music.The head of the International Federation of the Phonographic Industry (IFPI) in Norway, Marte Thorsby, explains why she thinks that has happened:
Even better for the worldwide industry, less than 1% of people under 30 years said that file-sharing was their main source of obtaining music.
"We are now offering services that are both better and more user-friendly than illegal platforms… In [the past] five years, we have virtually eliminated illegal file-sharing in the music industry."There we have it from the recording industry itself: offer "better and more user-friendly" products and illegal file-sharing just goes away on its own -- no intrusive surveillance, punitive three-strikes or clumsy site blocking required. How much clearer does it have to be?
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Filed Under: copyright, infringement, innovation, norway
Companies: ifpi
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Norway is small and while it is irrelevant the MAFIAA will generally point at this. What they want is absolute control as gatekeepers in the main markets. We are not talking with dumb people, they know damn well that making things easily available and for fair prices will tackle piracy. But it won't solve the gatekeeper part of their equation. And as that cherry on top of the cake the profits aren't borderline criminal, they'd have to settle with more mundane profits.
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Or, and this is just crazy talk so pay it no mind, maybe the fact that even with the pirates pretty much no longer a factor, their profits still haven't shot up, maybe, just maybe that indicates that piracy is not in fact this apocalyptic scourge on the music industry, or at least not in that country.
But, like I said, clearly that's just crazy talk.
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http://torrentfreak.com/unprecedented-music-piracy-collapse-fails-to-boost-revenues-150126/
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THAT PIRACY ISN'T HURTING THE INDUSTRIES IN THE SLIGHTEST! IN FACT, IT PROBABLY IS LEADING TO THE MAJORITY OF SALES BECAUSE OF BEING ABLE TO LISTEN TO THE DAMN MUSIC BEFORE BUYING!!
but of course mine and every other reasonably intelligent persons view is a load of shite, because it tells the truth which is definitely not what the industries want to hear!! especially when governments and courts are being 'encouraged' and succeeding in bringing about the destruction of the net as we know it.
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(South) Korea is quite different in its music industry due to being quite young, and has a lot of digital streaming and purchases, but also a lot of foreign fans from relatively poor countries in East Asia.
As a result, I would expect piracy is quite common, but one thing that k-pop does on physical releases is provide interesting or value-add physical products (rather than just a case with a CD inside it), and there are lots of fans in East Asia to the point where some groups have had concerts in those countries before they have held domestic ones.
Piracy almost certainly helped k-pop grow, but the domestic industry has embraced digital media entirely, and recognised that physical products should be more than just the same as the digital copy but on a CD, and provides posters when CD purchases, or other added extras in the physical package.
By approaching both sides domestically, and also promoting abroad, you make the most of any foreign piracy by monetising pirate fans with concerts and merchandise, and you make the most of the domestic digital market by offering good value digital purchases and streaming, along with good value physical products.
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Everyone knows that innovative music industry is one of the signs of the impending apocalypse...
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While the U.S.-centric legal shenanigans against individual filesharers probably don't take hold in Norway, their effect on making uncontrolled copies reliably available is certainly there.
So as long as there are legal and reasonably priced alternatives, there is no point in going through the nuisances primarily due to technical anti-filesharing activities of the music industry.
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Probably because it's almost certain nothing to do with anything of the sort.
"Everyone knows that innovative music industry is one of the signs of the impending apocalypse."
Not really. Historically, these industries do tend to accept new technology when they're forced to accept them. It's just a shame that we've had to wade through over a decade's worth of lies and self-immolation to get there.
Besides, this has nothing to do with an "innovative music industry". This is largely due to outsiders (Apple, Amazon, YouTube, Spotify, etc.) coming in and showing them how to give customers what they actually want rather than try propping up what the labels would prefer to have.
That the recording industry is now trying to get credit for finally agreeing to work out some reasonable licencing to these services does not mean the claim is accurate.
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What strikes me is that even as piracy took a nose dive the revenues actually declined if inflation is added to the equation. This is something that can and should be explored. I'd guess that people are spending more on independent music, direct donations and other stuff. The pie has grown but the regular music players aren't capable of getting a larger piece of it.
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The top down structure of the legacy players, with their demand for control, does not scale as well as a server on which anyone can publish. Kim Dotcom had come up with a dangerous model for the legacy players, count downloads and share part of the profits pro-rata, without demanding athe copyright, or a distribution contract. This model scales well and quickly, just add servers and storage. This model doe not support a load of middlemen, and so had to go.
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$20/mo for a streaming site is not reasonable.
Record labels taking 90% of the revenue which is supposed to go to the artist is not reasonable.
The RIAA, which single-handedly forced Danish laws to punish citizens against downloading files is most assuredly not reasonable.
There's one statistical fact about surveys: they're all statistical bullshit because they never tell the complete picture.
Here's a little reminder about this survey's "proof":
https://www.techdirt.com/search-g.php?q=danish
Reasonable offers. That's like saying Verizon, AT&T, and Comcast give its customers reasonable offers.
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That might not be true for everyone, or even most, but I find $20/month to be perfectly reasonable.
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This is the key point. What is a reasonable price point has a large subjective component. From the point of view of business, this is what makes determining the price for your products and services a bit of a black art -- a combination of sociology and economics.
I'm not familiar with any video service outside of Netflix, so I can't say if those price points are reasonable to me or not, but I do know that the Netflix rate is more than fair for me.
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I find it reasonable since I've been using Netflix heavily. I got a Family plan and I got my parents connected and my girl has been using a lot for the series it has. Sure I'm paying about $12 but I wouldn't mind if it was $20. They deserve for the service. My only issue with it is the crap DRM and the lack of a standalone desktop software.
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Also, I don't know if it's available in other countries, but Google Music is $10/m. Is that reasonable to you?
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Being able to send the author a little something for their art, EASILLY, affordably, securely and privately), is nice to have.......but in no way do i think that having a monatery side should shutdown the sharing inovative side, monetary's ORIGIN..........let sharing rise and fall in its own violition, when there is no need sharing will fall, when theirs a need sharing will rise.......but it should never be restricted, for inovations sake
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About these better products...
The same products that Taylor Swift claims is devaluing her art?
The same products that Thom Yorke, who made a mint on a BitTorrent release, called "the last desperate fart of a dying corpse" and a new tool for major label gatekeeping?
Just checking.
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>"How much clearer does it have to be?"
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"We don't want your simple logic! Give us real world numbers and examples!"
Gives them this article.
US Music Industry:
(Fingers in ears, eyes closed) "LALALALALA WE CAN"T HEAR YOU!"
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Imagine that
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There is a PS:
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@ you all
you can see proof that sales are only up 1.5%...if all these people were buying you'd see huge jump....
only idiots think otherwise
and 1 person buying a vpn ( encrypted) and 10 friends using it ( encrypted) gives them ( hollystupid) no clue as to what is up....
shop smart
SHOP S-MART
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The lack of a jump in sales is not evidence that piracy hasn't been reduced. It may very well be that piracy rates have gone down, but the ex-pirates are still not buying the music.
This seems like an expected result to me: most people who engage in piracy but don't buy are the sorts that wouldn't buy in the first place. Getting rid of the piracy in no way means that they'll suddenly start.
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Removing piracy does not tip the scale back towards sales.
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Equally, only an idiot would believe this is a zero sum game, and that lower piracy automatically means more sales at the same level. That's an assumption of RIAA-level stupidity.
As the whiners keep reminding us, Spotify does not equal sales. So, people who stop pirating aren't buying more music, they're just using a service to legally obtain it. Which, they should be happy about since it apparently hasn't led to a *drop* in sales, but they can't take good news if it didn't make them billionaires overnight...
There's also other ways to obtain music than "file sharing", which is what the survey specifically asked about. If people aren't using an "illegal file sharing platform", that doesn't mean they're buying the music, it just means the service they use (which may or may not be legal) doesn't fit in that category. Although, the facts point toward legal services being used.
Interesting that you automatically assume everyone must still be pirating, though.
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Music
THAT PIRACY ISN'T HURTING THE INDUSTRIES IN THE SLIGHTEST! IN FACT, IT PROBABLY IS LEADING TO THE MAJORITY OF SALES BECAUSE OF BEING ABLE TO LISTEN TO THE DAMN MUSIC BEFORE BUYING!!
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